Alex Merriman

Operated as Field Producer and Cinematographer, covering UFC fighter Francis Ngannou in as he prepared for his fight at UFC 218. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 223 at the T-Mobile Arena in Las Vegas, Nevada.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 218 at the Little Caesars Arena in Detroit, Michigan.

Operated as Field Producer and Cinematographer, covering UFC fighter Holly Holm as she prepared for her fight at UFC 219 in Las Vegas, NV. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 217 Madison Square Garden in New York City, New York.

Operated as Field Producer and Cinematographer, covering UFC fighter TJ Dillashaw in Los Angeles and NY, NY as he prepared for his fight at UFC 217. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Operated as Field Producer and Cinematographer, covering UFC fighter Kevin Lee in Las Vegas as he prepared for his fight at UFC 217. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 216 at the T-Mobile Arena in Las Vegas, NV

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 215 at Rogers Place in Edmonton, Alberta, Canada.

Specialty Camera footage shot on the Arri Alexa. Backstage, walkout, fight coverage.

Operated as Field Producer and Cinematographer, covering UFC fighters as they prepare for their fight at UFC 214. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 214 at the Honda Center in Anaheim, California.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 213 at theT-Mobile Arena in Las Vegas, NV.

Operated as Field Producer and Cinematographer, covering UFC fighters as they prepare for their fight at UFC 213. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Operated as Field Producer and Cinematographer, covering UFC fighter Karolina Kowalkiewicz in Rio de Jeneiro, Brazil as she prepared for her fight at UFC 212. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 212 at the Jeunesse Arena in Rio de Janeiro, Brazil.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 211 at the American Airlines Center in Dallas, Texas.

Operated as Field Producer and Cinematographer, covering UFC fighter Joanna Jedrzejczyk in Dallas Texas as she prepared for her fight at UFC 211. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 210 the KeyBank Center in Buffalo, New York.

Operated as Field Producer and Cinematographer, covering UFC fighter Chris Weidman in Buffalo, NY as he prepared for his fight at UFC 210. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two RED Epic Dragon rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 209 at the T-Mobile Arena in Las Vegas, NV

Operated as Field Producer and Cinematographer, covering UFC fighter Stephen Thompson in South Carolina and Las Vegas, NV as he prepared for his fight at UFC 209. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Operated as Field Producer and Cinematographer, covering UFC fighter Holly Holm in Albuquerque, NM and NY, NY as she prepared for her fight at UFC 208. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 208 at the Barclays Center in Brooklyn, New York.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 207 at the T-Mobile Arena in Las Vegas, NV.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 206 Air Canada Centre in Toronto, Ontario, Canada.

Operated as Field Producer and Cinematographer, covering UFC fighter Dominick Cruz in San Diego, CA and Las Vegas, NV as he prepared for his fight at UFC 207. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Operated as Field Producer and Cinematographer, covering UFC fighter Anthony Pettis in Milwaukee, WI and Toronto, Canada as he prepared for his fight at UFC 206. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 205 at Madison Square Garden in New York City, New York.

Operated as Field Producer and Cinematographer, covering UFC fighter Conor McGregor in NY, NY as he prepared for his fight at UFC 205. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Operated as Field Producer and Cinematographer, covering UFC fighter Michael Bisping in Manchester, England as he prepared for his fight at UFC 204. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 204 at the Manchester Arena in Manchester, England

Operated as Field Producer and Cinematographer, covering UFC fighter CM Punk as he prepared for his fight at UFC 217. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 203 at the Quicken Loans Arena in Cleveland, Ohio.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 202 at the T-Mobile Arena in Las Vegas, NV.

Operated as Field Producer and Cinematographer, covering UFC fighter Conor McGregor as he prepared for his fight at UFC 202. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Operated as Field Producer and Cinematographer, covering UFC fighter Miesha Tate as she prepared for her fight at UFC 200. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Operated as Field Producer and Cinematographer, covering UFC fighter Robbie Lawler as he prepared for his fight at UFC 201. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 200 at the T-Mobile Arena in Las Vegas, NV.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 201 at Philips Arena in Atlanta, Georgia

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 199 at The Forum in Inglewood, California.

