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Extremely creative, very versatile and love what I do.
3/22 – 4/22
Discovery+ — TV — Battle Beat Productions - Renegade 83 Details
3/22 – 4/22
Roving Team Echo. Our team replaced teams so they would have a day off and my other days were shooting the Broll for the show. I also did the still photography of the cast.
1/21 – 5/21
Director of Photography (DP) (Sony A7s3 and the Sony Fx9)
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Motor MythBusters (Season 1)
Motor Trend — TV — BEYOND ( Australia) Details
1/21 – 5/21
Designed the lighting in an original garage space where most of the show was shot. Designer of all the visuals working very closely with the Director. Operated all the gimbal shots as well as the long lenses and macro on the Fx9. Coordinated my crew in placement and doing all the lighting and much, much more.
2/20 – 2/21
Discovery — TV — This is Just a Test Productions Details
2/20 – 2/21
Lighting. Shooting both handheld and long lenses. Time-lapses and most of the Broll for the show as well as all the scene work. 5-camera Sensei Interviews on Green Screen.
2/19 – 6/19
Discovery — TV — This is Just a Test Productions Details
2/19 – 6/19
Responsible for lighting and designing the shots for each scene as well as the main A camera operation. Also, shot the majority of the Broll for the Series.
12/18 – 3/19
TLC — TV — Sharp Entertainment
12/18 – 3/19
9/18 – 10/18
Discovery — TV — Renegade 83 Details
9/18 – 10/18
Advanced Broll shooting, time-lapses on as many as 4 cameras solo. Cast photography for both program and social media. Support videography in both long lenses and regular story shooting. Capturing weather in all forms in the field. Connecting the environment with the cast. Seeing what they see and their surroundings. Completely solo unit with a boat driver and land driver when needed.
8/17 – 8/18
Camera Operator (Studio Camera on a Ped)
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Funny You Should Ask
CBS — TV — Entertainment Studios Details
8/17 – 8/18
Studio Ped camera operator
12/16 – 12/17
Director of Photography (DP) (Canon c300 mark ii)
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RMD Garage (Season 1)
Velocity — TV — Beyond Productions Details
12/16 – 12/17
DP/lighting/creative/mostly handheld
10/17 – 11/17
Discovery — TV — Renegade 83 Details
10/17 – 11/17
I step into Reality situations when needed but mainly on wildlife, scenery, time of day, time-lapse, time-exposure time-lapse, interactions with animals and cast, cast hunts, a lot of long lens photography including the 50-1000mm lens.
7/17 – 8/17
NBC — TV — Independent Details
7/17 – 8/17
One of the DP's. Long lens specialist.
9/16 – 11/16
Discovery — TV — Renegade 83 Details
9/16 – 11/16
Specialty Camera DP. Long lens, macro and everything in-between. Animals, reptiles, insects of all kinds. Time-lapse sunrises and sunsets, moon phases, night fishing and cayman hunting. Hero shots of the cast. Connecting cast to insects and snakes of all kinds. Roving DP/operator.
9/16 – 11/16
Netflix — TV — Beyond Productions Details
9/16 – 11/16
Day Playing DP. Opening credit sequence DP with Kari Byron.
5/16 – 6/16
Director of Photography (DP) (Canon c300 Mark II)
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Acting Out (Season 1)
MTV — TV — A. Smith & Co. Productions Details
5/16 – 6/16
Work with the Director to design the shots for the scene and then direct the lighting team to light sets on stages and locations both day and night.
Paint 2 Canon c300 Mark II's to match in color temperature, ISO, F stop, frame rate and neutral density settings. Operate the main A camera both handheld, rails and tripod.
Taylor both the camera and lighting packages that would fit the budget. Call to "mark" the slate. Manage 2 AC's.
1/16 – 3/16
Specialty Camera (Connecting wild animals with cast as well as all the beauty of the land with all)
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Naked and Afraid XL (Season 2)
Discovery — TV — Renegade 83 Details
1/16 – 3/16
Specialty camera DP on shooting all the wild animals, tying in video of wild animals with the cast, shooting "heroes" of the cast in both video and stills, shooting landscapes both in time-lapse and for broll, getting those arty video shots of the cast in heat waves and hiking up cliffs etc., etc. Filling in for other cameramen who are on their day off. Stepping in on big scenes. Day to Night and night to day transitions. Nighttime animal footage as well as environmental video both day and night. Lightning, sunrises, sunsets, moon rises and moon sets. Pretty much everything on at least 2 cameras and sometimes up to 4 cameras by myself. Also shooting all the stills of the cast.
