Andrew Fram

-Field Produced initial episodes/family scenes -booked, scheduled, and cleared locations, people -directed shots/scenes, conducted interviews and OTFs with talent -post producing, deliverables, stringouts, etc.

• Researched topics and episode ideas for a new science documentary series about genetics, artificial intelligence, the microbiome, and space exploration • Pitched, wrote and produced various segments and filming ideas • Field Produced several segments, interviewed scientists • Researched and wrote complex scientific topics down into digestible productions • Field AP for six weeks across the U.S., media managed cards in the field, wrote daily field updates, directed B camera • Outreach to scientists and venues, coordinated shooting schedule • Coordinated releases, permits, permissions, third party media Overview and episodes: https://www.linktv.org/shows/forging-the-future#overview

-Wrote story exploring food, culture, and immigrants' stories in the US. -Editing and stringouts on Adobe Premiere -Research for and outreach to restaurants, experts, and on-camera talent for filming -Historical research and background for voiceover, host throws, story points, etc. -Coordinated permits, releases, and other legal paperwork -Archival sourcing and clearances -Managed post production deliverables -Production Managed host interviews and intro shoots

Researching and developing last episode of a true crime series. writing pitches pre-interviewing on-camera talent and interviewees

• Developed story and wrote outlines for network submission and approval • In charge of research, outreach, and all clearances and paperwork for domestic and international shoots including in Bolivia, Portugal, Nova Scotia, and Peru • in charge of scheduling, booking, and locking story, locations and on-camera talent • story produced and assisted editors with stringouts and other Avid work in post-production • in charge of network deliverables, fact checking, archival sourcing and clearing, wrapping up production and all paperwork and other logistics

• Researched and pitched stories • sourced witnesses and interviewees • coordinated and arranged shoot schedule, travel, filming locations, permits, releases, b-roll locations • location scouted for recre • sourced stock footage • coordinated and locked network deliverables

• Researched, wrote, pitched and produced stories/scripts • Sourced museums/artifacts for shoots • cast and interviewed on-camera historians • coordinated shoot schedule and supervised AP

• Researched, wrote, pitched and produced stories/scripts • Sourced museums/artifacts for shoots, coordinated call sheets, schedules, legal clearances • Cast and interviewed on-camera historians • Directed B-camera on recon/host shoots • Wrote and produced webisodes, basic Avid editing and post production • Planned, coordinated b-roll filming, fact-checked scripts, oversaw network deliverables

-all post deliverables -writing and editing, script rewrites -coordinating/locking locations for pickup shoots, field AP/Production Coordinator duties on set -S&P annotations -researching and finalizing stock footage

-Write/edit scripts and games for "Brain Games". -Research episode topics, prepare episode for writer, create games -various on set AP and Production Coordinator duties -Field AP for international and domestic shoots -coordinating morning talk show appearances and bits -pre-production location scouting and locking, coordinating casting and expert appearances -Manage rights and clearances for experiments, games and demonstrations. -In charge of all network post deliverables, S&P annotations, internet extras

-Research and develop shows for Discovery, TLC and Animal Planet -In charge of all deliverables -Source and secure archival footage, music, b-roll film permits/rights, scouting/locking locations and travel logistics, working with vendors, employee contracts and startup work, -Manage expense reports, POs, petty cash/p-card purchases, production schedules, etc.

-Research and develop shows and ideas for Discovery, TLC and Animal Planet -Work internationally coordinating production, purchases, rental with UK crew -in charge of clearing footage and securing music/video rights -worked with Line Producer to coordinate various production needs, including petty cash, p-card transactions, POs, finalizing invoices, etc.

• search for and purchase stock footage, archival b-roll • Prepare/edit scripts for two one hour-long specials on FOX • Annotate scripts, S&P notations, GFX orders for season 3 episodes • In charge of all post deliverables including music cue sheets, timing sheets, credit templates, etc.

• Post APed for Emmy-nominated season • Wrote highest rated episode of the season, "Scams" • Wrote and edited scripts and created games • Researched episode topics, pitched game concepts • Interviewed scientists & coordinate meetings and phone calls with researchers. • Managed rights and clearances for experiments, games and demonstrations.

• Supported Production Manager with daily production responsibilities • assisted with network deliverables • managed stock footage and related accounts • Avid work and archiving for post • logged over 50 hours of footage • assisted as field PA when needed

• AP'ed on Emmy-winning season • B camera operator • Negotiated trade outs, scouted & cleared locations • Managed, logged over 450 hours of footage • Served as Production Coordinator on location and B-Camera operator for four episodes including a Tough Mudder episode • Managed petty cash • In charge of credit template, blurs, releases, deliverables • Organized and cleared music • Avid and Final Cut for post

• coordinated casting trips • contacted schools to set up casting times • advertised and promoted casting calls • interviewed potential show subjects on camera • shot and edited casting videos

• B Cam operator • logged footage • Served as Production Coordinator on location • scouted and locked shooting locations • managed and secured trade out agreements • coordinated casting trips, interviewed potential show subjects • gathered releases when in the field • cleared music and handled post needs • string outs and papercuts

B Cam operator • logged footage • Served as Production Coordinator on location • scouted and locked shooting locations • managed and secured trade out agreements • coordinated casting trips, interviewed potential show subjects • gathered releases when in the field • cleared music and handled post needs • string outs and papercuts

• Created call sheets and managed locations • Managed petty cash • Transported cast, crew and equipment in cargo vans as well as supporting the crew and maintenance on set • Handled all needs of production: equipment, props and wardrobe management, craft service • Served as liaison between field and office • in charge of deliverables

• Supported Production Coordinator and Production Manager with daily production responsibilities • Oversaw various clerical duties, including start-up paperwork for new employees, purchase orders and expense reports • Logged and transcribed over 50 hours of footage for National Geographic’s Amish: Out of Order • Helped with office managing, PM work, and PA'ed for several projects

• set design • lighting and camera set up • art department and prop design

• gathered appearance releases • managed equipment • Assistant Camera • crowd control

• Gathered and Archived footage for “Sex on TV” TV Guide special • Researched locations for Ultimate Encounters • Basic Avid and Final Cut editing