Responsible for running power for various sets and lighting designs.
Summary
For the past four years I have been working avidly in the film & television industry. To date I have worked on 15 features and have recently relocated to Atlanta, GA where I have started working in television. My work consists of Grip & Electric / Camera.
Credits
1/21 – 4/21
Electrician – Go-Big Show (Season 1)
TBS — TV — Propagate
1/21 – 4/21
11/18 – 4/21
Key Grip – Redeemed
Atonement Pictures — Film (Feature-length) — Action Faith Media
11/18 – 4/21
9/17 – 12/20
Production Assistant – The Clearing
Crackle Plus — Film (Feature-length) — Lexicon Entertainment
9/17 – 12/20
6/20 – 9/20
Best Boy Grip – Broken Halos
Great Movies Distribution — Film (Feature-length) — Carolina Video Group
6/20 – 9/20
4/20 – 7/20
Swing – My Brother's Keeper
Collide Distribution — Film (Feature-length) — Manns/Mackie Studios
4/20 – 7/20
1/19 – 5/20
Best Boy Electric – Icing on the Cake
MarVista Entertainment — Film (Feature-length) — G It's Entertainment
1/19 – 5/20
1/20 – 4/20
Lighting Technician – Dwight In Shining Armor (Season 1)
Paramount Network — TV — BYU TV
1/20 – 4/20
1/20 – 4/20
Grip – Doom Patrol (Season 1)
Warner Bros. — TV — DC Comics
1/20 – 4/20
Orgs
Media
Recos
Would you like to write a recommendation for Austin?
Write a Recommendation »
Jonathan Alexander
Office Manager
Austin wears a lot of hats in the film industry. He can come in and lead a film's AD Department, he's a professional gaffer, key grip, and electrician, and he continues to impress me on each shoot we work on. Super calm and confident, Austin can walk ...MORE...
onto a set and command the room. He's great at communicating with other departments, keeping morale high, and solving complicated problems swiftly in real time. On top of this, he's a talented Director and Director of Photography in his own right. It's safe to say you wouldn't go wrong signing him on to your next production.
- Jonathan was Second Assistant Director and Austin was Second Second Assistant Director on Christmas Break-In
Kenneth Pratt
Best Boy Electric
The feature was a 14 days shoot. As any low budget TV movie works, everything has to work to the schedule. We had a snow day at the beginning of the shoot and had to push production thus messing up the entire schedule. Austin and the AD department ...MORE...
worked night and day to reschedule the whole movie and we were still able to finish according to plan!
- Kenneth was Gaffer and Austin was Second Second Assistant Director on Pride, Prejudice, Cut!
Education
Class of '17
Western Carolina University
Film and Television Production
Skills
To message this person, you must be networked on Staff Me Up OR have an EMPLOYER or COMPANY Subscription. Upgrade to Premium!