David Dilley

Directed/Produced Bogan Via's narrative music video "Afternoon Wonderland". Link: http://www.youtube.com/watch?v=rAcLstVWjHo. Created the concept for the video. Hired all crew. Negotiated deals with vendors, locations and post facilities.

Assistant to Executive Producer, John J. Kelly, on "Warrior." Responsibilities include: Researching and acquiring historical archive footage used to match with the film's protagonist, Tom Hardy. Overseeing storyboard creation and ensuring that deliverable was met on time. Setting up meetings between departments. Scouting locations.

Hired as a "UPM" for season one of "Eaten Alive" and oversaw the day-to-day operations of production. Hired all below-the-line crew. Negotiated deals with vendors, locations and post facilities. Managed payroll.

Wrote/Directed/Produced "The Diner." "The Diner," toured the festival circuit and was acquired for distribution by Ouat Media. Hired SAG talent. Hired all crew. Negotiated deals with vendors, locations and post facilities.

Assistant to Producer, John J. Kelly, on "Gentlemen Broncos." Responsibilities include: Researching and acquire old sci-fi book and magazine covers. These covers were used as the opening credit sequence for the film.

I worked as a Set PA for 8 episodes on "October Road." On "October Road," I was responsible for general lockups, and assisting the 2nd AD in checking in background at basecamp as well as inviting talent to set.

As a Set PA on "The Lucky Ones," I was responsible for lockups and wrapping out departments. I drove the picture vehicle from California, to New Mexico, to Colorado, to New York. We shot in these states and it was critical the picture vehicle arrive before the crew did.

On Street Kings, I was a Set PA. My responsibilities included general lockups, checking in background, working in basecamp and inviting talent to set. I also helped the AD department in getting department wrap times.

On Fragments, I was an Office PA and a Set PA. As an Office PA, I was responsible for script copies, lunch orders and making runs to set. As a Set PA, my responsibilities included lockups, checking in background and providing the 2nd AD with department wrap times.

I was responsible for general lockups, and assisting the 2nd AD in checking in background at basecamp and inviting talent to set.

I was responsible for general lockups, and assisting the 2nd AD in checking in background at basecamp as well as inviting talent to set.