Edward Worthy

Created slates within Photoshop to place into offline exports from creative trailer vendors and then exported the offline within Premiere Pro to the correct Apple Pro Res file to send to Online Editors. Handled Source Connect sessions with Sound and Mixing company within Pro Tools and made sure every offline or CTM was lined perfectly with the correct timecode to insure that none of the dialogue was off. Exported quality approvals from CTMS in H264 format and then Mastered Texted and Textless files in 1080p, 1080x1080 square format for social media and 1080x1920 vertical format for snapchat to send to distribution studio. Exported every mastered file to a 24 bit stereo file for texted files and a 24bit 8 channel mono for textless files. Listed trailer info within Microsoft Excel to insure time codes, camera information and visual effects info were correct.

Assisted Editors with Turnover. Separated picture, Picture and Picture, graphics and gameplay footage into separate tracks and then exported EDLs to send via Aspera to a Finishing Facilities. Separated audio tracks with putting stereo and mono tracks on different tracks. Then exported AAFs to also send via Aspera to a Finishing facility. Created ending credits for the show and insured they were title safe for broadcast.

Assisted Editors with Turnover. Separated picture, Picture and Picture, graphics and gameplay footage into separate tracks and then exported EDLs to send via Aspera to a Finishing Facilities. Separated audio tracks with putting stereo and mono tracks on different tracks. Then exported AAFs to also send via Aspera to a Finishing facility. Created ending credits for the show and insured they were title safe for broadcast.

Assisted Editors with Turnover. Separated picture, Picture and Picture, graphics and gameplay footage into separate tracks and then exported EDLs to send via Aspera to a Finishing Facilities. Separated audio tracks with putting stereo and mono tracks on different tracks. Then exported AAFs to also send via Aspera to a Finishing facility. Created ending credits for the show and insured they were title safe for broadcast.

Assisted Editors with Turnover. Separated picture, Picture and Picture, graphics and gameplay footage into separate tracks and then exported EDLs to send via Aspera to a Finishing Facilities. Separated audio tracks with putting stereo and mono tracks on different tracks. Then exported AAFs to also send via Aspera to a Finishing facility. Created ending credits for the show and insured they were title safe for broadcast.

Assisted Editors with Turnover. Separated picture, Picture and Picture, graphics and gameplay footage into separate tracks and then exported EDLs to send via Aspera to a Finishing Facilities. Separated audio tracks with putting stereo and mono tracks on different tracks. Then exported AAFs to also send via Aspera to a Finishing facility. Created ending credits for the show and insured they were title safe for broadcast.

Assisted Editors with Turnover. Separated picture, Picture and Picture, graphics and gameplay footage into separate tracks and then exported EDLs to send via Aspera to a Finishing Facilities. Separated audio tracks with putting stereo and mono tracks on different tracks. Then exported AAFs to also send via Aspera to a Finishing facility. Created ending credits for the show and insured they were title safe for broadcast.

- Ingested, converted and transcoded footage to be imported into the main AE project. - Created multicam sequences for the entire season from old archival footage to newly shot footage from the company. - Trouble shot multicams that were not shot with external audio with combined footage shot with two different cameras. - Consolidated sequences from over an hour of running time down to five minute scenes to assist with editors needs. - Cleaned timelines to editors needs. Separated graphics, titles, audio and sound effects to their own designated tracks. - Fixed audio levels and adjusted the image masking to various clips with effects. - Researched music that tailored for each episode and organized them in a specific project to be imported directly into an editors project. - adhered to legal needs by marking each clip that did not pass copyright inspection. Therefore created blurs that were masked throughout each shot. - Created markers on extended driving clips that included heavy dialogue pivotal to certain scenes. Transferred those markers over the Microsoft Excel so that editors would have a breakdown of dialogue cue that is important to the story. - Adhered to broadcast standards for subtitles and fonts. Created and provided QC for each subtitle placement. - Created slates within Photoshop to play in the front of the episodes for internal network review. Timed act breaks for network review and commercial time breaks for broadcast. - Exported each episode with proper timecode presets and uploaded to the wire drive network to be shared with the network producers.

