Servicing multiple show documents to simplify production matters between the Grammy Awards televised and pre-televised programs. Creating and updating show schedules and rundowns for crew, coordinating materials with the main show, and supervising the script for teleprompter. Served as an assistant to the director during taping, assisting primarily with camera and performance cues, as well as coordinating media content between departments.
Summary
Being the empathetic type has afforded me the capacity to understand the importance of the tasks at hand, to serve as the key executor of chores, but also coordinate and communicate these responsibilities to others, so as to unify and carryout the needs of the project at hand. You will find that I am the ideal candidate to rely on, and even befitting to lean on. All will vouch for my credibility, my capability, and my hard work. I am available to you when I am. Thanks.
Credits
1/14 – 2/19
Script Supervisor (National Academy of Recording Arts & Sciences) – Grammy Awards Premiere Ceremony
CBS — Live/Special Event Details
1/14 – 2/19
11/11 – 11/18
Script Supervisor (Latin Academy of Recording Arts & Sciences) – Latin Grammy Awards Premiere Ceremony
Univision — Live/Special Event Details
11/11 – 11/18
--- Servicing multiple show documents to simplify production matters between the Grammy Awards televised and pre-televised programs. Creating and updating show schedules and rundowns for crew, coordinating materials with the main show, and supervising the script for teleprompter. Served as an assistant to the director during taping, assisting primarily with camera and performance cues, as well as coordinating media content between departments.
11/11 – 11/18
Script Supervisor (Latin Academy of Recording Arts & Sciences) – Latin Grammys Person of the Year Ceremony
Univision — Live/Special Event — GVF Productions Details
11/11 – 11/18
--- Servicing multiple show documents to simplify production matters between the Grammy Awards televised and pre-televised programs. Creating and updating show schedules and rundowns for crew, coordinating materials with the main show, and supervising the script for teleprompter. Served as an assistant to the director during taping, assisting primarily with camera and performance cues, as well as coordinating media content between departments.
7/17 – 2/18
Post Production Coordinator (Graphic Artist & Graphics Editor) – Divorce Court (Season 19)
Fox — TV — Lincolnwood Drive, Inc. Details
7/17 – 2/18
Creation and coordination of materials and documents to ensure the quality control and steady work flow for the television show "Divorce Court" post-production department, including servicing as a digital editor of photographs and graphics, the creation and management of an air schedule, the archiving of show tapes, the delivery of air tapes, and manufacture and distribution of information regarding these dynamics to multiple departments within the company and throughout our network, clients, and all necessary parties.
10/15 – 2/17
Key Production Assistant (Production Coordinator) – Divorce Court
Fox — TV — Lincolnwood Drive, Inc. Details
10/15 – 2/17
Taking the mantle of Production Coordinator, assisting producers, execs, art & scenic, and other production departments for longest running, Emmy Nominated court television show "Divorce Court", including coordinating the set-up and functionality of office and set materials, coordinating talent for field shoots and production runs, and coordinating additional production assistants. Additionally, assisted production with technical, computational, and organizational matters, including tending to electronic and computer needs, creating grids and spreadsheets to manage the distribution of assets, and troubleshooting other production needs.
4/15 – 10/15
Key Production Assistant – The Boris and Nicole Show (Season 1)
Fox — TV — Lincolnwood Drive, Inc. Details
4/15 – 10/15
Assisting producers, execs, art & scenic, and other production departments for Fox start-up talk show "Boris & Nicole Show", including the set-up and functionality of office and set materials, coordinating talent for field shoots, and production runs. Additionally, assisted production with technical, computational, and organizational matters, including tending to electronic and computer needs, creating grids and spreadsheets to manage the distribution of assets, and troubleshooting other production needs.
3/15 – 4/15
Production Coordinator (America’s Got Talent Extreme!) – America's Got Talent
NBC — TV — Freemantle Media Details
3/15 – 4/15
Working with America's Got Talent core production team to coordinate production matters for this televised episodic series and special event. Duties not limited to assembling, coordinating and supervising personnel (40 to 60), researching set location and logistics, building schedules and grids to organize elements for shoots, managing petty cash, and troubleshooting the needs of executives, producers, talent, and script departments, to ensure the requirements of production are met.
10/14 – 1/15
Production Coordinator – Don't Blink (Street Magic) (Season 1)
Pop — TV — Associated Television International Details
10/14 – 1/15
Working with Emmy Award-winning organization to coordinate production matters for this televised episodic series. Duties not limited to assembling, coordinating and supervising personnel and talent (15 to 25), researching and booking set locations, building schedules and grids to organize elements for shoots, managing petty cash, and troubleshooting the needs of executives, producers, talent, and script departments, to ensure the requirements of production are met.
Media
Recos
Education
Class of '00
Pomona College
Media Studies / Film
My Gear
Skills
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