Alex Wills

I cut interviews with documentary filmmakers.

I'm editing a couple episodes of a new show about Mike Carbonaro, a rare collectibles dealer. This includes helping to shape the basic format of the show.

I worked on a couple acts of this show.

I edited the gameshow Password for the Buzzr channel.

I cut 3 out of the 5 episodes in this documentary series about the Oregon food scene. I was given hours of raw footage and direction in terms of tone and pacing, after which I was given a lot of leeway in deciding exactly how the episodes were cut.

I cut the Sploshing episode of this documentary series about various sexual practices involving food.

I cut the King Crab episode of Fat Prince, guest starring Chef Michael Voltaggio and Matthew Gray Gubler.

I cut the Truffle Hunter episode of the documentary series Hunter Gatherer, which is about people who harvest wild, and often rare, foods.

I cut the Brewing and Barrista episodes of the doc mini-series LA Coffee, which details the coffee industry through every step of the process, from growing to the eventual cup of coffee.

I cut the My Two Cents episode of the series Chef's Night Out, where Chef Alisa Reynolds and a couple of her friends hit up some of her favorite spots to eat and drink in LA.

I cut casting reels for the pilot, uploaded them to Vimeo and burned the to DVD. I also downloaded home tape as necessary.

I edited a series of instructional videos detailing a number of yoga routines for the website vedliving.com.

I cut casting reels, uploaded them to Vimeo and burned DVDs. I was also responsible for downloading and transcoding home tape. I used FMYI while working on this project.

I edited the segment about the WWF Bandits in Episode 3, and provided some supplementary editing on the other two stories in that episode.

I was responsible for nearly all of the VFX in the comedy skit, which included over twenty shots. These included matte work (blood, the Tardis) and sci-fi effects created with Trapcode Form and other After Effects plugins.

I edited multi-cam shoots of studio sessions with musicians/bands, including Everlast, Nico Vega, The Mowgli's and The Wild Feathers.

I worked with the director to decide on lighting and the overall look of the studio sessions with musicians/bands, including Everlast, Nico Vega, The Mowgli's and The Wild Feathers. I also operated one of the cameras during the shoot.

I wrote and directed some of the skits in this segment, which is about super villains suffering through the trivial annoyances of daily life between capers.

I did all of the visual effects for the show. Most of these were text incorporated into the scenery with motion tracking, but also included a sign replacement and some other stylistic touches.

I edited the footage using Premiere to make the episodes flow as smoothly as possible, and subsequently combined the three webisodes into one 22 minute pilot.

I worked with the cast and crew to bring this lighthearted comedy about a twentysomething woman awkwardly trying to rejoin the dating scene after being blindsided by a breakup to life with a limited budget and time.

I helped keep the shoot on schedule and on track during the filming of this skit about James Bond, who cares more about his car than anything else in the world.

I helped write some of the jokes and structure this skit about James Bond, who cares more about his car than anything else in life.

I was responsible for all of the visual effects in this comedy short, which were done in After Effects. They included a car driving through a holographic wall, a man being lit on fire, a woman being ejected out of a moving car and more.

I edited this video of The Crystal Method and Far East Movement performing at the Tao nightclub in Las Vegas during CES with a single day turnaround.

I was the only camera on a shoot meant to capture the excitement of The Crystal Method and Far East Movement performing at the Tao Nightclub in Las Vegas during CES. I was left to my own devices on this project, and was free to shoot it however I wanted.

I helped Leigh, the series creator, with episode structure and came up with some of the plot points and lines for this comedy about a twentysomething woman awkwardly trying to rejoin the dating scene after being blindsided by a breakup.

I ran camera for episode 13, which was shot a post-apocalyptic festival called Wasteland Weekend which is modeled after media like Mad Max and Fallout. I shot cars doing donuts in the desert, detail shots, interviews with the owners and other festival events like fire spinning and Thunderdome style gladiator matches.

I shot b-roll of star cars (cars altered to look like famous movie cars) drag racing, and ran a camera during interviews with the owners.

I edited together a series of skits about super villains during their down time, suffering through the trivial annoyances that we all experience in daily life.

I created visual effects in After Effects for this series about people who transform their cars into replicas of famous movie cars. This included a car firing rockets and a Delorean taking off and flying away in a shot for shot reproduction of the end of Back to the Future.

I ran a camera during the interview portion of this behind the scenes look at the production of the Star Trek: Original Series Soundtrack Collection. I also set up the lighting for both the interview and b-roll.

I edited this skit about Batman losing it and attacking Robin when he's beaten at Halo to be as snappy as possible. This video has over 900k views.

I co-directed this skit about The Dark Knight flying off the handle when Robin beats him at Halo. I also operated the camera on this shoot. This video has over 900k views.