Operated as Field Producer and Cinematographer, covering UFC fighter Dominick Cruz as he prepared for his fight at UFC 199. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two RED Epic Dragon rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 197 MGM Grand Garden Arena in Las Vegas, Nevada.

Operated as Field Producer and Cinematographer, covering UFC fighter Ovince Saint Preux in Knoxville, TN and Las Vegas, NV as he prepared for his fight at UFC 197. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two RED Epic Dragon rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 196 MGM Grand Garden Arena in Las Vegas, Nevada.

Operated as Field Producer and Cinematographer, covering UFC fighter Conor McGregor as he prepared for his fight at UFC 196. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used two Arri Alexa rigs (one on a MoVI + 1 Handheld) to shoot BTS, fighter walkouts, celebrations, and fights during UFC 195 at the MGM Grand Garden Arena in Las Vegas, Nevada.

Operated as Field Producer and Cinematographer, covering UFC fighter Robbie Lawler as he prepared for his fight at UFC 195. UFC Embedded is a non scripted docu-series covering marquee fighters as they prepare for their upcoming fights. Typically a 6 episode series, with each episode covering the previous 24hours. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Single camera documentary following/interviewing UFC fighters leading up to UFC 194 in Las Vegas, Nevada. Each of the 6 episodes covers the previous 24 hours, with a show being released everyday for 6 days leading to the event. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used a Red Epic to shoot BTS, Fights, Walk Outs, Crowd Shots during UFC 194 at the MGM Grand Garden Arena in Las Vegas, NV. Footage is used for future UFC and Fox Sports promotional materials (Commercials, Long/Short Form Shows such as "Fight Flashback" / "On The Brink", Features, & Sizzles).

Single camera documentary following/interviewing UFC fighters leading up to UFC 193 in Melbourne, Australia. Each of the 5 episodes covers the previous 24 hours, with a show being released everyday for 6 days leading to the event. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used a Red Epic to shoot BTS, Fights, Walk Outs, Crowd Shots during UFC 193 at the Etihad Stadium Melbourne, Australia. Footage is used for future UFC and Fox Sports promotional materials (Commercials, Long/Short Form Shows such as "Fight Flashback" / "On The Brink", Features, & Sizzles).

I used a Red Epic to shoot BTS, Fights, Walk Outs, Crowd Shots during UFC 192 at the Toyota Center in Houston, Texas. Footage is used for future UFC and Fox Sports promotional materials (Commercials, Long/Short Form Shows such as "Fight Flashback" / "On The Brink", Features, & Sizzles).

Single camera documentary following/interviewing UFC fighters leading up to UFC 192 in Houston, Texas. Each of the 5 episodes covers the previous 24 hours, with a show being released everyday for 6 days leading to the event. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used a Red Epic to shoot BTS, Fights, Walk Outs, Crowd Shots during UFC 191 at the MGM Grand Garden Arena in Las Vegas, NV. Footage is used for future UFC and Fox Sports promotional materials (Commercials, Long/Short Form Shows such as "Fight Flashback" / "On The Brink", Features, & Sizzles).

Single camera documentary following/interviewing UFC fighters leading up to UFC 191 in Las Vegas, Nevada. Each of the 6 episodes covers the previous 24 hours, with a show being released everyday for 6 days leading to the event. Distributed on Fox Sports, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used a Red Epic to shoot BTS, Fights, Walk Outs, Crowd Shots during UFC 187 at the HSBC Garden Arena in Rio de Janeiro, Brazil. Footage is used for future UFC and Fox Sports promotional materials (Commercials, Long/Short Form Shows such as "Fight Flashback" / "On The Brink", Features, & Sizzles).

