Gerald Martin Davenport

Video and Effects editor for tv and web commercial spots. https://thatsbyers.com/ https://vimeo.com/byersenterprises

Worked with Bruce Bradley, the writer, to develop the characters and story into a more narrative flow. Managed Production Schedules and casting. Directed inexperienced actors with a 5 man production crew for two days at the historic National Hotel in Nevada City, California. Post-Production: Editing, color-correcting - grading.

Worked with Director, Mark Hoffman, to assemble the story from the clips he took and the screenplay written by Donna Cobb. Took the picture lock and fine-tunes the image with color-correcting and grading.

Worked with writer to fine-tune the story, develop characters, and tighten narrative. Managed the production, casting, and set arrangements. Directed cast and Camera. All post-production, and media artwork.

Worked with Dana Wilberg to give her what she wanted as best as I could with a limited budget. All post-production duties.

Worked with Dana Wilberg to give her what she wanted as best as I could with a limited budget. All post-production duties.

Worked with Dana Wilberg to give her what she wanted as best as I could with a limited budget. All post-production duties.

I assembled a fantastic team behind me to create this tender family story.

I assembled a fantastic team behind me to create this tender family story.

Color grading was needed to separate time eras and the supernatural.

I assembled a fantastic team behind me to create this tender family story.

A troubled and complex journey to get the film into production. see: https://www.apfwiki.com/productions/Petite_Chardonnay/

There were many changes and variations of the story with other actors in mind to play the characters before they were removed and started from scratch.

Writer, Producer, Production Manager, Editor: Color-correcting - Grading, Audio & Visual effects.

Writer, Producer, Production Manager, Editor: Color-correcting - Grading, Audio & Visual effects.

Writer, Producer, Production Manager, Editor: Color-correcting - Grading, Audio & Visual effects.

Written and Directed by Judith Plank

Manage Production as First Assistant Director, Help create camera set ups and angles, Post-Production Director: Editor, Audio, and visual effects, Color-correcting - grading.

Directed by Vincent Dee Miles

Directed by Vincent Dee Miles

Directed By Vincent Dee Miles

Writer, Researcher, Production Manager, Director, Casting Director, Editor, Marketing Artwork, Website. A historical look back at the Gold Rush in Sacramento through the eyes of William Wimmer.

Writer, Researcher, Production Manager, Director, Casting Director, Editor, Marketing Artwork, Website. A historical look back at the Gold Rush in Sacramento through the eyes of William Wimmer.

Writer, Researcher, Production Manager, Director, