Eric Gutierrez

Captured live event concert performances and b-roll and edited together a short promotional video of the event for social media.

Director of Photography, camera op, edited the film.

Developed visual look, also served as camera operator and editor for the video.

Captured a combination of live performance footage and b-roll and edited the music video.

I captured the footage used in 120fsp on my Sony A6300 and edited it on Adobe Premier and After Effects for the lyrics.

Captured and edited the footage for the promotional video detailing the event.

Captured interviews and b-roll surround a central character and edited together a short bio on the subject for company website.

Captured and edited the footage. Shot in one day in 240fps on my Sony Fs700.

Captured and edited video of El Teatro Campesino's Los Angeles fundraiser for their 2017 production of Zoot Suit at the Mark Taper Forum.

Gathered interview footage and b-roll, and edited a short promotional video for the San Benito Arts Council's "Dreams Project"

Produced, captured, and edited the short PSA

Produced, captured, and edited the short PSA.

Produced, shot, and edited short video spotlight on the Salinas drumline team.

Produced, shot, and edited short form video based on a young girl from Acosta Plaza in Salinas.

Produced, shot, and edited short form video about a man raising his family in Salinas, CA.

Captured interviews with subjects, compiled footage and edited together several mini docs that played before the theatrical performance of Mi Abuelito fue Bracero

As the Local Producer I was the point of contact between the film crew and the locations and interviewees for the film. I was in charge of scheduling shooting days, contacting locations and obtaining film permits, drove crew from location to location and helped obtain archival footage from Teatro Campesino

cinematographer and editor, lead storyboarding and coordinated with visual design team as well as co-wrote the script

As cinematographer on A Tree in the Valley I was in charge of translating a group of student written and painted pieces into a feature film. I created shot lists, storyboards, lighting setups, and lead a team of production assistants.

On "Chui" I handled recording of sound for the shoot. I also coordinated with the AD on transference of the audio files at the end of each day.

On Mauraya's Kick I handled recording of sound for the shoot, and coordinated with the AD on transference of the audio files at the end of each shooting day.

Reviewing and transcribing interview footage and b-roll, inserting timecode stamps