4/23 – 5/23
YouTube — Digital — Mass Appeal Entertainment Details
4/23 – 5/23
Prepping Schedule
Working with Director
8/22 – 9/22
Director (Feature Film)
Staff Position — Cassandra Bell Studios
8/22 – 9/22
7/22 – 8/22
Second Assistant Director
Staff Position — Full of Heart, LLC
7/22 – 8/22
5/22 – 7/22
Second Second Assistant Director
Staff Position — Just Beyond Productions, Inc
5/22 – 7/22
5/22 – 7/22
First Assistant Director
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Transplant
Significant Productions — Film (Feature-length)
5/22 – 7/22
3/22 – 4/22
Google — Corporate — Mass Appeal
3/22 – 4/22
2/22 – 2/22
First Assistant Director
–
With Salt
Film (Short) — Phyllite Productions
2/22 – 2/22
1/22 – 1/22
First Assistant Director
–
Villian
Film Festival — Film (Short)
1/22 – 1/22
11/21 – 12/21
Digital — Corporate — Mass Appeal
11/21 – 12/21
9/21 – 10/21
Digital — Corporate — Mass Appeal
9/21 – 10/21
7/21 – 8/21
Director
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Fever
Film Festivals — Film (Short) — Fever Films LLC
7/21 – 8/21
3/21 – 5/21
Digital — Digital
3/21 – 5/21
2/21 – 3/21
BlackOaksTV — Digital — 220th Street Productions LLC
2/21 – 3/21
12/20 – 12/20
Film Festivals — Film (Short)
12/20 – 12/20
3/20 – 3/20
Film Festivals — Film (Short) — Indie
3/20 – 3/20
5/19 – 7/19
BlackOaksTV — Digital — Nuanse Entertainment
5/19 – 7/19
3/19 – 3/19
Film Festival — Film (Short) — Indie
3/19 – 3/19
10/18 – 10/18
Film Festivals — Film (Short) — Alpha Female Films LLC
10/18 – 10/18
3/16 – 5/16
Internet — TV — Rooster Teeth
3/16 – 5/16
1/16 – 2/16
TV — Enthuse Entertainment Details
1/16 – 2/16
I was apart of the Unit 1 Electric Rigging Crew
10/15 – 12/15
Film (Feature-length) — Had Enough, LLC
10/15 – 12/15
9/14 – 10/14
E! Entertainment — TV — Turn Up Productions Details
9/14 – 10/14
In charge of handing out release forms, kept track of time and made sure everyone was on time including handling food and waters
9/14 – 9/14
Key Grip
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Atm
Corporate — Hack Studios Details
9/14 – 9/14
handled lighting and minimal rigging work
7/14 – 9/14
VH1 — TV — 51 Minds Entertainment Details
7/14 – 9/14
Created call sheets, scheduling, and minimal grip work , and handling all background information
8/14 – 8/14
Set Production Assistant
Advertising — Funny or Die Productions Details
8/14 – 8/14
Created call sheets, scheduling, and minimal grip work
8/14 – 8/14
Film (Short) — 360 Studios, LLC Details
8/14 – 8/14
In charge of lighting and grip work
7/14 – 7/14
Key Grip
beef and sage — Advertising — c-town productions Details
7/14 – 7/14
commercial required grip rigging and dolly rigging, setting up lighting and rigging a few art department props on the trees.
7/14 – 7/14
Film (Short) — Shark films Details
7/14 – 7/14
lighting and helped build dolly and rigging in the woods
7/14 – 7/14
Corporate — Salt and pepper Production Details
7/14 – 7/14
handled lighting and rigging work
6/14 – 7/14
Film (Feature-length) — Flatiron Pictures LLC Details
6/14 – 7/14
worked between grip and electric department, helped with lighting and technical rigging grip work
1/14 – 1/14
Production Assistant
Cadillac — Advertising — Variable Details
1/14 – 1/14
General production assistant, helped create call sheets, scheduling, transportation for talent, and minimal grip work
10/13 – 11/13
Set Production Assistant
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The Son
Film (Feature-length) — City On A Hill Productions Details
10/13 – 11/13
Created call sheets, scheduling, and minimal grip work
7/13 – 8/13
Film (Short) — City On A Hill Productions Details
7/13 – 8/13
General production assistant, helped create call sheets, scheduling, transportation for talent, and minimal grip work