9/15 – 12/15
Spike TV — TV — Ugly Brother Studios
9/15 – 12/15
9/15 – 9/15
Showtime — TV — Crazy Legs Productions Details
9/15 – 9/15
Follow story, Quarterback meetings and coach meetings, recovery, training and shot practice at 120 frames. Plus Broll.
2/15 – 4/15
Camera Operator (Sony 300, Canon 5D, GoPros Hero 4 and Hero 3 Black)
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Naked and Afraid XL (Season 1)
Discovery — TV — Renegade 83 Details
2/15 – 4/15
Floater camera operator/DP for all the teams. Specialized animal and Broll for the entire show on multiple cameras. Constantly either on Story or Broll. All responsible for Hero shots in both video and 5D stills. Time-lapse photography.
10/14 – 3/15
Director of Photography (DP) (Canon c300)
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The Agent (Season 1)
Esquire — TV — Herzog & Company Details
10/14 – 3/15
DP/operator on story and interviews with heavy Broll and action sports photography on both the c300 and the 5D.
600mm lens on isolating football players during the game.
10/14 – 12/14
Discovery — TV — Renegade 83 Details
10/14 – 12/14
Single camera DP responsible for shooting story and b-roll.
7/14 – 8/14
Bravo — TV — Magical Elves Details
7/14 – 8/14
Camera Op and Broll Specialist
6/14 – 7/14
Travel — TV — Dick Clark Productions Details
6/14 – 7/14
DP'ing my own hi-end B-Roll utilizing multiple Canon c-300's and Canon 5D Mark II and GoPro Hero III
8/13 – 1/14
Spike TV — TV Details
8/13 – 1/14
Primarily did all the town related and story related broll as well as shared other broll with 2 other operators.
Operated on every 3 camera scene. Single camera ITM's and interviews with all the talent.
The show was mostly handheld.
1/13 – 1/14
Director of Photography (DP) (Canon c300 Mark2, Mark1, 5D Mark3, Mark2 and GoPro Hero5 Black )
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Untitled
Film (Feature-length) Details
1/13 – 1/14
On going long term Feature Doc. Completely visually immersed.
9/12 – 11/12
Director of Photography (DP) (2- Canon 5D's, GoPros both day and night vision versions)
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Stranded (Season 1)
SyFy — TV — Ping Pong Productions Details
9/12 – 11/12
DP and all my cameras were locked down
emulating security cameras. Usually had 2 Canon
5D's and a night-vision GoPro and a daytime GoPro
on any and all setups. Also did the "stitch" cover
shots for each location as well as most creative
broll lock down shots as humanly possible.
8/12 – 9/12
E! Entertainment — TV — E networks Details
8/12 – 9/12
Camera operator but I was also lighting my own scenes and shooting most of the
b-roll.
8/12 – 9/12
Camera Operator (Sony EX-3 and the Sony 800)
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The X Factor (Season 2)
Fox — TV — Blue Orbit Productions, Inc. Details
8/12 – 9/12
Shot the Artists packages with the Sony 800 and lit and shot all their interviews with the Sony EX-3.
12/11 – 2/12
National Geographic — TV — Ping Pong Productions Details
12/11 – 2/12
DP/main operator duties as well as sharing Directorial duties. On this show we had pretty much everything. Sony 800's, GoPros both day and night-vision, other IR cameras and lights, Thermal, 48X lens...approximately 2500mm. We also did aerials in planes, air boats,
lots of night investigations all handheld.
5/11 – 7/11
Camera Operator (Sony EX-3 and the Sony 800)
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The X Factor (Season 1)
Fox — TV — Blue Orbit Productions, Inc. Details
5/11 – 7/11
Shot artists packages on the Sony 800 and lit and shot all their interviews on the Sony EX-3
12/10 – 3/11
OWN — TV — Endemol Shine Group
12/10 – 3/11
3/10 – 6/10
OWN — TV — 44 Blue Productions Details
3/10 – 6/10
DP and main operator. Physically lit and shot everything. Combo handheld and tripod.
Shot all the broll for the show.
