Gabe Dauer

Editor on short film "Time" written by and starring Ashley Cole. This can be screened on my LinkedIn page

Took the lead role on two episodes and assisted on others. This was more of a Preditor role, as we only had Story for a few weeks. It also took lots of organizational skills because project sharing in Premiere does not overlap like Avid does.

New unscripted series for ABC primetime lineup about 911 call centers

Story Editor for 4 episodes

Process show, renovating mechanics' garages who are struggling. Stringing radio cuts, finding story of each episode/build and following the story of improving each garage.

Home renovation show

Story in post using Avid

Competition/Reality. Edited entire hour long from raw. This will air oversees on network ZeeTV

Story in post using Avid

Story in post using Avid

Post Producer using Avid. Build episodes and support editors. Write VO, pickup bites, and produce online content.

Assist lead editor in building and cutting the show, incorporating key story moments, music, chyrons, transitions etc. Execute producer and network notes. Edit all VOD, Deleted, and BTS deliverables.

Post Story Producer using Avid -Write and manage episode grids for four of twelve episodes -Create string-outs and see through scene edits with editors -Write interview bites -Manage editors' daily/weekly goals for a 35 day edit schedule References: Mitch Rosa mrosa@pilgrimstudios.com 818.515.1201 Executive Producer The Ultimate Fighter 22 / The Fighters / Anthony Pettis / Lindsay I worked closely with Mitch in all productions for approval in episode grids as well as addressing network notes, writing bites, and much more.

Pre-produce 10-12 segments per episode for 4 episodes, worked with fixers in 4 different international cities to arrange creative and logistical needs based on cast interests/needs; Created shoot schedules and rough episode outlines References: Emily Abrahams emily@karga7.com 310.210.2734 Line Producer / Relocated Emily was my production go-to for any on the ground questions while pre-producing episodes and shoots.

-Structure all episodes; Create string outs of scenes for editors -Write OTFs, VO, and all interviews to tell story of build -Stay in touch with the field to help pre-produce segments and coordinate story as the episode is written in post -Manage Story Producer and Editors References: Noah Mark noahgmark@gmail.com 845.641.9796 Co-EP Cabin Fever / Anthony Pettis: Showtime / The Fighters I worked closely with Noah, especially at Cabin Fever where he would approve scene string-outs, interview bites, and story points as I wrote them.

This was Lindsay Lohan's reality series on OWN documenting her 2013 transition out of her seventh stint in rehab. -String out scenes for editor -Write interview questions for field based on story for each episode References: Mitch Rosa mrosa@pilgrimstudios.com 818.515.1201 Executive Producer The Ultimate Fighter 22 / The Fighters / Anthony Pettis / Lindsay I worked closely with Mitch for approval in episode grids as well as addressing network notes, writing interview questions, and managing the editors' day and weekly deadlines.

-String out scenes for editor -Write narration VO References: Mitch Rosa mrosa@pilgrimstudios.com 818.515.1201 Executive Producer The Ultimate Fighter 22 / The Fighters / Anthony Pettis / Lindsay

String out all scenes of episodes / Produce interview bites / Write pick-up bites / Track field story notes / Address network notes / Update show grids based on field notes References: Noah Mark noahgmark@gmail.com 845.641.9796 Supervising Producer Anthony Pettis: It's Showtime Noah was my primary supervisor in approving scenes and story lines, as well as managing editors' daily/weekly deadlines. Mitch Rosa mrosa@pilgrimstudios.com 818.515.1201 Executive Producer The Ultimate Fighter 22 / The Fighters / Anthony Pettis / Lindsay

Support Story Producers on day-to-day basis / Produce reality beats at cast camp / Write hot sheets for each shoot day / Keep time code notes of all shoots / Interview cast References: Rob Callow rccallow@pacbell.net 323.356.8487 Story Producer Top Hooker / Top Shot Rob and I were paired up on Top Hooker (a fishing competition show) where I supported him day to day taking notes and interviewing contestants. We also produced reality beats at night. Noah Mark noahgmark@gmail.com 845.641.9796 Supervising Producer

Support Story Producers on day-to-day basis / Write hot sheets for each shoot day / Keep time code notes of all shoots / Interview cast References: Noah Mark noahgmark@gmail.com 845.641.9796

Support Story Producers on day-to-day basis / Produce reality beats at cast house / Write hot sheets for each shoot day / Keep time code notes of all shoots / Interview cast

Produce Artist Packages / Scout/Pitch/Book new talent / Coordinate AFTRA paperwork / Book field shoots References: Mike Hazlitt mike.hazlitt@nbuni.com

Set/Office PA