Just launched! Join the conversation at Channel 2 Forums, a Staff Me Up Community, HERE!

Summary

Managing the daily VFX production process to ensure the delivery of shots in a timely manner.

Credits

3/15 – 10/15

Production Coordinator Point Break

Film (Theatrical) — Alcon Entertainment
3/15 – 10/15
9/14 – 3/15

Visual Effects Producer Various Commercials

Corporate — Prologue Details
9/14 – 3/15

Various projects including, film vfx sequences, game cinematics, television interstitials, and pitches • Shot delivery schedule prep and tracking. • Web Page creation and updates using company templates. • Manage and coordinate VFX editor’s time/responsibilities. • Daily CG call sheet prep and distribution. • Client correspondence and Weekly Status Reports

3/13 – 4/14

Production Manager, Associate - Bidding The Amazing Spider-Man 2

Columbia Pictures — Film (Theatrical) — Sony Pictures Imageworks Details
3/13 – 4/14

• Work with the VFX Producer to develop bids for shots and sequences. • Update & maintain bidding database & master documents. • Assist with change orders and client bid summaries. • Reconcile shot counts and statuses in the shot tracking database as shots are turned over • Client correspondence and Weekly Status Reports

12/11 – 3/13

Production Manager, Associate - Bidding Oz: The Great and Powerful

Walt Disney Studios Motion Pictures — Film (Theatrical) — Sony Pictures Imageworks Details
12/11 – 3/13

• Work with the VFX Producer to develop bids for shots and sequences. • Update & maintain bidding database & master documents. • Assist with change orders and client bid summaries. • Reconcile shot counts and statuses in the shot tracking database as shots are turned over • Client correspondence and Weekly Status Reports

8/10 – 6/11

Digital Production Manager Thor

Marvel Entertainment — Film (Theatrical) — Digital Domain Details
8/10 – 6/11

• Work with the VFX Producer to develop bids for shots and sequences. • Update & maintain bidding database & master documents. • Assist with change orders and client bid summaries. • Reconcile shot counts and statuses in the shot tracking database as shots are turned over • Client correspondence and Weekly Status Reports

12/08 – 8/10

Production Manager, Associate - Asset Development TRON: Legacy

Walt Disney Studios Motion Pictures — Film (Theatrical) — Digital Domain Details
12/08 – 8/10

• Work with CG Supervisors and Digital Producer to develop a breakdown and schedule of all Asset Development work for the project through all departments: including Client Art Dept, Modeling, Textures, Rigging, & Lookdev. • Work with the Digital Producer in revising bids • Client correspondence and Weekly Status Reports

11/07 – 2/08

Production Manager, Associate - Asset Development Speed Racer

Warner Bros. Pictures — Film (Theatrical) — Digital Domain Details
11/07 – 2/08

• Work with CG Supervisors and Digital Producer to develop a breakdown and schedule of all Asset Development work for the project through all departments: including Client Art Dept, Modeling, Textures, Rigging, & Lookdev. • Work with the Digital Producer in revising bids • Client correspondence and Weekly Status Reports

3/07 – 6/07

Digital Producer We Own the Night

Columbia Pictures — Film (Theatrical) — Digital Domain
3/07 – 6/07

Recommendations

Would you like to write a recommendation for Colleen? Write a Recommendation »

Skills

  • 3D
  • After Effects
  • Animation
  • Compositing
  • Computer Animation
  • Computer Graphics
  • Digital Compositing
  • Digital Production
  • Excel
  • Feature Films
  • FileMaker
  • Filemaker Pro
  • Film
  • Film Production
  • Houdini
  • Lighting
  • Look Development
  • Maya
  • MS Project
  • Photography
  • Photoshop
  • Post Production
  • Production Managment
  • Rigging
  • Traditional Animation
  • Video Production
  • Visual Effects
  • Word