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Amanda, a Set Production Assistant, based in Burbank, has 2 Set Production Assistant credits and 2 Second Assistant Director credits, and has been a member since 2012.
11/18 – 2/19
Set Production Assistant
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Wine Country
Film (Feature-length) — Paperkite Productions
11/18 – 2/19
8/14 – 9/14
Second Assistant Director
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The Foreigner
Film (Short) — RG Fims Details
8/14 – 9/14
Created call sheets, production reports, cast and background cast lists, filed cast paperwork, ensured that 15 cast members per day were ready in hair, makeup, and wardrobe when needed.
8/14 – 8/14
Film (Feature-length) Details
8/14 – 8/14
Assisted on set with background, running basecamp, lockups and any other needs the assistant directors had.
7/14 – 8/14
Second Assistant Director
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Sugar Baby
Film (Feature-length) — Shadowland, LLC Details
7/14 – 8/14
Created call sheets, production reports, cast and crew lists, filed SAG paperwork including performer deal memos and Exhibit G's, and ensured that talent was ready in hair, makeup, and wardrobe when needed, continually updated the schedule as production needs and location availability changed.
6/14 – 7/14
Production Assistant
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Chimeras
Film (Feature-length) — neofilm Details
6/14 – 7/14
Run basecamp, ensure talent get through hair and makeup, keep an eye on talent when they travel to and from set, assist with getting paperwork done, report estimates on when actors will be hair/makeup/wardrobe ready, assist with setting up lunch.
6/14 – 6/14
Digital — New Wave Entertainment Details
6/14 – 6/14
Transporting talent and crew to and from San Diego, running talent on set, ensuring paperwork is completed by all cast and crew, training new PAs on walkie etiquette, set protocol, and the day to day running of set.
5/14 – 5/14
Production Assistant
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Havenhurst
Film (Feature-length) — Parsimony Pictures Details
5/14 – 5/14
Assist with lockups, assist with running talent, collect daily time records, distribute and collect timecards.
4/14 – 4/14
TV — Pivot / Participant Details
4/14 – 4/14
While shooting several shows at one location I was coordinating talent as they went through each location, assisting with setting up the bar scenes specifically and helping with lock ups and the setting up and breaking down of equipment.
3/14 – 4/14
Second Second Assistant Director
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The Watcher
Film (Feature-length) — Shadowland LLC Details
3/14 – 4/14
Directed background; ensured all first team members had wardrobe and were through makeup; ensured all background paperwork was filled out properly; prepared production reports; covered set when First AD was unavailable; directed PAs on set; assisted First AD with all needs on set; tracked crew in and out times.
1/14 – 3/14
NBC — TV — Finnmax LLC Details
1/14 – 3/14
Drove the contestants of season 6 of The Voice to all locations they were needed at, including LAX, Universal Studios, and recording studios around the city.
2/14 – 2/14
Second Second Assistant Director
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The Dancing Bull
Film (Feature-length) — PIlgrim's 7 Details
2/14 – 2/14
Directed background; ensured all first team members had wardrobe and were through makeup; ensured all background paperwork was filled out properly; prepared production reports; covered set when First AD was unavailable; directed PAs on set; assisted First AD with all needs on set; tracked crew in and out times
2/14 – 2/14
Petrol Advertising Details
2/14 – 2/14
Assisted first team with any needs they may have; set up and broke down basic G&E equipment for shoot; loaded and unloaded the truck; locked up the location.
10/13 – 11/13
Film (Feature-length) — Shadowland, LLC Details
10/13 – 11/13
Coordinated and ran 2nd unit shoots for the feature "Best Friends Forever". Duties included keeping the crew on track, wrapping our day on time and in budget, coordinating with first unit regarding talent, locations, and equipment, and ensuring safety on set.
6/13 – 9/13
NBC — TV — Finnmax LLC Details
6/13 – 9/13
Drove the contestants of season 5 of The Voice to all locations they were needed at, including LAX, Universal Studios, and recording studios around the city.
4/12 – 9/13
NBC — TV — Finnmax LLC Details
4/12 – 9/13
Transportation driver for NBC Universal's the Voice, driving contestants to and from locations. Worked seasons 3-4.
7/13 – 7/13
First Assistant Director
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Expecting
Film (Feature-length) — Fractured Images Details
7/13 – 7/13
Created the script breakdown, schedule, and calls sheets for our shoot. During production I ran set ensuring that production ran on time and budget and that all SAG requirements were followed and all releases were filled out completely.