- Ingested, converted and transcoded footage to be imported into the main AE project. - Created multicam sequences for the entire season from old archival footage to newly shot footage from the company. - Trouble shot multicams that were not shot with external audio with combined footage shot with two different cameras. - Consolidated sequences from over an hour of running time down to five minute scenes to assist with editors needs. - Cleaned timelines to editors needs. Separated graphics, titles, audio and sound effects to their own designated tracks. - Fixed audio levels and adjusted the image masking to various clips with effects. - Researched music that tailored for each episode and organized them in a specific project to be imported directly into an editors project. - adhered to legal needs by marking each clip that did not pass copyright inspection. Therefore created blurs that were masked throughout each shot. - Created markers on extended driving clips that included heavy dialogue pivotal to certain scenes. Transferred those markers over the Microsoft Excel so that editors would have a breakdown of dialogue cue that is important to the story. - Adhered to broadcast standards for subtitles and fonts. Created and provided QC for each subtitle placement. - Created slates within Photoshop to play in the front of the episodes for internal network review. Timed act breaks for network review and commercial time breaks for broadcast. - Exported each episode with proper timecode presets and uploaded to the wire drive network to be shared with the network producers.

- Ingested, converted and transcoded footage to be imported into the main AE project. - Created multicam sequences for the entire season from old archival footage to newly shot footage from the company. - Trouble shot multicams that were not shot with external audio with combined footage shot with two different cameras. - Consolidated sequences from over an hour of running time down to five minute scenes to assist with editors needs. - Cleaned timelines to editors needs. Separated graphics, titles, audio and sound effects to their own designated tracks. - Fixed audio levels and adjusted the image masking to various clips with effects. - Researched music that tailored for each episode and organized them in a specific project to be imported directly into an editors project. - adhered to legal needs by marking each clip that did not pass copyright inspection. Therefore created blurs that were masked throughout each shot. - Created markers on extended driving clips that included heavy dialogue pivotal to certain scenes. Transferred those markers over the Microsoft Excel so that editors would have a breakdown of dialogue cue that is important to the story. - Adhered to broadcast standards for subtitles and fonts. Created and provided QC for each subtitle placement. - Created slates within Photoshop to play in the front of the episodes for internal network review. Timed act breaks for network review and commercial time breaks for broadcast. - Exported each episode with proper timecode presets and uploaded to the wire drive network to be shared with the network producers.

- Ingested, converted and transcoded footage to be imported into the main AE project. - Created multicam sequences for the entire season from old archival footage to newly shot footage from the company. - Trouble shot multicams that were not shot with external audio with combined footage shot with two different cameras. - Consolidated sequences from over an hour of running time down to five minute scenes to assist with editors needs. - Cleaned timelines to editors needs. Separated graphics, titles, audio and sound effects to their own designated tracks. - Fixed audio levels and adjusted the image masking to various clips with effects. - Researched music that tailored for each episode and organized them in a specific project to be imported directly into an editors project. - adhered to legal needs by marking each clip that did not pass copyright inspection. Therefore created blurs that were masked throughout each shot. - Created markers on extended driving clips that included heavy dialogue pivotal to certain scenes. Transferred those markers over the Microsoft Excel so that editors would have a breakdown of dialogue cue that is important to the story. - Adhered to broadcast standards for subtitles and fonts. Created and provided QC for each subtitle placement. - Created slates within Photoshop to play in the front of the episodes for internal network review. Timed act breaks for network review and commercial time breaks for broadcast. - Exported each episode with proper timecode presets and uploaded to the wire drive network to be shared with the network producers.

- Ingested, converted and transcoded footage to be imported into the main AE project. - Created multicam sequences for the entire season from old archival footage to newly shot footage from the company. - Trouble shot multicams that were not shot with external audio with combined footage shot with two different cameras. - Consolidated sequences from over an hour of running time down to five minute scenes to assist with editors needs. - Cleaned timelines to editors needs. Separated graphics, titles, audio and sound effects to their own designated tracks. - Fixed audio levels and adjusted the image masking to various clips with effects. - Researched music that tailored for each episode and organized them in a specific project to be imported directly into an editors project. - adhered to legal needs by marking each clip that did not pass copyright inspection. Therefore created blurs that were masked throughout each shot. - Created markers on extended driving clips that included heavy dialogue pivotal to certain scenes. Transferred those markers over the Microsoft Excel so that editors would have a breakdown of dialogue cue that is important to the story. - Adhered to broadcast standards for subtitles and fonts. Created and provided QC for each subtitle placement. - Created slates within Photoshop to play in the front of the episodes for internal network review. Timed act breaks for network review and commercial time breaks for broadcast. - Exported each episode with proper timecode presets and uploaded to the wire drive network to be shared with the network producers.

