Summary

Story Producer / Post-AP strong writing skills diligent as hell

Credits

7/16 – Current

Story Producer Hotel Impossible 7

TRAVEL — Reality/Doc (TV) — Atlas Media Corp. Details
7/16 – Current

Story Producer for Season 7 of Hotel Impossible.

10/14 – 7/16

Story Associate Producer Hotel Impossible 4

TRAVEL — Reality/Doc (TV) — Atlas Media Corporation Details
10/14 – 7/16

• Responsible for all network deliverables, credits, and slated elements • Acquiring archival and b-roll footage to support story • Supporting story producers by processing large volumes of raw footage

1/16 – 6/16

Production Coordinator (Field/Travel) Hotel Impossible 7

TRAVEL — Reality/Doc (TV) — Atlas Media Corp. Details
1/16 – 6/16

Hotel Impossible Season 7 Field Production Coordinator.

8/14 – 10/14

Story Associate Producer Restaurant Redemption 2

COOKING — Reality/Doc (TV) — Lion Television Details
8/14 – 10/14

• Providing cutdowns of scenes • Creating stringouts of story beats • Preparing media for Editors and Story Producers

9/14 – 9/14

Production Associate (Art Department) – Gap (The Director's Bureau)

Commercial/Ad Details
9/14 – 9/14

• Picking up props, furniture and art • Coordinating parking for multiple vehicles • Handling petty cash for team of production associates

8/14 – 8/14

Story Associate Producer Brush Of Honor Pilot

INSP — Reality/Doc (TV) — Austin Street Productions Details
8/14 – 8/14

• Crafting stories from interviews and verite footage. • Providing stringouts of bites and sound-ups to editor. • Punching up story by writing narration.

7/14 – 8/14

Story Associate Producer Psychic Matchmaker 1

TLC — Reality/Doc (TV) — Jane Street Entertainment Details
7/14 – 8/14

• Provided cutdowns of daily field footage to editors • Strung out relevant story bites for post producers

6/14 – 7/14

Story Associate Producer The Hunt With John Walsh 1

CNN — Reality/Doc (TV) — Zero Point Zero Production, Inc Details
6/14 – 7/14

• Create beats for 3-act fugitive crime stories. • Research archival footage to support true crime stories. • Develop dramatic re-cre segments based on interview bites.

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