Ahbra Perry

With 72 hours notice I put together and directed a live 4K video production crew of nine. With cranes, remote controlled 3-axis gimbals, time-lapse, and HFR, I put together an entire media library with an edited promotional video that will last maintains its value for years to come.

Developed a children’s educational travel television show about a globetrotting puppet bear and mouse. Produced deck with a 12 episode outline, sizzle reel and pitch package and pitched to larger production companies, networks and talent agencies in Los Angeles.

Locations and Principal Photography

Australia. During the preproduction and production phases of this project I raised over a half million dollars , negotiated the logistics of crew, transportation, equipment rentals, translators, and accommodations in four different countries all while leading my team to capture amazing stories and stunning images. I won national pitching festivals for the film including the 2013 American Documentary Film Fund, 2014 Big Sky DocShop, and sponsorship from Skywalker sound. I am currently supervising the postproduction, as well as the archival footage research and acquisition. We are slated for an early 2017 premiere.

Fred and Frannie, murder mystery party planners, show up to host an evening of events at the home of New England's most dangerous serial killer.In order to generate the look for this film I pushed every tool beyond it’s normal capabilities. Screened in Scotland, Ireland, and continues to play horror festivals around the US. Official Selection (Brooklyn Short Film Festival) 2013

Worked directly with learn and from some of the best TV production people and management in the business, Jimmy Miller, Alan Shapiro, and Ted McKinney. I compiled daily sheets, assisted in a variety of stages of production, including basic research and logging, talent, crew, and location scouting, marketing, distribution, and syndication. I worked on multiple projects directly for Jimmy Miller, Charles Roven, and Alex Gartner in the research, pitching, and pre production stages of development.

Developed a television show about pearl farming in the Philippines. Produced deck, sizzle reel and pitch package and pitched to larger production companies, networks and talent agencies in Los Angeles.

Produced and coordinated shoots all over the Middle East and Mediterranean. (Israel, Egypt, Turkey, Greece, Jordan) Was able to achieve unprecedented access into some of the oldest and most protected locations around the world. Produced multiple videos of the same locations all targeted at different interest groups. This job was where I first began to get my hands dirty organizing the transpiration or film equipment and crews across high tension borders.