- Ingested, converted and transcoded footage to be imported into the main AE project. - Created multicam sequences for the entire season from old archival footage to newly shot footage from the company. - Trouble shot multicams that were not shot with external audio with combined footage shot with two different cameras. - Consolidated sequences from over an hour of running time down to five minute scenes to assist with editors needs. - Cleaned timelines to editors needs. Separated graphics, titles, audio and sound effects to their own designated tracks. - Fixed audio levels and adjusted the image masking to various clips with effects. - Researched music that tailored for each episode and organized them in a specific project to be imported directly into an editors project. - adhered to legal needs by marking each clip that did not pass copyright inspection. Therefore created blurs that were masked throughout each shot. - Created markers on extended driving clips that included heavy dialogue pivotal to certain scenes. Transferred those markers over the Microsoft Excel so that editors would have a breakdown of dialogue cue that is important to the story. - Adhered to broadcast standards for subtitles and fonts. Created and provided QC for each subtitle placement. - Created slates within Photoshop to play in the front of the episodes for internal network review. Timed act breaks for network review and commercial time breaks for broadcast. - Exported each episode with proper timecode presets and uploaded to the wire drive network to be shared with the network producers.

- Ingested, converted and transcoded footage to be imported into the main AE project. - Created multicam sequences for the entire season from old archival footage to newly shot footage from the company. - Trouble shot multicams that were not shot with external audio with combined footage shot with two different cameras. - Consolidated sequences from over an hour of running time down to five minute scenes to assist with editors needs. - Cleaned timelines to editors needs. Separated graphics, titles, audio and sound effects to their own designated tracks. - Fixed audio levels and adjusted the image masking to various clips with effects. - Researched music that tailored for each episode and organized them in a specific project to be imported directly into an editors project. - adhered to legal needs by marking each clip that did not pass copyright inspection. Therefore created blurs that were masked throughout each shot. - Created markers on extended driving clips that included heavy dialogue pivotal to certain scenes. Transferred those markers over the Microsoft Excel so that editors would have a breakdown of dialogue cue that is important to the story. - Adhered to broadcast standards for subtitles and fonts. Created and provided QC for each subtitle placement. - Created slates within Photoshop to play in the front of the episodes for internal network review. Timed act breaks for network review and commercial time breaks for broadcast. - Exported each episode with proper timecode presets and uploaded to Frame io to be shared with the network producers.

- Ingested, converted and transcoded footage to be imported into the main AE project. - Created multicam sequences for the entire season from old archival footage to newly shot footage from the company. - Trouble shot multicams that were not shot with external audio with combined footage shot with two different cameras. - Consolidated sequences from over an hour of running time down to five minute scenes to assist with editors needs. - Cleaned timelines to editors needs. Separated graphics, titles, audio and sound effects to their own designated tracks. - Fixed audio levels and adjusted the image masking to various clips with effects. - Researched music that tailored for each episode and organized them in a specific project to be imported directly into an editors project. - adhered to legal needs by marking each clip that did not pass copyright inspection. Therefore created blurs that were masked throughout each shot. - Created markers on extended driving clips that included heavy dialogue pivotal to certain scenes. Transferred those markers over the Microsoft Excel so that editors would have a breakdown of dialogue cue that is important to the story. - Adhered to broadcast standards for subtitles and fonts. Created and provided QC for each subtitle placement. - Created slates within Photoshop to play in the front of the episodes for internal network review. Timed act breaks for network review and commercial time breaks for broadcast. - Exported each episode with proper timecode presets and uploaded to Frame io to be shared with the network producers.

