You must be logged in to view that page.
A two-time Emmy Award winning Producer with 17 years experience in hiring and managing creative professionals to produce story for mainstream media. Seasoned in producing primetime network programs for all demographics.
4/18 – 7/18
Discovery — TV
4/18 – 7/18
1/15 – 1/16
Nat Geo Wild — TV — Brentwood Communications Intl. Inc. Details
1/15 – 1/16
Showrunner and Executive Producer
1/15 – 11/15
Travel — TV — Brentwood Communications Intl. Inc. Details
1/15 – 11/15
Showrunner and Executive Producer
3/14 – 6/14
Destination America — TV — Varuna Entertainment
3/14 – 6/14
2/13 – 5/13
Destination America — TV — Superfine Films Details
2/13 – 5/13
Produce story and direct 3D cameras for this process driven/ transaction series.
2/13 – 4/13
Discovery — TV — Superfine Films Details
2/13 – 4/13
Directed and produced this process-driven, transaction series in 3D for Discovery Channel and 3net.
12/12 – 1/13
Destination America — TV — Superfine Films Details
12/12 – 1/13
The return of the highest rated 3D-reality program for 3net. Redesigned workflow for another new round of 3D equipment for run-and-gun reality.
1/12 – 6/12
National Geographic — TV — Morningstar Entertainment Details
1/12 – 6/12
Produced and directed on a 24-hour, fire drill status,covering 2,000 square miles of treacherous mountain roads. Responsible for field components, both story and personnel, supervised story in post production, created 10-episode story arc, re-worked post production workflow on series to produce multiple editors and producers.
10/11 – 1/12
Destination America — TV — Superfine Films Details
10/11 – 1/12
Directed and Produced the first 3D documentary reality series, a new series concept, which is the highest rated program in the history of the network.
• Created and executed workflow of new 3D format and new 3D camera technology designed for this project.
• Programs also airs on Destination America in 2D
9/11 – 10/11
History — TV — BBC Worldwide Details
9/11 – 10/11
Produced and directed a cooking series, complimented by a classic, American road trip on motorcycles. This is America’s version of the BBC’s 8-year-old franchise series for BBC’s Western production company.
5/11 – 7/11
History — TV — Kinetic Content Details
5/11 – 7/11
• Documented three freelance harvest crews separated by up to 1,400 miles with a single television crew, making mission
critical decisions daily to capture the best stories of each harvest crew.
• Developed and tracked story for three months in deadly and extreme conditions.
3/11 – 3/11
SyFy — TV — Gurney Productions Details
3/11 – 3/11
• Developed and tracked workflow of the production, schedules and story execution of this investigative process-driven
series.
1/11 – 3/11
Discovery — TV — Pilgrim Studios Details
1/11 – 3/11
Developed and tracked story in deadly and extreme conditions. Managed crew and staff, created daily hot sheets for network and production, created detailed field notes for story producers.
12/10 – 3/11
Discovery — TV — Pilgrim Studios
12/10 – 3/11
1/11 – 2/11
Discovery — TV — Pilgrim Studios Details
1/11 – 2/11
Developed and tracked story for four months in deadly and extreme conditions. Managed crew and staff, created daily hot
sheets for network and production, created detailed field notes for story producers.
10/10 – 1/11
TLC — TV — Relativity Media
10/10 – 1/11
10/10 – 11/10
Discovery — TV — Pilgrim Studios Details
10/10 – 11/10
• Directed and produced the field crew and staff while trekking through the most dangerous jungle in Venezuela, documenting the struggles of the on-camera talent to stay alive.
• Developed and tracked story for three months in deadly and extreme conditions.
8/10 – 11/10
Discovery — TV
8/10 – 11/10
9/10 – 9/10
Animal Planet — TV — Ping Pong Productions Details
9/10 – 9/10
Developed and tracked workflow of the production, schedules and story execution of this investigative process-driven series that was picked up for a continuing television series
8/10 – 9/10
SyFy — TV — Pilgrim Studios Details
8/10 – 9/10
• Produced a competition-reality series adherent to FCC competition regulations resulting in one member of the talent being awarded a position on the cast of the flagship series, Ghost Hunters, for SyFy.
7/10 – 8/10
TLC — TV — Relativity Media Details
7/10 – 8/10
• Produced and directed a three-man crew in a volatile environment while documenting a Sherriff’s Deputy on the job.
4/10 – 7/10
TLC — TV — Mike Mathis Productions
4/10 – 7/10
10/08 – 12/08
Bravo — TV — Pink Sneakers Productions Details
10/08 – 12/08
• Directed sleek, single-camera coverage in the hustle and bustle of South Beach’s night life. Managed story in the field and managed crew and staff.
9/08 – 9/08
History — TV — Motion Picture Production Inc. Details
9/08 – 9/08
Produced story in the field and managed crew and staff. Created detailed, daily hot sheet story and production reports for post production and parent company.
9/08 – 9/08
History — TV — Motion Picture Production Inc. Details
9/08 – 9/08
• Produced story in the field and managed crew and staff. Created detailed, daily hot sheet story and production reports for post production and parent company.
3/08 – 7/08
SyFy — TV — Pilgrim Studios Details
3/08 – 7/08
• Produced a process-driven, team investigative series. Directed the use of specialty camera and sound equipment both on and off camera. Produced story in the field and managed crew and staff.
3/08 – 7/08
SyFy — TV — Pilgrim Studios Details
3/08 – 7/08
Produced and directed story in the field, managed crew and staff. Directed the use of specialty camera and sound equipment both on and off camera.
