Coordinate a busy, fully staffed Art Department for a fast paced pilot. My responsibilities included: scheduling meetings, location scouts and travel rights clearance of artwork and graphics act as liaison and communicate clearly between several departments develop and track budget including PO's, p-cards and petty cash conduct research for specific sub-projects
Summary
I have worked in many aspects of the film industry from production, to visual effects, to art department coordinating. It's all added up to me being able to think on my feet and problem love at the drop of a hat. And have fun doing it!
Credits
2/16 – 5/16
Art Department Coordinator (CBS Television) – No Tomorrow (Pilot)
CBS — TV — CBS Television Studios Details
2/16 – 5/16
3/99 – 6/99
Visual Effects Producer – Mumford
Film (Feature-length) — Kasdan Pictures
3/99 – 6/99
4/98 – 7/98
Visual Effects Producer – What Dreams May Come
Film (Feature-length)
4/98 – 7/98
5/97 – 8/97
Digital Production Coordinator – Flubber
Film (Feature-length) — Hughes Entertainment
5/97 – 8/97
10/96 – 1/97
Set Decorating Coordinator – Volcano
Film (Feature-length) — Original Film
10/96 – 1/97
12/95 – 3/96
Art Department Coordinator – The Rock
Film (Feature-length) — Jerry Bruckheimer Films
12/95 – 3/96
9/95 – 12/95
Set Decorating Coordinator – Up Close and Personal
Film (Feature-length) — Cinergi Pictures Entertainment
9/95 – 12/95
11/94 – 2/95
Art Director – Ride For Your Life
Film (Feature-length)
11/94 – 2/95
Recos
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