- Ingested, converted and transcoded footage to be imported into the main AE project. - Created multicam sequences for the entire season from old archival footage to newly shot footage from the company. - Trouble shot multicams that were not shot with external audio with combined footage shot with two different cameras. - Consolidated sequences from over an hour of running time down to five minute scenes to assist with editors needs. - Cleaned timelines to editors needs. Separated graphics, titles, audio and sound effects to their own designated tracks. - Fixed audio levels and adjusted the image masking to various clips with effects. - Researched music that tailored for each episode and organized them in a specific project to be imported directly into an editors project. - adhered to legal needs by marking each clip that did not pass copyright inspection. Therefore created blurs that were masked throughout each shot. - Created markers on extended driving clips that included heavy dialogue pivotal to certain scenes. Transferred those markers over the Microsoft Excel so that editors would have a breakdown of dialogue cue that is important to the story. - Adhered to broadcast standards for subtitles and fonts. Created and provided QC for each subtitle placement. - Created slates within Photoshop to play in the front of the episodes for internal network review. Timed act breaks for network review and commercial time breaks for broadcast. - Exported each episode with proper timecode presets and uploaded to Frame io to be shared with the network producers.

- Ingested, converted and transcoded footage to be imported into the main AE project. - Created multicam sequences for the entire season from old archival footage to newly shot footage from the company. - Trouble shot multicams that were not shot with external audio with combined footage shot with two different cameras. - Consolidated sequences from over an hour of running time down to five minute scenes to assist with editors needs. - Cleaned timelines to editors needs. Separated graphics, titles, audio and sound effects to their own designated tracks. - Fixed audio levels and adjusted the image masking to various clips with effects. - Researched music that tailored for each episode and organized them in a specific project to be imported directly into an editors project. - adhered to legal needs by marking each clip that did not pass copyright inspection. Therefore created blurs that were masked throughout each shot. - Created markers on extended driving clips that included heavy dialogue pivotal to certain scenes. Transferred those markers over the Microsoft Excel so that editors would have a breakdown of dialogue cue that is important to the story. - Adhered to broadcast standards for subtitles and fonts. Created and provided QC for each subtitle placement. - Created slates within Photoshop to play in the front of the episodes for internal network review. Timed act breaks for network review and commercial time breaks for broadcast. - Exported each episode with proper timecode presets and uploaded to Frame io to be shared with the network producers.

- Ingested, converted and transcoded footage to be imported into the main AE project. - Created multicam sequences for the entire season from old archival footage to newly shot footage from the company. - Trouble shot multicams that were not shot with external audio with combined footage shot with two different cameras. - Consolidated sequences from over an hour of running time down to five minute scenes to assist with editors needs. - Cleaned timelines to editors needs. Separated graphics, titles, audio and sound effects to their own designated tracks. - Fixed audio levels and adjusted the image masking to various clips with effects. - Researched music that tailored for each episode and organized them in a specific project to be imported directly into an editors project. - adhered to legal needs by marking each clip that did not pass copyright inspection. Therefore created blurs that were masked throughout each shot. - Created markers on extended driving clips that included heavy dialogue pivotal to certain scenes. Transferred those markers over the Microsoft Excel so that editors would have a breakdown of dialogue cue that is important to the story. - Adhered to broadcast standards for subtitles and fonts. Created and provided QC for each subtitle placement. - Created slates within Photoshop to play in the front of the episodes for internal network review. Timed act breaks for network review and commercial time breaks for broadcast. - Exported each episode with proper timecode presets and uploaded to Frame io to be shared with the network producers.

- Ingested, converted and transcoded footage to be imported into the main AE project. - Created multicam sequences for the entire season from old archival footage to newly shot footage from the company. - Trouble shot multicams that were not shot with external audio with combined footage shot with two different cameras. - Consolidated sequences from over an hour of running time down to five minute scenes to assist with editors needs. - Cleaned timelines to editors needs. Separated graphics, titles, audio and sound effects to their own designated tracks. - Fixed audio levels and adjusted the image masking to various clips with effects. - Researched music that tailored for each episode and organized them in a specific project to be imported directly into an editors project. - adhered to legal needs by marking each clip that did not pass copyright inspection. Therefore created blurs that were masked throughout each shot. - Created markers on extended driving clips that included heavy dialogue pivotal to certain scenes. Transferred those markers over the Microsoft Excel so that editors would have a breakdown of dialogue cue that is important to the story. - Adhered to broadcast standards for subtitles and fonts. Created and provided QC for each subtitle placement. - Created slates within Photoshop to play in the front of the episodes for internal network review. Timed act breaks for network review and commercial time breaks for broadcast. - Exported each episode with proper timecode presets and uploaded to Frame io to be shared with the network producers.