Single camera following/interviewing UFC fighters leading up to UFC 190 in Rio de Janeiro, Brazil. Each of the 5 episodes covers the previous 24 hours, with a show being released everyday for 6 days leading to the event. Distributed on Fox Sports 1, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Single camera following/interviewing UFC fighter Conor McGregor leading up to UFC 189 in Las Vegas, NV. Each of the 6 episodes covers the previous 24 hours, with a show being released everyday for 6 days leading to the event. Distributed on Fox Sports 1, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Single camera following/interviewing UFC fighters leading up to UFC Fight Night Chicago in Chicago, IL. Each of the 4 episodes covers the previous 24 hours, with a show being released everyday for 4 days leading to the event. Distributed on Fox Sports 1, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used a Red Epic to shoot BTS, Fights, Walk Outs, Crowd Shots during UFC 189 at the MGM Grand Garden Arena in Las Vegas, NV. Footage is used for future UFC and Fox Sports promotional materials (Commercials, Long/Short Form Shows such as "Fight Flashback" / "On The Brink", Features, & Sizzles).

I used a Red Epic to shoot BTS, Fights, Walk Outs, Crowd Shots during UFC Fight Night Chicago at the United Center in Chicago, IL. Footage is used for future UFC and Fox Sports promotional materials (Commercials, Long/Short Form Shows such as "Fight Flashback" / "On The Brink", Features, & Sizzles).

I was Director of Photography on a large commercial shoot with UFC Women's Bantam Weight Champion Ronda Rousey and UFC contender Bethe Correira. This shoot produced 4 different commercial spots to promote UFC 190 and running on TV networks worldwide.

Single camera following/interviewing UFC fighters leading up to UFC 188 in Mexico City, Mexico. Each of the 6 episodes covers the previous 24 hours, with a show being released everyday for 6 days leading to the event. Distributed on Fox Sports 1, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used a Red Epic to shoot BTS, Fights, Walk Outs, Crowd Shots during UFC 188 at the Arena Ciudad de México in Mexico City, Mexico. Footage is used for future UFC and Fox Sports promotional materials (Commercials, Long/Short Form Shows such as "Fight Flashback" / "On The Brink", & Sizzles).

Single camera following/interviewing UFC fighters leading up to UFC 187 in Las Vegas, NV. Each of the 6 episodes covers the previous 24 hours, with a show being released everyday for 6 days leading to the event. Distributed on Fox Sports 1, UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used a Red Epic to shoot BTS, Fights, Walk Outs, Crowd Shots during UFC 187 at the MGM Grand Garden Arena in Las Vegas, NV. Footage is used for future UFC and Fox Sports promotional materials (Commercials, Long/Short Form Shows such as "Fight Flashback" / "On The Brink", Features, & Sizzles).

Single camera following/interviewing UFC fighter Conor McGregor on a UFC world Tour that spanned 10 Days, 5 countries, and 8 cities. Each of the 10 episodes covers the previous 24 hours, with a show released everyday for 10. Distributed on UFC.com, UFC Fight Pass, and UFC's YouTube channel with over 6 million views.

Single camera following/interviewing UFC fighter Joanna Jedrzejczyk and other misc UFC fighters leading up to UFC 185 in Dallas, TX. Each of the 6 episodes covers the previous 24 hours, with a show released everyday for 6 days leading to the event. Distributed on UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used a Red Epic to shoot BTS, Fights, Walk Outs, Crowd Shots during UFC 185 at the American Airlines Arena in Dallas, TX. Footage is used for future UFC and Fox Sports promotional materials (Commercials, Long/Short Form Shows such as "Fight Flashback", Features, Sizzles).

I used a Red Epic Dragon with Zeiss Super Speeds to shoot BTS, Fights, Walk Outs, Crowd Shots during UFC 184 at the Staples Center in Los Angeles, Ca. Footage is used for future UFC and Fox Sports promotional materials (Commercials, Long/Short Form Shows such as "Fight Flashback", Features, Sizzles).

Single camera operator following UFC fighters Raquel Pennington and Josh Koscheck leading up to UFC 184 in Los Angeles, CA. Each of the 5 episodes covers the previous 24 hours, with a show released everyday for 5 days leading up to the event. Distributed on UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Cinematographer on interviews with UFC President Dana White, UFC Matchmakers Sean Shelby and Joe Silva, and MMA Junkie's, John Morgan. Also responsible for filming much of the fight/bts/walkout footage of UFC fighter Conor McGregor.

