8/23 – 12/23
In-House — Live/Special Event — NEP Screenworks
8/23 – 12/23
7/23 – 8/23
In-House — Live/Special Event — NEP Screenworks
7/23 – 8/23
7/23 – 7/23
Film (Feature-length) — Chosen Family LLC
7/23 – 7/23
6/23 – 7/23
Live — Live/Special Event — NEP Screenworks
6/23 – 7/23
1/22 – 6/23
ESPN — Live/Special Event
1/22 – 6/23
4/22 – 4/23
margaritaville.tv — Live/Special Event — NEP Screenworks
4/22 – 4/23
9/13 – 4/23
TVG — Live/Special Event — Keeneland Association
9/13 – 4/23
11/22 – 11/22
FX — TV
11/22 – 11/22
10/22 – 10/22
SEC Network — Live/Special Event
10/22 – 10/22
9/22 – 9/22
Hulu — Live/Special Event — Red Frog Events
9/22 – 9/22
8/22 – 8/22
In-House — Live/Special Event — NEP Screenworks
8/22 – 8/22
3/15 – 6/22
ESPN — Live/Special Event — SEC Network+ Details
3/15 – 6/22
ESPN2/ESPNU/SEC Netowrk/SEC+ Network
5/22 – 5/22
In-House — Live/Special Event — NEP Screenworks
5/22 – 5/22
5/22 – 5/22
In-House — Live/Special Event — NEP Screenworks
5/22 – 5/22
5/16 – 5/22
Second Assistant Camera (Arri Amira)
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The Greatest Race
Kentucky Derby Museum — Live/Special Event — Donna Lawrence Productions Details
5/16 – 5/22
Permanent installment for the Kentucky Derby Museum. Updated every year.
4/22 – 4/22
In-House — Live/Special Event
4/22 – 4/22
1/22 – 1/22
Social Media — Live/Special Event — Happy Enchilada Productions Details
1/22 – 1/22
-Shoot all artist and atmosphere for the night
-Edit a recap of the nights events
1/21 – 1/22
Editor (Premiere Pro, After Effects, DaVinci Resolve)
Staff Position — Texas Roadhouse, INC.
1/21 – 1/22
1/21 – 1/22
Production Specialist
Staff Position — Texas Roadhouse, INC. Details
1/21 – 1/22
Shoot and edit internal and external facing videos for Texas Roadhouse, Bubba’s 33 and Jagger.
6/21 – 8/21
Camera Operator (Sony FS7, Blackmagic Pocket 6K)
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Waterfront Wednesday
WFPK Social Media — Live/Special Event — WFPK Details
6/21 – 8/21
Shoot talent and atmosphere - Coverage to promote the next event
4/21 – 4/21
Production Coordinator (Kentucky Unit)
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Iron Anniversary
HBO — TV — Logan Industry Details
4/21 – 4/21
-Responsible for hiring local crew
-Ensuring other crew had arrived safely
-Send PA's on runs to get necessary items
-Ensure all key items got to the talent safely
5/19 – 1/21
Production Specialist
Staff Position — Wrigley Media Group Details
5/19 – 1/21
DP and Camera Op on various shoots and on an array of cameras including: RED Epic Dragon, Canon C300 MKII, Sony A7RIII, and Canon C100
11/20 – 11/20
Camera Operator (Grassvalley LDX with Fujinon Digipower 72 Lens)
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Breeders Cup
NBC — Live/Special Event — Keeneland HD Broadcast Details
11/20 – 11/20
Wide Pan (Game) Camera and for entirety of the race, and the Finish for every race. Aired November 6th and 7th on TVG all day, NBC Sports Network from 2:00PM - 6:00PM on November 6th and 12:00PM - 2:00PM on November 7th. Switched over and aired on NBC from 2:30PM - 5:30PM on November 7th.
9/20 – 9/20
Kentucky Derby Museum — Live/Special Event — Donna Lawrence Productions
9/20 – 9/20
8/20 – 8/20
Social Media — TV — Vidhorse - My Racehorse
8/20 – 8/20
8/20 – 8/20
Social Media — TV — Vidhorse - My Racehorse
8/20 – 8/20
1/16 – 3/20
Production Manager
Staff Position — Feld Entertainment Details
1/16 – 3/20
Managed all Pre Production, Production, and Post Production aspects of select Domestic and International shows for Monster Jam. Technical Directed the live shows, Communicated and Coordinated with Cameras Operators, Hosts, House Lights, Spot lights, and Ribbon Boards.
Selected Shows aired on FS1 and NBCSN
10/19 – 10/19
Advertising — Droptree Productions
10/19 – 10/19
8/17 – 8/17
Live/Special Event — Solid Light
8/17 – 8/17
7/17 – 8/17
Production Coordinator
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The Midwife
Lifetime — Film (Feature-length) — Cribs, LLC Details
7/17 – 8/17
In charge of all SAG-AFTRA and Payroll paperwork for all crew and talent. Provided meals on-time every day, and organized all locations and releases.