- Set up external hard drives with footage. - Brought and organized all footage into Premiere Pro to be organized by all 8 camera sources. - Organized and created a multic cam sequence with all 8 Go Pro cameras that were shooting at once. Cleaned up sequences were certain cameras would cut on and back off. - Disabled audio for certain sequences where audio is heard in the background from scenes that weren't than what the main focus was on. Created a separate multi cam sequence and disabled audio from the previous sequence for scenes that were originally in the background but were not the main focus.

I uploaded footage to then be transcoded from 4K to 1080P and then organized the footage by camera source. Created bins pertaining to sources within Premiere Pro. Created multi cams for as many as 15 cameras and string outs for each source.

I worked as the only AE for a 6-episode documentary on video game culture where I provided transcriptions for interviews and transcoded footage as it arrived. I uploaded substantial amounts of hours of footage and then organized them by camera source and episodes. Created bins pertaining to sources and episodes within Premiere Pro. Created multi cams for as many as 8 cameras and string outs for each individual and event pertaining to episode. Maintained external hard drives and backed up footage continuously everyday for 3 editors to have an update of footage shot daily.

I worked as the only AE for a 6-episode documentary on video game culture where I provided transcriptions for interviews and transcoded footage as it arrived. I uploaded substantial amounts of hours of footage and then organized them by camera source and episodes. Created bins pertaining to sources and episodes within Premiere Pro. Created multi cams for as many as 8 cameras and string outs for each individual and event pertaining to episode. Maintained external hard drives and backed up footage continuously everyday for 3 editors to have an update of footage shot daily.

I worked as the only AE for a 6-episode documentary on video game culture where I provided transcriptions for interviews and transcoded footage as it arrived. I uploaded substantial amounts of hours of footage and then organized them by camera source and episodes. Created bins pertaining to sources and episodes within Premiere Pro. Created multi cams for as many as 8 cameras and string outs for each individual and event pertaining to episode. Maintained external hard drives and backed up footage continuously everyday for 3 editors to have an update of footage shot daily.

I worked as the only AE for a 6-episode documentary on video game culture where I provided transcriptions for interviews and transcoded footage as it arrived. I uploaded substantial amounts of hours of footage and then organized them by camera source and episodes. Created bins pertaining to sources and episodes within Premiere Pro. Created multi cams for as many as 8 cameras and string outs for each individual and event pertaining to episode. Maintained external hard drives and backed up footage continuously everyday for 3 editors to have an update of footage shot daily.

I worked as the only AE for a 6-episode documentary on video game culture where I provided transcriptions for interviews and transcoded footage as it arrived. I uploaded substantial amounts of hours of footage and then organized them by camera source and episodes. Created bins pertaining to sources and episodes within Premiere Pro. Created multi cams for as many as 8 cameras and string outs for each individual and event pertaining to episode. Maintained external hard drives and backed up footage continuously everyday for 3 editors to have an update of footage shot daily.

I worked as the only AE for a 6-episode documentary on video game culture where I provided transcriptions for interviews and transcoded footage as it arrived. I uploaded substantial amounts of hours of footage and then organized them by camera source and episodes. Created bins pertaining to sources and episodes within Premiere Pro. Created multi cams for as many as 8 cameras and string outs for each individual and event pertaining to episode. Maintained external hard drives and backed up footage continuously everyday for 3 editors to have an update of footage shot daily.

I uploaded substantial amounts of hours of footage and then transcoded the RED RAW files for Premiere. Created bins pertaining to scenes within Premiere Pro. Synced all external audio with the clips and edited the final film to be at 45 minutes.

Created a highlight reel from the 2016 Golden Glove Awards

Took clips from the entire awards show and compiled them into a one minute hightlight reel for the Dick Clark Website.

Compiled various social media videos for All 52 contestants for various promotions and campaign segments.

Edited sketch for the OMG show in premiere pro Rotoscoped various clones within one scene. Searched for music within the provided music library site to match the tone of the visual.

Directed, edited and shot this web series pilot. Followed the script and story beats and logged, synced and organized footage as well as edited to music this 10 minute pilot.

Organized and edited video footage from various participants on what they thought about the advantages and disadvantages of wearing a man bun.

Organized footage and edited to music this stylistic tutorial visual displaying how to apply various types of holiday beauty products.

