6/20 – 6/21
Editor (Premiere, Resolve, After Affects)
Staff Position — Aerial Canvas
6/20 – 6/21
11/19 – 11/20
Camera Operator
Staff Position — University of Minnesota
11/19 – 11/20
10/19 – 10/20
Camera Operator
Staff Position — CTN Studios
10/19 – 10/20
8/19 – 8/20
Camera Operator
Staff Position — CCX Media
8/19 – 8/20
8/19 – 8/20
Camera Operator
Staff Position — North Metro TV
8/19 – 8/20
11/17 – 1/20
Corporate
11/17 – 1/20
11/19 – 11/19
ABC — Live/Special Event — ESPN
11/19 – 11/19
11/19 – 11/19
ABC — Live/Special Event — ABC/ESPN
11/19 – 11/19
9/19 – 9/19
FloSports — Live/Special Event — Cloud Media
9/19 – 9/19
10/18 – 9/19
HGTV — TV — Pie Town Productions
10/18 – 9/19
8/19 – 8/19
North Metro TV — TV
8/19 – 8/19
8/19 – 8/19
NBC — TV — The Drone Racing League
8/19 – 8/19
8/19 – 8/19
Assistant Camera (AC) (C200)
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KWESTRONG
Minnesota Historical Society — Live/Special Event — Flywheel Media Productions
8/19 – 8/19
7/19 – 7/19
BBC — TV — Terrier Pictures
7/19 – 7/19
7/19 – 7/19
Corporate — Provid Films
7/19 – 7/19
5/19 – 6/19
FloSports — TV — Cloud Media, LLC
5/19 – 6/19
4/19 – 4/19
Stadium TV — Live/Special Event — Remote Digital Media
4/19 – 4/19
2/19 – 2/19
Facebook — Live/Special Event — Kevin Hart
2/19 – 2/19
1/19 – 1/19
Videographer (Canon C100)
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Global Print
Corporate — Thomson Reuters
1/19 – 1/19
1/19 – 1/19
Corporate — Scrappers Film Group
1/19 – 1/19
11/18 – 11/18
HGTV — TV — Warm Springs Productions, LLC
11/18 – 11/18
8/18 – 10/18
Internet — TV — StreamByte TV
8/18 – 10/18
9/18 – 9/18
Live/Special Event — FloSports
9/18 – 9/18
9/18 – 9/18
Internet — TV — Flo Sports
9/18 – 9/18
8/18 – 8/18
TV — CJ Worldwide / MGM
8/18 – 8/18
6/18 – 8/18
Internet — TV
6/18 – 8/18
6/18 – 6/18
Digital — Tastemade
6/18 – 6/18
6/18 – 6/18
Live/Special Event — Avex
6/18 – 6/18
5/18 – 5/18
Internet — TV — FloSports
5/18 – 5/18
4/18 – 4/18
Corporate — Original Penguin / Flood Magazine
4/18 – 4/18
1/18 – 2/18
Internet — Live/Special Event — Bowstring Studios
1/18 – 2/18
1/18 – 1/18
Showtime — TV — NFL Films
1/18 – 1/18
12/17 – 12/17
Fox Sports — Live/Special Event — Feld Entertainment
12/17 – 12/17
12/17 – 12/17
Internet — Live/Special Event — FloSports
12/17 – 12/17
11/17 – 11/17
Internet — Live/Special Event — FloSports
11/17 – 11/17
10/17 – 10/17
Internet — Live/Special Event — FloSports Details
10/17 – 10/17
Filmed competitive cross country running for a live stream. Filmed with a JVC camera on sticks and took direction for Technical Director.
8/13 – 10/17
ESPN — Live/Special Event — KSTC TV Minneapolis, MN Details
8/13 – 10/17
Film for in-house stadium show during MLS matches
9/17 – 9/17
Internet — Live/Special Event — Cloud Media Details
9/17 – 9/17
Filmed competitive crossfit with a JVC camera for a live stream. Filmed with a camera on sticks as well as wireless, taking direction from the Technical Director.
2/17 – 3/17
Director of Photography (DP) (Blackmagic Pocket Cinema Camera)
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Ideophonic - Four Eyes
Music Video — Usuave Productions LLC Details
2/17 – 3/17
Had several pre-production meetings with Director and Producer. During production, filmed every shot with some direction from Director.
1/17 – 2/17
Animal Wrangler (Production Assistant, Additional Grip)
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Therapy For The Unlawful
Film (Short) — Imaginary Productions Details
1/17 – 2/17
The film featured lot's of cockroaches, so my chief responsibility was to pick up the cockroaches and be responsible for them until they were ready to be in the next shot. When they were on-set I had to control the traffic so that they would walk the correct way and I also had to make sure none of them were escaping. As well as cockroach wrangler I filled a number of basic Production Assistant duties, such as moving props and set furniture. I also received an Additional Grip credit for helping to set up lighting for the next scene.
1/16 – 1/17
Stadium Show — TV — Minnesota United FC
1/16 – 1/17
4/16 – 8/16
Director of Photography (DP) (Camera Assistant)
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Love or Lust
Film (Feature-length) — Abrasive B Productions Details
4/16 – 8/16
Most scenes were shot with two cameras, an A-cam and a B-cam. I was on the A-cam, working with the Director to establish framing and camera movement for each shot.
6/16 – 6/16
Film (Short) — Fancy Mustard Details
6/16 – 6/16
I operated the boom mic to pick up the best sound for each scene. Most of the sound I was meant to pick up was the dialogue between the characters.
8/13 – 12/15
Videographer, Video editor, camera operator, media organizer, Video Production A
Staff Position — RedEyeProductions - Minnesota United FC Details
8/13 – 12/15
• Used professional (350s FS700) and DSLR video cameras (5D, T3i) to film features, events, and training for media outlets.
• Edited projects in Final Cut Pro and Adobe After Affects.
• Operated one of five cameras during the live broadcast of home matches, broadcasted on KSTP TV.
3/14 – 6/14
Digital — RedEye Media
3/14 – 6/14
1/14 – 6/14
Film (Feature-length) — Indevu Films Details
1/14 – 6/14
• Assisted camera and art department with lighting the scene and setting up props.
• Helped load and carry equipment to set and kept track of all the materials.
• In charge of crafty on set.
• Marked up scripts for props and wardrobe and organized them into Google spreadsheets by scene.
