Scott Douglas

Created worksflows which allowed editors in Austraillia to work with local editors in the US Setup delivery system to ingest footage from camera operators in different countries

Created a unique workflow which allowed several editors to work in conjunction without having any network storage such as isis/unity.

• Tapeless workflow • Transcoding of footage from Red Dragon, BlackMagic and GoPro camera. • Adding and creating specific LUTs for dailies • Syncing Dailies, creating a daily stringout for export to digital and DVD • Managing Stock footage database. Acquiring stock footage as needed

• Key frame management for lower thirds timing • Produced visual effects for contestant money tree timed with EDL • produced Questions and Answers visual effects timed with EDL

• Provided additional night support during ingest and data management process • Additional grouping, syncing and organization based on Lead Assist scheduled and workflow • Responsible to receive harddrives flown in from global locations

• Ingest, Group footage recorded to AV Truck • Create and ingest temp and final graphics for overhead display and broadcast during live recorded broadcast • QC final graphics and exports to network • Edited opening sequence and vignette innerspacial • Created visual effects for opening sequence

• On-location Post supervisor responsible for workflows, dailies, and managing footage shoot concurrently on Red Epic and RedOne MX. • Additional Duties: coordinating with Online-Edit facility from remote Alaskan location, providing on-site IT • Support to build and manage data bases, constructing a portable DIT Cart • Additional Titles; Digital Imaging Technician, Additional Editor

• Imported, Transcoding foot with tapeless workflow • Responsible to group footage from three camera setup with non-running timecode. (Sony XDCAM-EX3, Canon 5D, and GoPro cameras) • Developed workflows which adds time code to non-TC media. • QC blur pass • Responsible for online and Mix QC

• Responsible for keyframe management • Palette swaps and colour timing producing a "leave colour" effect • Data management and organization across multiple NLEs including Final Cut Pro, Premiere and After Effects • Additional Editor

• Tapeless workflow from Aria Alexa • Developed and implemented workflow for syncing dailies, naming conventions and organizing bins. • Database management and content supervisor. • Transcoding camera RAW files using DaVinci Resolve. • Communicated with the departments to maintain and schedule deliverables. • Processing of files to offline editorial.

• Responsible for stereoscopic conform of films for dailies and client deliverables. • Processing of EDLs and AAFs from offline to online DI and dissemination of shot information. • Responsible for grading films for convergence of 3D images, and producing all final deliverables.

• Tapeless workflow from Canon 7D. • Utilizing plural eyes to sync footage. • Designed "crazy credits" and post camera moves using After Effects.

• Tapeless workflow from Panasonic HPX-500(P2). • Utilized Avid Media Access to streamline the post work flow. • Funded entirely through crowd source funding and social media. • Responsible final delivery to web, and DVD content authoring.

• Responsible for stereoscopic conform of films for dailies and client deliverables. • Processing of EDLs and AAFs from offline to online DI and dissemination of shot information. • Responsible for grading films for convergence of 3D images, and producing all final deliverables.

• Responsible for building and organizing bins. • Creating AAFs from visual reference media for conforms and distributing AFFs to online editors

• Responsible for stereoscopic conform of films for dailies and client deliverables. • Processing of EDLs and AAFs from offline to online DI and dissemination of shot information. • Responsible for grading films for convergence of 3D images, and producing all final deliverables.

• Responsible for stereoscopic conform of films for dailies and client deliverables. • Processing of EDLs and AAFs from offline to online DI and dissemination of shot information. • Responsible for grading films for convergence of 3D images, and producing all final deliverables.

Responsible for daily stereoscopic conform of films, across multiple simultaneous productions. Projects: Green Hornet Thor Captain America Hansel and Gretel: Witch Hunters Titanic 3D John Carter The Avengers Abraham Lincoln: Vampire Hunter

• Responsible for stereoscopic conform of films for dailies and client deliverables. • Processing of EDLs and AAFs from offline to online DI and dissemination of shot information. • Responsible for grading films for convergence of 3D images, and producing all final deliverables.

• Responsible for stereoscopic conform of films for dailies and client deliverables. • Processing of EDLs and AAFs from offline to online DI and dissemination of shot information. • Responsible for grading films for convergence of 3D images, and producing all final deliverables.

• Processing of Client EDLs and AAFs from offline to online DI and dissemination of shot information

• On location Electronic Field Production footage retrieval, logging and editing. • Setup and supervised workflows • Creating streaming server workflow for broadcast delivery with near real time results • Supervised camera placement for delivering live streaming web videos during the competition.

• Visual Effects compositor • Matte painter • Rig removal

• Responsible for Electronic News Gathering, delegating tasks that allowed for quick turn around of deliverables for television broadcast and web streaming. • Quality control supervisor for compliance with FCC broadcast rules. Projects Include: The Colorado Debate Democratic Nation Convention’08 Race for the Senate