Assisted with lighting and camera set up. Assisted with other duties on set such as paperwork and lunches.

Helped set lights and gear as well as design work.

Edited a collage of various images to music that shows various babies in their thanksgiving best costume.

I organized and synced footage from the 3 day event from 4K footage. I edited a 6 minute highlight to music and several 15 second social media pieces with interview segments with such celebrities as Cedric the Entertainer, Jay Harris, The Property Brothers, Brian McKnight and Coach Mike Woodson of the Clippers.

Logged, synced and organized footage and followed the story beats and emotional journey of the series to create a trailer to promote for financing.

Shot and Edited this Wedding promotional video for a couple in Mobile, Alabama. The video captured the couple's affection for each other and announced their wedding date for May of 2016.

Directed, Shot and Edited this Promotional Video for the Theta Iota Chapter of Phi Beta Sigma Fraternity Inc. at Mississippi State University.

Produced content for the show out in the field by approaching and interviewing actors, athletes and reality personas.

Directed and edited this music video capturing KCP on a lonely railroad and a bridge during the rain as he expressed his struggle and determination to rise above his obstacles and provide for himself and his family with his passion.

Assisted camera operators on set with batteries, media and handling equipment.

Beautiful wedding shot outside of the Mississippi art museum. I shot and edited the wedding along with an additional videographer.

Worked with Director Norbert Lambert on a feature documentary loading and unloading equipment as well as setting and breaking down lighting equipment.

Directed a script and Edited this showcase video for the pageant contestants for the annual Miss Krimson and Kream Pageant for the Kappa Iota Chapter of Kappa Alpha Psi.

Directed and Edited this promotional video for the Nu Eta Chapter of Omega Psi Phi and the Mu Nu Chapter of Delta Sigma Theta for their annual joint chapter philanthropy week event that brings in a total of 10,000 attendees.

Directed and Edited this promotional video for the Nu Rho Chapter of Kappa Alpha Psi for their annual chapter week event.

Directed a script and Edited this promotional video for the Iota Kappa Chapter of Alpha Kappa Alpha for their annual chapter week event.

Directed and Edited this promotional video for the Lambda Sigma Chapter of Delta Sigma Theta for their annual Chapter week Event.

Directed and Edited this Promotional Video for the Lambda Pi Chapter of Kappa Alpha Psi and the Lambda Sigma Chapter of Delta Sigma Theta for their Joint Chapter Week Event.

Directed and Edited this Promotional Video for the Lambda Iota Chapter of Kappa Alpha Psi for their annual Chapter Week Event.

Directed and Edited a promotional video for the Gulfport Alumni Chapter of Kappa Alpha Psi for their Annual Masquerade party for Mardi Gras.

Directed and Edited this Promotional Video for the Kappa Iota Chapter of Kappa Alpha Psi for their Chapter week event.

Directed and Edited this promotional video for an Entertainment Group at The University of West Alabama for a Social Event.

Directed and Edited this Promotional Video for the Eta Upsilon Chapter of Kappa Alpha Psi for their Annual Chapter Week Event.

Directed and Edited this video to be shown at the annual National Pan-hellenic Step Show at the University of Southern Mississippi for the Kappa Iota Chapter of Kappa Alpha Psi

Wrote, shot, Directed and Edited this music video that premiered on Vevo.

Worked as a camera operator and Editor for a wedding in Jackson, Mississippi.

Director/Writer/Producer of this short film that has played in 17 film festivals across the country including Los Angeles and New York.

Directed and Edited this promotional video for the Lambda Pi Chapter of Kappa Alpha Psi for their chapter week event.

Worked as a second assistant camera on a day of picks ups for this film.

Key Grip on the award winning student short film "Little Africa" . This film required dolly gripping as well as various rigorous challenges that was pulled off with a 3 person G&E crew. I was in charge of all equipment and responsible for driving the grip truck to and from set.

Responsible for driving the generator truck to and from set. Wrangled cables to set where they were connected to a power box.

In this position for this film, I had to handle casting for extras as well as make very detailed documents using Excel and Microsoft Word such as call sheets and daily on set reports.

Music Video for SlimmPusha aired on MTV Jams/ Director/DP/Editor

Directed and Edited this commercial for Carol Jones running for District Court Judge.