1/08 – 2/08
ABC — TV — RDF USA
1/08 – 2/08
11/07 – 12/07
TLC — TV — Original Media Details
11/07 – 12/07
• Worked with Kat Von Dee and her celebrity friends making tattoos on one of the most famous city blocks of Hollywood. Directed camera and interviews, managed schedule for in-shop production.
7/07 – 10/07
SyFy — TV — Pilgrim Studios
7/07 – 10/07
7/07 – 9/07
CBS — TV — Tom Forman Productions Details
7/07 – 9/07
• Documented 8-14 year-olds as they create a “kid-only” society in a ghost town in New Mexico, like Lord of the Flies.
10/05 – 11/06
ABC — TV — Endemol Shine Group
10/05 – 11/06
3/06 – 6/06
ABC — TV — PCTV Productions
3/06 – 6/06
9/05 – 10/05
A&E — TV — Endemol Shine Group
9/05 – 10/05
12/04 – 9/05
ABC — TV — Endemol Shine Group
12/04 – 9/05
5/05 – 6/05
ABC — TV — Endemol Shine Group Details
5/05 – 6/05
Coordinate a special One-Hour program reuniting the families who have appeared on Extreme Makeover: Home Edition.
3/05 – 6/05
ABC — TV — PCTV Productions
3/05 – 6/05
4/04 – 5/05
ABC — TV — Endemol Shine Group Details
4/04 – 5/05
Produce story for a One-Hour companion to Extreme Makeover: Home Edition.
1/04 – 11/04
ABC — TV — Endemol Shine Group Details
1/04 – 11/04
• Two-time Emmy Award Winning Reality Television Series that reached 28 million viewers.
• Spearhead the union between family, builder and city location to produce an award winning one-hour show.
• Develop new technologies under constraints of limited vendors per the network and advertiser relationships.
3/04 – 6/04
ABC — TV — Endemol Shine Group
3/04 – 6/04
3/04 – 6/04
ABC — TV — Endemol Shine Group
3/04 – 6/04
3/04 – 6/04
ABC — TV — PCTV Productions
3/04 – 6/04
11/03 – 12/03
ABC — TV — Endemol Shine Group Details
11/03 – 12/03
• Two-time Emmy Award Winning Reality Television Series that reached 28 million viewers.
9/03 – 10/03
Comedy Central — TV — Charlie Siskel Productions Details
9/03 – 10/03
• Produced field shoots for studio roll-ins and cast panelists for two episodes of in studio debate show starring Matt Besser of Upright Citizens Brigade. Created stunt and game play, hired stunt professionals.
8/03 – 9/03
Comedy Central — TV — Charlie Siskel Productions Details
8/03 – 9/03
Produced field shoots for studio roll-ins and cast panelists for two episodes of in studio debate show starring Matt Besser of Upright Citizens Brigade. Created stunt and game play, hired stunt professionals.
8/03 – 8/03
FX — TV — Endemol Shine Group Details
8/03 – 8/03
• Developed production methods to aid in controlling story and a real time feel for an interactive documentary television program where viewers decide the fate of Todd Santos.
4/03 – 7/03
FX — TV — Endemol Shine Group Details
4/03 – 7/03
• Responsible for budget, schedule, coordinating talent and equipment for a series where ordinary people compete to be the champion of obscure tasks. Interviewed talent, hired and managed creative staff, produced interviews and shoots.
3/03 – 3/03
VH1 — TV — A. Smith & Co. Productions Details
3/03 – 3/03
Maintained shooting schedule, crew schedule, permits and releases. Photographed interviews and b roll, Locations scouted and permitted. Logged and transcribed footage in the field.
2/03 – 3/03
VH1 — TV — A. Smith & Co. Productions Details
2/03 – 3/03
Doc-Follow Series at the rodeo, operated camera and sound, acquired my own releases and created field notes and story reports from my daily work.
11/02 – 2/03
VH1 — TV — MTV Networks (Viacom) Details
11/02 – 2/03
Edited presentation reel on Avid for President of MTV Networks, Wrote interviews, Photographed interviews and b roll, Supervised edit sessions, Facilitated Post–Production facility with necessary materials.
8/02 – 10/02
Fox — TV — Endemol Shine Group Details
8/02 – 10/02
Designed interactive multimedia program for large monitor display on set at Paramount Studio Lot. Rigged cameras and stunt safety equipment, and tested stunts for safety.
7/01 – 11/01
MTV — TV — Danny Salles Productions Details
7/01 – 11/01
Schedule field and studio shoots, wrote creative game play, field camera operator for in-studio roll-in, created props and game play.
2/01 – 4/01
MTV — TV Details
2/01 – 4/01
Logged and transcribed stock film and behind the scenes footage. Hired voice-over talent for show opens and bumpers.
8/00 – 12/00
WB — TV — Telepictures Productions Details
8/00 – 12/00
Interviewed for casting, Locations scouted and permitted, Scheduling, Logged and transcribed footage, supervised edit sessions, photographed b-roll.
9/99 – 8/00
MTV — TV — Brad Kuhlman Productions Details
9/99 – 8/00
Developed stunt ideas, hired stunt players, coordinators and riggers, and produced interviews.
3/00 – 6/00
MTV — TV — Brad Kuhlman Productions
3/00 – 6/00
3/00 – 6/00
MTV — TV — MTV Networks (Viacom)
3/00 – 6/00
3/00 – 6/00
MTV — TV — MTV Networks (Viacom)
3/00 – 6/00
6/87 – 9/87
Production Assistant
–
Ironweed
Film (Feature-length) — TriStar Pictures
6/87 – 9/87
Class of '99
Cincinnati Conservatory of Music/ University of Cincinnati
BFA