Connor Sullivan

Occasional work editing short internet videos for various clients of Tandem.

I was the Assistant Editor, DIT, and one of two Editors during the cutting of the Eyes of My Mother. I ran the entire work flow of the film during Production, logging and cutting the entire time. At the end of production I worked with Dir. Nick Pesce in the Edit room until the final days of cutting.

Multi-Camera DIT work for NFL games through NFL Films. We manage the footage coming from all of NFL Films' cameras throughout the game, ensuring that the content is backed up and transferred to NFL Films' HQ at a rapid pace.

Plethora of responsibilities including: transferring/capturing footage, acquiring source material and BRoll, preparing projects for editors, and filming in-house presentations. I am called in on a free-lance basis as of 2014.

I am the secondary Editor for Full Picture's online division. I create numerous videos for L'Oreal Paris' online content, and assist the primary editor with long-form content and videos.

Transcoding, Assembling, Editing, and Finishing web content for Wheelock College (Boston) via Stearns Media Productions.

Each day would pick up Raw R3D footage from set and transcode to Apple Pro Res 422 via REDCINE-X Pro, log and prepare footage in the project, then label and mark footage for editor.

During my time with the staff of SBAN I served largely in a Post PA internship role. I was responsible for accumulation of archival materials for use in editing, acquiring items from throughout NYC, and occasionally completing tasks for superiors. Additionally, I did research into documentation, citations, and historical catalogues.