Single camera operator following UFC fighter Donald Cerrone and other fighters, leading up to UFC Fight Night Boston. Each of the 5 episodes covers the previous 24 hours, with a show released everyday for 5 days leading up to the event. Distributed on UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used a Red Epic to cover specialty footage (ie: BTS, Fights, Walk Outs, Crowd Shots) during UFC Fight Night at the TD Garden in Boston, MA. Footage is used for future UFC and Fox Sports promotional materials (ie: Commercials, Long/Short Form Shows such as "Fight Flashback", Features, Sizzles).

Single camera operator following UFC fighter Kelvin Gastelum and other fighters, leading up to UFC 183 in Las Vegas, NV. Each of the 4 episodes covers the previous 24 hours, with a show released everyday for 4 days leading up to the event. Distributed on UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used a RED Epic to cover specialty footage (BTS, Fights, Walk Outs, Crowd Shots) during UFC 183 at the MGM Grand Garden Arena. Footage is used for future UFC and Fox Sports promotional materials (ie: Commercials, Long/Short Form Shows such as "Fight Flashback", "Road to the Octagon", Features, Sizzles).

Responsible for principal shooting on interviews of UFC matchmakers Joe Silva, Sean Shelby, UFC columnist John Morgan. Also shot B-roll of Conor McGregor and active crowd shots.

I used a RED Epic to cover specialty footage (ie: BTS, Fights, Walk Outs, Crowd Shots) that will be used for future promotional materials (ie: Commercials, Long/Short Form Shows such as "Fight Flashback", Features, Sizzles).

I used a Canon c300 to cover specialty footage (ie: BTS, Fights, Walk Outs, Crowd Shots) that will be used for future promotional materials. Most of the footage I filmed will be used for a documentary film on Women in MMA.

Single camera operator following UFC fighters during the week leading up to UFC 182. Each of the 5 episodes covers the previous 24 hours, with a show released everyday for 5 days leading up to the event. Distributed on UFC.com, UFC Fight Pass, and UFC's YouTube channel.

I used a RED Epic to cover specialty footage (ie: BTS, Fights, Walk Outs, Crowd Shots) during UFC 182 at the MGM Grand Garden Arena in Las Vegas. Footage is used for future UFC and Fox Sports promotional materials (ie: Commercials, Long/Short Form Shows such as "Fight Flashback", Features, Sizzles).

Single camera operator following UFC Welterweight Champion Robbie Lawler during the week leading up to UFC 181. Each of the 5 episodes covers the previous 24 hours, with a show released everyday for 5 days leading up to the event. Distributed on UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Filmed a live, intimate, and "surprise" acoustic set with the popular band Imagine Dragons in front of the Bellagio Fountains on the Las Vegas Strip. I was responsible for the slow motion coverage of the band arriving, playing, crowd reactions, and post interview. For Sony.

A documentary style look into the daily life of weightlifters John North and Pat Mendes as they train and promote the grand opening of the American Weightlifting Federation Expo. I was responsible for operating both the Canon C300 and Sony FS700 simultaneously, audio, and some field producing.

Director of Photography on family profile and "Children Waiting" segments which play in-between live concert segments during the show. Airs on CBS, December 2014.

Lit and shot a direct to camera interview with UFC fighter Urijah Faber as he walks us through his two favorite equalizing fight in the UFC. Was branded by Sony Pictures movie The Equalizer to draw a correlation of the movie to UFC for marketing purposes.

Editor of the Conor McGregor / Dustin Porier Fight Feature that aired worldwide on PPV as well as in house MGM Grand Garden Arena (Las Vegas) with 16,000 attendees.

I used a RED Epic to cover specialty footage (ie: BTS, Fights, Walk Outs, Crowd Shots) that will be used for future promotional materials (ie: Commercials, Long/Short Form Shows such as "Fight Flashback", Features, Sizzles).

Lit and shot (Canon C300) UFC Heavyweight Champion Cain Valasquez. Shoot included outside interviews with Cain and friends, Cain riding the Harley Davidson bike with 30+ other riders in a group down the freeway and side streets, and cut aways of the Harley-Davidson bikes/parts.

I used a RED Epic to cover specialty footage (ie: BTS, Fights, Walk Outs, Crowd Shots) that will be used for future promotional materials (ie: Commercials, Long/Short Form Shows, Features, Sizzles).

