• Set up all vendor accounts • Researched props and picture cars • Obtained all necessary materials releases for properties • Processed all vendor invoices and paperwork • Provided on set assistance for the Set Decorator and Production Designers • Tracked the department budget • Managed petty cash • Assigned duties to the Art PAs • Booked trucking and transportation • Managed and reconciled all petty cash
Summary
www.dashiellrobb.com http://www.imdb.com/name/nm5444428/?ref_=fn_al_nm_1
Credits
11/15 – 11/15
Art Department Coordinator – Netflix
Daredevil — Advertising — Portfolio One Details
11/15 – 11/15
10/15 – 10/15
Art Department Coordinator – Ogilvy
IBM — Advertising — Pytka Productions Details
10/15 – 10/15
• Book crew, manage completion of deal memos • Crew catering • Coordinated ground and air travel and logistics • Prepped field kits • Budget tracking and purchase orders • Tracked and submitted crew invoices • Obtained crew and cast releases • Managed petty cash • Managed and assigned duties to the production assistants • Assisted Production Manager with the creation of the wrap binder
2/15 – 7/15
Art Department Coordinator – The Hunt With John Walsh (Season 2)
CNN — TV — Zero Point Zero Production, Inc Details
2/15 – 7/15
• Set up all vendor accounts • Researched props and picture cars • Obtained all necessary materials releases for properties • Processed all vendor invoices and paperwork • Provided on set assistance for the Set Decorator and Production Designer • Designed custom graphics and fabrication of hand props • Tracked the department budget • Managed petty cash • Assigned duties to the Art PAs • Booked trucking and transportation • Managed and reconciled all petty cash
9/14 – 1/15
Art Department Coordinator (Reenactments) – Mind of A Murderer (Season 1)
Investigation Discovery — TV — Atlas Media Corp Details
9/14 – 1/15
• Booked crew, gear, provided additional support for location scouts • Negotiated best rates and rentals for crew and gear • Booked crew, managed completion of deal memos • Ordered and negotiated catering for each unique location • Coordinated all ground travel and logistics • Prepped field kits • Budget tracking and purchase orders • Tracked and submitted crew invoices • Obtained all crew and cast releases • Managed all of the petty cash • Managed and assigned duties to the production assistants • Liaison between the research APs and reenactment crew • Prepped breakdowns of the research for distribution to art and camera • Created season wrap binder • Oversaw all location scouting and casting • Worked with the director and producers to cut scenes • With the help of a coworker, filled in all duties as acting ADs • Created shooting schedules, day out of days, breakdowns • Created call sheets • Distributed all call sheets and scripts to reenactment actors • Set up all vendor accounts
7/14 – 8/14
Art Department Coordinator – Chapter and Verse
Film (Feature-length) — Harlem Film Company Details
7/14 – 8/14
• Set up all vendor accounts • Researched props and picture cars • Obtained all necessary materials releases for properties • Processed all vendor invoices and paperwork • Provided on set assistance for the Set Decorator and Production Designers • Designed custom graphics and fabrication of hand props • Tracked the department budget • Managed petty cash • Assigned duties to the Art PAs • Booked trucking and transportation • Managed and reconciled all petty cash
4/14 – 6/14
Production Coordinator (Reenactments ) – The Hunt With John Walsh (Season 1)
CNN — TV — Zero Point Zero Production, Inc Details
4/14 – 6/14
• Booked crew, gear, provided additional support for location scouts • Negotiated best rates and rentals for crew and gear • Book crew, manage completion of deal memos • Crew catering • Coordinated all ground travel and logistics • Prepped field kits • Budget tracking and purchase orders • Tracked and submitted crew invoices • Obtained all crew and cast releases • Managed all of the petty cash • Managed and assigned duties to the production assistants • Liaison between the research APs and Casting and Locations • Prepped breakdowns of the research for distribution to crew
2/13 – 12/13
Art Department Coordinator – How to Survive the End of the World (Season 1)
National Geographic — TV — Atlas Media Corp Details
2/13 – 12/13
• Scoured the internet for B-Roll of natural disasters, scientific experimentation, and zoonotic diseases • Negotiated all materials releases for over 150 unique vendors and videographers • Oversaw the edit and deliverables for two episodes of the series • Provided on set assistance for the Production Designer and Coordinators during reenactments • Set up all vendor accounts • Researched props and picture cars • Obtained all crew and cast releases • Booked trucking and transportation • Assisted with coordinating ground travel and logistics
Recos
Education
Class of '11
Oberlin College
BA/East Asian Studies, Cinema Studies
Skills
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