Brian Hanford

- Ideating and creating the network pitch materials for the show as well as developing and creating unique graphics, images and pitch decks for the show. - Working close with show EPs and producers to ensure all materials are on brand, meet creative design needs and effectively pitch the show and details of episodes and concepts. - Designing overall looks and visuals for the shows network pitch materials. - Working with producers to create an effective production calendar as well as challenge layout and show timeline.

As a story producer on Free Enterprise, I was responsible for creating a story line from the show's source footage, as well as writing Host dialogue and show teases. I worked with EPs and directors to ensure the right tone and delivery was being conveyed while staying true to our cast's story. I was also responsible for identifying the footage best used for sound-ups and teases.

As a writer, I worked on editing and creating on-camera host wraps as well as VO scripts for end of act teases.

Director on a multi-cam studio talk show with host Dr. Drew. I was in charge of meeting with EPs and host talent to discuss the direction and style of the shoot, directing talent and show guests, as well as live calling switches and directing camera movement. While in studio we worked with a three-camera set up and a virtual set with guests both live and through video conference.

- Co-creating and developing the pitch materials for the adventure reality series 'Heart of Gold.' Working with the creators and EP of the series to get the series ready for pitching to networks. Reviewing the pilot and existing content to effectively create a new pitch deck, one-sheet and sizzle content.

- Working with EPs and producers to create the visual components for the pitch materials of the series to go to parent company. - Creating unique and bespoke visuals to match the series, talent and parent brand. - Researching main talent and sourcing information, visual materials, and graphics to match their previous works and intended visual personality of the series.

- Ideating and creating the network pitch materials for the show as well as developing and creating unique graphics, images and pitch decks for the show. - Working close with show EPs and producers to ensure all materials are on brand, meet creative design needs and effectively pitch the show and details of episodes and concepts. - Designing overall looks and visuals for the shows network pitch materials. - Working with producers to create an effective production calendar as well as challenge layout and show timeline.

Researching the main talent to develop original ideas and concepts for unscripted series based around main talents expertise and interests. Offering both E/I pitches and more traditional concepts for EPs and talent to look at. - In depth development of talent-chosen concepts including basic episode breakdown, run of series concepts, overall tone, feel and style. - Creating ways to include branded partnerships within the concepts. Researching the companies and individuals associated with main talent that would make a solid partnership in the series and pitching them to producers.

- Reworking, editing and rebranding an existing pitch to meet the new needs set by EPs; including new tone and style, new talent, and new network to be shown on. - Researching historical events and eye-witness accounts to source inspiration for the new pitch and content for the series itself.

- Researching the main talent and related companies to develop original ideas and concepts for unscripted series based around main talents philanthropic endeavors. - Pitch initial concepts directly related to main talent and then developing out the concepts producers/talent likes. - Creating ways to include branded partnerships within the concepts. Researching the companies and individuals associated with main talent that would make a solid partnership in the series and pitching them to producers.

- Ideating and creating the network pitch materials for the show as well as developing and creating unique graphics, images and pitch decks for the show. - Working close with show EPs and producers to ensure all materials are on brand, meet creative design needs and effectively pitch the show and details of episodes and concepts. - Designing overall looks and visuals for the shows network pitch materials.

As production manager for the live stream event 'The Hollywood Reporter Roundtables', my main duties included: - leading communication between talent, client and production company and acting as intermediary and point of contact for both sides - creating and managing schedules for gear to and from talent - scheduling prep, shoot days and times as well as equipment testing - managing crew in the field and coordinating with crew and talent shoot schedules

As production manager for the live stream event 'Billboard Pride Prom', my main duties included: - leading communication between talent, client and production company and acting as intermediary and point of contact for both sides - creating and managing schedules for gear to and from talent - scheduling prep, shoot days and times as well as equipment testing - managing crew in the field and coordinating with crew and talent shoot schedules

Shot listing and directing for television a series of 2 live action commercials for PACC 10 Enterprise; Including adapting script for television, working with DP and EP to make sure the commercials stay on brand and adhere to clients' wishes, working with talent on set, directing crew on set, scheduling shoot days and breakdown of scripts.

Writing concept treatments, one-sheets and development pages for the proposal of pitches for MAKING NOISE, a music-based documentary series. - Breaking down episode structure - Beating out episode format - Detailing and creating the overall feel and tone of the show for producer/network review

Writing concept treatments, one-sheets and development pages for the proposal of pitches for multiple iterations of a TV series using the @uberfacts platform and talent (Kris Sanchez) led series. - Breaking down episode structure - Beating out episode format - Detailing and creating the overall feel and tone of the show for producer/network review

Writing concept treatments, one-sheets and development pages for the proposal of pitches for Jeff Rossen led series. - Breaking down episode structure - Beating out episode format - Detailing and creating the overall feel and tone of the show for producer/network review

Writing concept treatments, one-sheets and development pages for the proposed show 'Wild Planet with Jeff Corwin.' - Breaking down episode structure - Beating out episode format - Detailing and creating the overall feel and tone of the show for producer/network review

Writing concept treatments, one-sheets and development pages for the proposed show 'Wild Lives.' - Breaking down episode structure - Beating out episode format - Detailing and creating the overall feel and tone of the show for producer/network review

Shot listing and directing for television a series of 3 live action commercials for PACC 10 Enterprise; Including adapting script for television, working with DP and EP to make sure the commercials stay on brand and adhere to clients' wishes, working with talent on set, directing crew on set, scheduling shoot days and breakdown of scripts.

