Wrangled footage from the internet for the lead editor to use in creating a sizzle reel. Re-compressed footage when necessary to optimize workflow. Effectively cataloged footage for easy access.
Summary
I am a talented artist and storyteller who loves to color and edit digital film. My passion for what I do leads me to constantly seek new challenges and grow my skills. Check out my reels and learn more about me at: christinekash.wix.com/christinekash
Credits
8/14 – 8/14
Assistant Editor (AVID) – Kids Do Amazing Things!
Sizzle Reel — TV — Pa'Lante Productions Details
8/14 – 8/14
6/14 – 8/14
Editor and Colorist – Multicam Edit of Apologetics Talk
Corporate — Catholic Answers Details
6/14 – 8/14
-Adjusted exposure and tint from 4 different cameras to match. -Solved audio issues and cut out the speaker’s stumbles without creating jump cuts. -Generated simple graphic elements to help illustrate the speaker’s points. -Successfully apply director, producer, and speaker’s notes to yield a dynamic result.
6/14 – 6/14
Production Assistant – Family Feud (Season 16)
Game Show Network — TV — FremantleMedia Details
6/14 – 6/14
• Coordinated and executed tasks between three different locations. • Adapted to changing goals as needs developed.
4/14 – 5/14
Editor (FCP) – Ask A Bishop video series
Internet — Ask A Bishop Details
4/14 – 5/14
Edit and create simple motion graphics for a series of educational videos published on the Internet.
1/14 – 3/14
Editor and Colorist – Mike Sweeney - Your Name Is Your Destiny
Mike Sweeney's Catholic Baseball Camp Details
1/14 – 3/14
Used Adobe Premiere and DaVinci Resolve. Formed a cohesive and flowing story from an interview session with former Major League Baseball player Mike Sweeney. Colored footage from 4 different kinds of camera and give them a uniform, meaningful aesthetic.
8/13 – 8/13
Editor and Colorist – A Beautiful Friendship
Film (Feature-length) Details
8/13 – 8/13
Premiere and Resolve. Editor: Covered the four main characters to establish their personality and positions in a short time. Accentuated moments of comedy and suspense. Colorist: Brought out greens and blues with added contrast to create a harsh environment, and moved to warmer tones with higher values towards the end.
6/13 – 7/13
Editor (Premiere) – The Visitor
Film (Feature-length) Details
6/13 – 7/13
Created expectation and suspense in the first few sequences that blossomed into comedy and lead to a heartfelt resolution at the end.
4/13 – 7/13
Editor, Colorist, Post Production Supervisor – Frohe Ostern
Film (Feature-length) Details
4/13 – 7/13
FCP, Premiere, Resolve. Editor: Overcame lack of footage to craft the most meaningful story possible by finessing the timing and creatively modifying shot sequences and orientation. Colorist: Made an almost immediate transition from night to day more believable. Expanded contrast and created better visuals within an otherwise flat picture.
Recos
Education
Class of '14
John Paul The Great Catholic University
Bachelors in Communications Media - Post Production Emphasis
My Gear
Skills
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