12/05 – 12/09
Director of Photography (DP) (Camera operator-SDX-900)
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The Hills (Season 3)
MTV — TV — Done + Dusted Details
12/05 – 12/09
Camera operator-SDX-900
3/09 – 6/09
Director of Photography (DP)
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Family Armor
TLC — TV — Stiletto Entertainment
3/09 – 6/09
2/09 – 5/09
MTV — TV
2/09 – 5/09
1/09 – 1/09
CBS — TV — Actual Reality Pictures Details
1/09 – 1/09
Multiple Camera shoot and I was one of the principal cameras. As a very accomplished broll shooter they used my talents with that as much as they could.
10/08 – 1/09
MTV — TV — Done + Dusted
10/08 – 1/09
This was The Osbournes meet the Osbournes. We took the Osbourne family
to meet other Osbourne families. I was the DP.
My responsibilities were the lighting for each setup, the choreography of
people and equipment, all broll and interfacing
between the above the line and the crew.
6/08 – 8/08
BBC — TV Details
6/08 – 8/08
Lighting and shooting interviews, music group packages and hero shots, broll
5/08 – 6/08
ABC — TV Details
5/08 – 6/08
DP'd field packages, hero shots, interviews and broll
3/08 – 6/08
MTV — TV
3/08 – 6/08
3/08 – 6/08
National Geographic — TV Details
3/08 – 6/08
How things work type of series. Single camera DP on location.
2/08 – 5/08
MTV — TV — Done + Dusted
2/08 – 5/08
12/07 – 3/08
Oxygen — TV — World of Wonder Productions
12/07 – 3/08
9/07 – 12/07
Film (Feature-length) — Atlas Media Corp
9/07 – 12/07
3/07 – 6/07
VH1 — TV — 51 Minds Entertainment
3/07 – 6/07
3/07 – 6/07
VH1 — TV — World of Wonder Productions
3/07 – 6/07
3/07 – 6/07
MTV — TV — BBC Worldwide
3/07 – 6/07
10/06 – 1/07
ABC — TV Details
10/06 – 1/07
Director of Photography, main camera operator, steadicam operator.
9/06 – 9/06
Nickelodeon Details
9/06 – 9/06
Steadicam
8/06 – 9/06
Director of Photography (DP) (Single camera-MTV Internet site)
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Mtv Overdrive
MTV Details
8/06 – 9/06
Single camera-MTV Internet site
12/05 – 9/06
MTV — TV — Go Go Luckey Productions Details
12/05 – 9/06
Camera Operator-SDX-900
8/06 – 8/06
Specialty Camera (Steadicam Wrap-arounds with Hosts on Topanga Beach)
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Healthebay Special
CBS Details
8/06 – 8/06
Steadicam Wrap-arounds with Hosts on Topanga Beach
2/06 – 8/06
Director of Photography (DP) (lead camera operator- XDCam)
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Twentyfourseven (Season 1)
MTV — TV — 10 by 10 entertainment Details
2/06 – 8/06
lead camera operator- XDCam
12/05 – 7/06
Director of Photography (DP) (lead camera operator Vari-cam HD)
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Cheyenne (Season 1)
MTV — TV — PMTV Productions Details
12/05 – 7/06
lead camera operator Vari-cam HD
3/06 – 6/06
ABC — TV — Harpo Studios
3/06 – 6/06
3/06 – 6/06
PBS — TV — Film Police
3/06 – 6/06
3/06 – 6/06
HBO — TV
3/06 – 6/06
12/05 – 3/06
MTV — TV — Done + Dusted
12/05 – 3/06
2/05 – 1/06
Specialty Camera (Steadicam/Long lens/B-Roll Specialist)
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Renovate My Family
Fox Details
2/05 – 1/06
Steadicam/Long lens/B-Roll Specialist
11/05 – 12/05
Director of Photography (DP) (lead camera operator SDX-900)
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Pros Vs Joes (Season 1)
Spike TV — TV — MY-Tupelo Entertainment Details
11/05 – 12/05
lead camera operator SDX-900
11/05 – 12/05
MTV Details
11/05 – 12/05
B-Roll Specialist
11/05 – 12/05
VH1 Details
11/05 – 12/05
BETA
10/05 – 11/05
Specialty Camera (Steadicam operator - IMX)
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3 Wishes
NBC Details
10/05 – 11/05
Steadicam operator - IMX
10/05 – 11/05
Director of Photography (DP) (lead camera operator- SDX-900)