6/13 – 6/13
SyFy — TV — Gemini 3 Productions Inc Details
6/13 – 6/13
Set production assistant on Syfy's "Face Off". Assisted with location moves, driving vans when needed, ensuring contestants had everything they needed and locking up locations.
4/13 – 5/13
Lifetime — Film (Feature-length) — Shadowland, LLC Details
4/13 – 5/13
Mobile office management including crewing shoots; coordinating and creating schedules; creating contact lists; setting up accounts, ordering equipment, and filing POs from vendors; scheduling travel for talent; creating and distributing contracts for crew; assisting cast with SAG documents; and distributing time cards and verifying with daily time records.
3/13 – 4/13
Film (Feature-length) — Shadowland, LLC Details
3/13 – 4/13
Mobile office management including crewing shoots; coordinating and creating schedules; creating contact lists; setting up accounts, ordering equipment, and filing POs from vendors; scheduling travel for talent; creating and distributing contracts for crew; assisting cast with SAG documents; and distributing time cards and verifying with daily time records.
11/12 – 12/12
Production Coordinator
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Deceit
Film (Feature-length) — Shadowland LLC Details
11/12 – 12/12
Mobile office management including crewing shoots; coordinating and creating schedules; creating contact lists; setting up accounts, ordering equipment, and filing POs from vendors; scheduling travel for talent; creating and distributing contracts for crew; assisting cast with SAG documents; and distributing time cards and verifying with daily time records.
11/12 – 11/12
Film (Feature-length) — Universal Entertainment LLC Details
11/12 – 11/12
Worked as an on set PA alongside the 2nd 2nd AD, assisting with background, escorting actors, locking up locations, and distributing call sheets/time cards at the end of each day.
10/12 – 11/12
Film (Feature-length) — Shadowland LLC Details
10/12 – 11/12
Mobile office management including crewing shoots; coordinating and creating schedules; creating contact lists; setting up accounts, ordering equipment, and filing POs from vendors; scheduling travel for talent; creating and distributing contracts for crew; assisting cast with SAG documents; and distributing time cards and verifying with daily time records.
9/12 – 10/12
Second Second Assistant Director
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The Surrogate
Film (Feature-length) — Shadowland LLC Details
9/12 – 10/12
Directed background; ensured all background paperwork was filled out properly; prepared production reports; covered set when First AD was unavailable; directed PAs on set; assisted First AD with all needs on set; tracked crew in and out times
8/12 – 8/12
Digital — Digital Reign Productions Details
8/12 – 8/12
Worked alongside 1st AD on set ensuring everything ran smoothly. Directed a group of 5 PAs in day to day duties including assisting actors, locations, setting up and taking down lunch, and going on runs.
6/12 – 6/12
Internet — Digital — Crackle.com Details
6/12 – 6/12
Worked with the production coordinator to set up for shooting, ensured all daily crew crew had their paperwork, ran crafty, and assisted talent when needed. At the end of each day cleaned the location and was the last to leave.
5/12 – 5/12
Internet — Digital — East of Center Prods Details
5/12 – 5/12
Assisted the property master and worked as head weapons handler. Designed all prop weapons and ensured all parts were in working order for shooting. Worked as on set prop master.
1/12 – 1/12
First Assistant Director
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Life After
Film (Feature-length) Details
1/12 – 1/12
Worked pre-production through production. Did the script breakdown and scheduled the shoot based on location, actor, and equipment availability, and hired crew. In production I ran set ensuring that each day was completed on time and in budget. Approved call sheets for the next day.
10/11 – 11/11
Film (Feature-length) Details
10/11 – 11/11
Worked pre-production through production. Did the script breakdown and scheduled the shoot, and hired crew. In production I ran set ensuring that each day was completed on time and in budget. Approved call sheets for the next day.
4/11 – 4/11
TV — The 400 Company
4/11 – 4/11
1/11 – 4/11
BBC — TV — The 400 Company
1/11 – 4/11
2/11 – 3/11
Film (Feature-length) — The 400 Company
2/11 – 3/11
7/09 – 7/09
Film (Feature-length) — Aguilar/Hanley Films
7/09 – 7/09
4/09 – 6/09
Production Assistant
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Cafe
Film (Feature-length) — Nationlight Productions
4/09 – 6/09
Class of '11
Temple University
B.A. Film and Media Arts Production