Camera operator following UFC President Dana White during the week leading up to UFC 174. Each show covers the previous 24 hours, with a show released everyday for 7 days leading up to the event. Distributed on UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Responsible for the lighting and shooting of former UFC Heavyweight Champion Frank Mir. Released on UFC Fight Pass(Subscription Based Internet Channel)

I traveled between New York, Hong Kong, Macao, and Tokyo documenting the day to day life of UFC President Dana White. Once filming was completed, I edited the final Video for the UFC.

I used a RED Epic and Canon C300 to cover specialty footage (ie: BTS, Fights, Walk Outs, Crowd Shots) that will be used for future promotional materials (ie: Commercials, Features, Sizzles).

Lighted and shot an interview sit down between UFC President Dana White and UFC correspondent Megan Olivi. Distributed through UFC.com, UFC Fight Pass, and the UFC YouTube channel.

Camera operator following UFC President Dana White during the week leading up to UFC 173. Each show covers the previous 24 hours, with a show released everyday for 7 days leading up to the event. Distributed on UFC.com, UFC Fight Pass, and UFC's YouTube channel.

Editor of the UFC Co-Main Event Prelim Feature between UFC fighters José Aldo and Ricardo Lamas. Broadcasted on Pay-Per-View as well as inside the Prudential Center (Attendance: 14,300) in Newark, New Jersey.

I used a RED Epic to film specialty footage (ie: BTS, Fights, Walk Outs, Crowd Shots) that would be used for future promotional materials (ie: Commercials, Features, Sizzles).

Editor of the UFC Main Event Feature between UFC fighters Ronda Rousey and Miesha Tate. Broadcasted on Pay-Per-View as well as inside the Mandalay Bay Events Center (Attendance: 10,200) in Las Vegas, Nevada.

Editor of the UFC Co-Main Event Feature between UFC fighters Ronda Rousey and Miesha Tate. Broadcasted on Pay-Per-View as well as inside the MGM Grand Garden Arena (Attendance 15,700) in Las Vegas, Nevada.

I used a RED Epic to film specialty footage (ie: BTS, Fights, Walk Outs, Crowd Shots) that would be used for future promotional materials (ie: Commercials, Features, Sizzles).

Editor of the fight feature between UFC fighters Joe Lauzon and Mac Danzig. Broadcasted on FOX as well as inside the Sleep Train Arena (Attendance: 11,575) in Sacramento, California.

Shot an interview with UFC fight coach Rey Longo. Interview conducted by UFC correspondant Megan Olivi. Released on UFC's Fight Pass (Online subscription based platform).

Shot on the Red Epic for Pakistani music artist Sham Idrees music video which launched on his YouTube channel and website.

Editor of the UFC 167 Main Event Feature between UFC fighters George St-Pierre and Johny Hendricks. Broadcasted on Pay-Per-View as well as inside the MGM Grand Garden Arena (Attendance: 15,000) in Las Vegas, Nevada.

I used a RED Epic to film specialty footage (ie: BTS, Fights, Walk Outs, Crowd Shots) that would be used for future promotional materials (ie: Commercials, Features, Sizzles).

Operated the "floating" camera covering Megan Olivi's interview with UFC 1 winner Royce Gracie.

Editor of the UFC 166 Co-Main Event Feature between UFC fighters Roy Nelson and Daniel Cormier. Broadcasted on Pay-Per-View as well as inside the Toyota Center (Attendance: 17,200) in Houston, Texas.

Editor of the Co-Main Event Feature between UFC fighters Renan Barao and Eddie Wineland. Broadcasted on Pay Per View as well as inside the Air Canada Centre (Attendance: 15,500) in Toronto, Canada.

Editor of the Co-Main Event Feature between UFC fighters Alistair Overeem and Travis Browne. Broadcasted on FOX Sports 1 as well as inside the TD Garden (Attendance: 14,200) in Boston, Massachusetts.

Editor of the Main Event Feature between UFC fighters Carlos Condit and Martin Kampann. Broadcasted on Fox Sports 1 as well as inside the Bankers Life Fieldhouse (Attendance: 6,400) in Indianapolis, Indiana.