11/16 – 11/16
Internet — TV — WebStream Sports
11/16 – 11/16
8/16 – 8/16
Lifetime — TV — Collins Avenue
8/16 – 8/16
7/16 – 7/16
Travel — TV — Painless Productions
7/16 – 7/16
4/16 – 4/16
Live/Special Event Details
4/16 – 4/16
Aired live on NASA.com
4/16 – 4/16
Wild Turkey — Advertising — Lucky 21
4/16 – 4/16
8/15 – 8/15
Film (Feature-length) — Hallmark Entertainment
8/15 – 8/15
5/15 – 5/15
Food Network — TV
5/15 – 5/15
2/15 – 2/15
The Weather Channel — TV — Karga Seven Pictures
2/15 – 2/15
12/14 – 12/14
TLC — TV — Firecracker Films Details
12/14 – 12/14
Run and Gun sort of shoot. Worked with talent is very strong personalities.
12/14 – 12/14
Internet — TV — WebStream Sports Details
12/14 – 12/14
Handheld Camera for both Semi-Final games. Broadcast live on NCAA.com
12/14 – 12/14
Internet — TV — WebStream Sports Details
12/14 – 12/14
Handheld on the sidelines. Broadcast live on NCAA.com
11/14 – 11/14
Parabolic Mic Operator
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UTSA @ WKU
Fox Sports — TV — Program Productions Inc
11/14 – 11/14
2/14 – 5/14
A&E — Directv
2/14 – 5/14
2/14 – 2/14
Set Production Assistant
–
Blam! TV
Film (Short) — 7ate9 Entertainment
2/14 – 2/14
1/14 – 1/14
Utility (Camera Utility/Art Utility)
–
Super Bowl XLVIII
NFL Network — Live/Special Event — The NFL Network Details
1/14 – 1/14
Helped set up Cameras and run Fibers. Set up Graphics inside of Fan Zone Center. General Labor work
1/14 – 1/14
Second Assistant Camera (First Assistant Camera)
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Embers
Film (Feature-length) Details
1/14 – 1/14
Involved Knowledge on RED Epic Camera and accessories. Focus Pulling
12/13 – 12/13
Production Assistant
HTC — Advertising — Wong Fu Productions
12/13 – 12/13
12/13 – 12/13
Film (Feature-length)
12/13 – 12/13
11/13 – 11/13
TLC — TV — Authentic Entertainment Details
11/13 – 11/13
Knowledge of lights and Grip equipment, as well as camera knowledge.
8/13 – 8/13
First Assistant Camera (Canon C-300)
–
Carthage
Film (Feature-length)
8/13 – 8/13
7/13 – 7/13
Second Assistant Camera (RED One Camera)
Stylebook — Advertising
7/13 – 7/13
7/13 – 7/13
Music Video — 312 Media Details
7/13 – 7/13
-Made Call Sheets
-Lunch orders
-Lock Ups
-Help any Extras or other crew members
6/13 – 7/13
Production Coordinator
–
Bug People
Film (Feature-length) Details
6/13 – 7/13
-In charge of Coordinating crew and talent
6/13 – 6/13
Film (Feature-length)
6/13 – 6/13
5/13 – 5/13
Second Second Assistant Director
Papa John's Pizza — Advertising — Caviar Productions Details
5/13 – 5/13
-Made sure all extras filled out the appropriate paperwork for SAG
-W-4 Forms
-I-9 Forms
-Taft-Hartley Forms
5/13 – 5/13
Film (Feature-length) Details
5/13 – 5/13
Filmed on Arri Alexa Plus
4/13 – 4/13
Second Assistant Camera (Sony F-35)
–
Lane and Russell
Film (Feature-length)
4/13 – 4/13
2/13 – 2/13
Film (Feature-length) — EPPIC Films
2/13 – 2/13
1/13 – 1/13
Film (Feature-length) — EPPIC Films Details
1/13 – 1/13
-Camera Assist
11/12 – 11/12
Film (Feature-length)
11/12 – 11/12
8/12 – 10/12
Assistant Camera (AC) (RED Epic)
–
23 Blast
Film (Feature-length) — Touchdown Productions
8/12 – 10/12
8/12 – 8/12
Film (Feature-length) — EPPIC Films
8/12 – 8/12
6/12 – 6/12
Film (Feature-length) — Option D Films
6/12 – 6/12
3/12 – 3/12
Film (Feature-length)
3/12 – 3/12
2/12 – 2/12
Film (Feature-length)
2/12 – 2/12
10/11 – 11/11
Production Assistant
–
Cantuckee
Film (Feature-length) Details
10/11 – 11/11
-Lock ups
-Assist the AD
10/11 – 10/11
Film (Feature-length)
10/11 – 10/11
8/11 – 8/11
Production Assistant
Whitaker Bank — Advertising — EPPIC Films
8/11 – 8/11
6/11 – 6/11
Production Assistant
St. Clair Hospital — Advertising — EPPIC Films
6/11 – 6/11
5/11 – 5/11
Production Assistant
Morehead State University — Advertising — EPPIC Films
5/11 – 5/11
4/11 – 4/11
Production Assistant
Commonwealth Credit Union — Advertising — EPPIC Films Details
4/11 – 4/11
-Assist Extras
3/11 – 3/11
Production Assistant
Dollar General — Advertising — EPPIC Films Details
3/11 – 3/11
-Assist Director