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Family Anatomy
TLC Details
10/05 – 11/05
lead camera operator- SDX-900
9/05 – 10/05
Director of Photography (DP) (Only camera operator-Vari-cam HD)
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Be My Baby
Film (Feature-length) — Turkey Ranch Productions Details
9/05 – 10/05
Only camera operator-Vari-cam HD
9/05 – 9/05
Director of Photography (DP) (Lead camera operator-Vari-cam HD)
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Barbershop Parody
Showtime Details
9/05 – 9/05
Lead camera operator-Vari-cam HD
9/05 – 9/05
UPN Details
9/05 – 9/05
BETA
8/05 – 8/05
VH1 Details
8/05 – 8/05
BETA
5/05 – 7/05
Discovery Details
5/05 – 7/05
Lead camera operator-F-900 HD for Green Screen and lead
3/05 – 6/05
VH1 — TV — ITV Studios America
3/05 – 6/05
3/05 – 6/05
Film (Feature-length) — Halestorm Entertainment
3/05 – 6/05
2/05 – 5/05
Director of Photography (DP) (Long lens and Hand-held Specialist-SDX-900)
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NASCAR Drivers: 360
FX Details
2/05 – 5/05
Long lens and Hand-held Specialist-SDX-900
8/04 – 11/04
E! Entertainment — TV — Intersection Productions
8/04 – 11/04
3/04 – 6/04
NBC — TV — Bischoff-Hervey Entertainment
3/04 – 6/04
3/04 – 6/04
MTV — TV — Go Go Luckey Productions
3/04 – 6/04
3/04 – 6/04
WB — TV — Dick Clark Productions
3/04 – 6/04
3/03 – 6/03
Showtime — TV — Interscope Records
3/03 – 6/03
3/03 – 6/03
A&E — TV
3/03 – 6/03
3/03 – 6/03
Comedy Central — TV — Comedy Central Productions
3/03 – 6/03
3/03 – 6/03
WB — TV — Bob Bain Productions
3/03 – 6/03
3/02 – 6/02
NBC — TV — IMG Media
3/02 – 6/02
3/02 – 6/02
Lifetime — TV — LifeLike Productions
3/02 – 6/02
3/02 – 6/02
NBC — TV — Don Weiner Productions
3/02 – 6/02
10/00 – 12/01
MTV — TV — Tall Pony Productions Details
10/00 – 12/01
DP and cam op. Always had the lead singer on a closeup. Then I got connective tripod panning shots. Mixed that up with creative wides. Shot all the broll representing the country. The Director would only say..."Go Capture Brazil"...would be the only thing he would have to say.
3/01 – 6/01
ABC — TV — Jeff Margolis Productions
3/01 – 6/01
3/01 – 6/01
TV — Hollywood Chamber of Commerce
3/01 – 6/01
3/00 – 6/00
Film (Feature-length) — Galan Entertainment
3/00 – 6/00
3/99 – 6/99
Director of Photography (DP)
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Rhapsody
BET — Live/Special Event
3/99 – 6/99
3/99 – 6/99
BET — Live/Special Event — Pop Art Film Factory
3/99 – 6/99
3/99 – 6/99
History — TV
3/99 – 6/99
3/99 – 6/99
Director of Photography (DP)
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Rendezvous
BET — Live/Special Event
3/99 – 6/99
3/99 – 6/99
Director of Photography (DP)
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Incognito
BET — Live/Special Event
3/99 – 6/99
3/98 – 6/98
History — TV — Vienna Productions
3/98 – 6/98
3/98 – 6/98
Camera Operator
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Airships
History — TV — Actuality Productions
3/98 – 6/98
3/97 – 6/97
UPN — TV — Ion Dream Productions
3/97 – 6/97
3/96 – 6/96
UPN — TV — Ion Dream Productions
3/96 – 6/96
3/95 – 6/95
UPN — TV — Ion Dream Productions
3/95 – 6/95
3/95 – 6/95
ABC — TV — IX Productions
3/95 – 6/95
7/94 – 10/94
Director of Photography (DP)
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No Dogs Allowed
Film (Short)
7/94 – 10/94
3/94 – 6/94
UPN — TV — Ion Dream Productions
3/94 – 6/94
3/93 – 6/93
Director of Photography (DP)
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Rhythm and Jam
ABC — TV
3/93 – 6/93
3/92 – 6/92
Director of Photography (DP)
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All AX-S
ABC — TV
3/92 – 6/92
3/91 – 6/91
NBC — TV — NBC News
3/91 – 6/91
3/91 – 6/91
PBS — TV — Thirteen/WNET
3/91 – 6/91