Editor of the Co-Main Event Feature between UFC fighters Rory MacDonald and Jake Ellenberger. Broadcasted on FOX as well as inside the KeyArena(Attendance: 9,000) in Seattle, Washington.

Editor of the Co-Main Event Feature between UFC fighters Frankie Edgar and Charles Oliveira. Broadcasted on Pay-Per-View as well as inside the MGM Grand Garden Arena (Attendance: 13,000) in Las Vegas, Nevada.

I used a RED Epic to cover specialty footage (ie: BTS, Fights, Walk Outs, Crowd Shots) that will be used for future promotional materials (ie: Commercials, Long/Short Form Shows, Features, Sizzles).

Editor of the UFC 162 Co-Main Event Feature between UFC fighters Roy Nelson and Stipe Miocic. Broadcasted on Pay-Per-View as well as inside the MTS Centre (Attendance: 14,750) in Winnipeg, Manitoba, Canada.

Editor of the Main Event Feature between UFC Fighters Vitor Belfort and Luke Rockhold. Broadcasted on FX as well as inside the Arena Jaraguá (Attendance: 7,600) in Jaraguá do Sul, Brazil.

An entry into the 24hr Film Race, an international short film competition.

An entry in the 2013 48hr Film Festival in Las Vegas. Genre: Comedy. Awards won: Best Editing, Best Graphics.

Editor of the UFC on Fox Co-Main Event Feature between UFC fighters Frank Mir and Daniel Cormier. Broadcasted on FOX, as well as inside the HP Pavilion (Attendance: 13,500) in San Jose, California.

Shot on the Red Epic for Pakistani music artist Sham Idrees music video which launched on his YouTube channel and website. Responsible for all girl in the black dress scenes and all shots with the green Lamborghini.

Edited the Main Event Feature of Wanderlei Silva vs. Brian Stann. Broadcasted on Fuel TV as well as inside the Saitama Super Arena (Attendance: 14,700) in Saitama, Japan.

Editor of the UFC 158 Co-Main Event Feature: Johny Hendricks vs. Carlos Condit. Broadcasted on Pay Per View, as well as inside the Bell Centre (Attendance: 20,145) in Montreal, Quebec, Canada

Editor of the UFC 156 Co-Main Event Feature between UFC Fighters Alistair Overeem and Antonio Silva. Broadcasted on Pay-Per-View as well as inside the Mandalay Bay Events Center (Attendance: 10,300) in Las Vegas, Nevada.

Editor on UFC 155 Main Event Feature. Broadcasted on Pay Per View as well as inside MGM Grand Garden Arena (Attendance: 13,500) in Las Vegas, Nevada.

Editor of the Main Event Feature between George St. Pierre and Carlos Condit. Broadcasted on Pay Per View as well as inside the Bell Centre (Attendance: 17,249) in Montreal, Quebec, Canada.

Produced a short web series for MadeMan.com on performing the manliest activites around the Las Vegas area. Was created for the Movemeber campaign.

Produced a short web series for MadeMan.com on performing the manliest activites around the Las Vegas area. Was created for the Movemeber campaign.

Editor of the UFC on Fox 4 Joe Lauzon vs. Jamie Varner Feature. Broadcasted on Fox(2.4 million viewers), FX, and inside the Staples Center in Los Angeles, California.

Edited various scenes together throughout this Documentary.

Shot and lit interviews, live action scenes. Documentary based.

Captured specialty footage of fights, audience, and behind the scenes. Also focused on UFC fighter Forrest Griffin for his documentary, Forrest Griffin: The Ultimate Fighter.

Shot and lit scripted scenes that would be use in the national UFC 146 commercial.

Used Canon 5D Mark III with a set of Zeiss Master Primes and glidecam to film specialty footage (ie: BTS, Fights, Walk Outs, Crowd Shots) that would be used for future promotional materials (ie: Commercials, Features, Sizzles).

An entry into the Las Vegas 24 Hour Film Festival. Genre Picked: Musical. Awards won: Best Film Runner Up, Audience Award Runner Up, Best Original Song.

Editor for 13 Episodes of Season 2 for Best of Pride Fighting hosted by Kenda Perez.