Developing and producing original sketches and field pieces for the scripted series ‘USELESS CELEBRITY HISTORY.’ Working with EP and other production staff to develop on-brand content that reflects the Talent’s personality and series’ image.

Assisting the creator in writing, editing and developing the FanMan pitch film.

Creating and building the pitch deck and treatment pages for the action-comedy feature film, MEXICAN RADIO. This included creating compelling visuals that match the style and tone of the film while working with EPs to deliver descriptive and to the point information about the film, the attached cast and creators, as well as the marketing information.

Creating, editing and building pitch decks, episode challenge decks and visual aids, as well as additional graphic design materials and pitch content for the network.

Creating the outline of activity, content direction, and story for the pilot episode of the realty series, TWIN FACTOR. This also included writing copy for bumpers, teasers, promos, and trailers as well as working with EPs and main talent to capture the best content while highlighting the dynamic of our main players and show concept.

Adapting for film and writing the screenplay outline and treatment for the musical 'UP YOUR ANTE,' from Danny Costello and TDT Musicals.

Assisting the head animator and director for the stop-motion animation short film and music video 'Wash' by the band Liily.

Coordinating in pre-production; handling paperwork, creating vendor accounts, directing production assistants. Handling paperwork and crew coordinating during on location shoot, handling talent. Coordinating wrap out; paperwork verification and sorting, completing vendor agreements.

- Creation and structuring of tone deck and show bible - Assist with design and tone for graphic elements (logo)

- Assisting with development of the show and conceptualizing layout - Developing and creating the pitch pages

Developing and conceptualizing the reality competition show 'Flip Wars' with Beverly Boy Productions.

Building the pitch deck for the series, 'Sacred Planet'

Securing locations, staffing, negotiating contracts, and working with creative team to complete the film through to delivery of the final edit.

Creating and writing the treatment for the docu-series 'A Queens Life'

Contacting and securing locations for the film as well as helping with casting.

Directing for the dramatic short, Cactus Flower.

Writer of the dramatic short film, Cactus Flower.

Co-producing for the feature, 'A HOLIDAY BOYFRIEND'. Working with EPs to find crew, locations, and creating shooting and production schedules.

Conceptualizing and directing the commercial shoot for Beiter Laser's new Laser Level.

Conceptualizing, writing, and directing the trailer for the AR Video Game 'TERAH' by gaming company 42 Pirates.

Developing and Writing the sizzle reel for the network pitch of the docu-series Caesar's Last Breath, based on the book by Sam Kean.

Story producing and developing narrative for the pilot of the reality docu-drama, 'CLEAN SLATE'.

Rewriting and doing punch up for the pilot episode of 'WE'RE THE ONE,' an award-winning pilot from Europe.

- Using existing network content to create new posts and promote social engagement for the network as well as the hosts and guests on the show. - Creating, writing, and developing content for social media posting on Instagram, Twitter, Youtube, and Facebook. - Curating and editing content to post live on Twitch. - Cross-platform posting using social media management software (Buffer)

Writing dialogue and narrator scripts for SkillsCo online training videos.

Developing and conceptualizing the series TWIN FACTOR with producer Suzanne Finnell.

Writer and conceptualizing each episode for 'BUCKET LIST'.

Directing for the series, 'BUCKET LIST' for Flighthouse Entertainment. (5 episodes)

Writing the narrative storyline and dialogue for a documentary chronicling America's role and relationship with Israel since it's formation.

Writer of the original short film, 'TOMMY GUN.'

Writing scripts for 360 video and VR workshops conducted by director Fiona Rene.

Head writer for the pilot of the TV show 'SAME BUT DIFFERENT.' (Did not air)

Blogging and writing about food and recipes for a fitness and health website.

Assistant to the Line Producer. Talent and Crew communication and contracts. Location, vendor, and catering communication. Call sheets and script distribution.

Assisting transportation and crafty, handling talent, setting up P.O. on location. Assisting the 1st A.D. and D.P. in shot set-up, lighting set-up, and location lock down. Assisting on location P.O. with paperwork, talent and crew communication.

Talent Communication and Point of Contact, Rental and Purchase Accounts (Set-Up and Completion), Scheduling, Catering Direction, Budget and Payroll, Talent and Crew Contracts

Talent Communication and Point of Contact, Rental and Purchase Accounts (Set-Up and Completion), Scheduling, Catering Direction, Budget and Payroll, Talent and Crew Contracts

As an assistant, responsibilities included, purchase order management, credit card receipts and payments, talent travel and expenses reimbursements, filing and organizing statements, POs, and receipts.

Talent Communication and Point of Contact, Rental and Purchase Accounts (Set-Up and Completion), Scheduling, Catering Direction, Budget and Payroll, Talent and Crew Contracts

Researching and writing topical reports and presenting them on camera. Adding comic edge to news stories, developing character within a report script.

Creating original content for online sketches and full TV pilot script. Comedy-based scripted content.