Compositing feature tv show/commercial for High End Client. My role in the pipeline is Rotoscoping, Creating Mattes, Clean Plating using After Effects and Mocha.
Summary
In my 11 plus years in post production, I have challenged myself to become a visionary production leader leveraging in-depth knowledge of Digital Entertainment and the Media Production landscape to significantly increase revenue and operational efficiency
Credits
5/19 – 8/19
Stereo Artist – Frozen 2
Film (Feature-length) — Walt Disney Animation Studios
5/19 – 8/19
12/18 – 3/19
Visual Effects Producer – Absentia (Season 2)
TV
12/18 – 3/19
12/18 – 3/19
Visualization Lead – Godzilla: King of Monsters
Film (Feature-length) — Legendary Entertainment
12/18 – 3/19
3/18 – 3/19
Roto Artist/Compositor – Alpha Studios
TV — Alpha Studios Details
3/18 – 3/19
10/18 – 1/19
Visual Effects – After
Film (Feature-length) — Offspring Entertainment
10/18 – 1/19
6/18 – 9/18
PreVisualization Artist – Aquaman
Film (Feature-length) — DC Entertainment
6/18 – 9/18
3/18 – 4/18
Roto Artist/Compositor
Advertising — Electric Theatre Collective Details
3/18 – 4/18
Rotoscoping for feature Apple Commercial using Nuke and Mocha Pro
10/17 – 2/18
Roto Artist/Compositor – The Thrid Floor, INC
Film (Feature-length) — The Third Floor, Inc. Details
10/17 – 2/18
Compositing feature movies. My role in the Postvis pipeline is Rotoscoping, Keying Blue/Green Screens, Paint Clean Ups, and Compositing with proprietary tools in After Effects, Mocha, and Maya.
Media
Recos
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Education
Class of '07
ITT Technical Institute
Associate of Science Technology Degree with Honors G.P.A. 3.52
My Gear
Skills
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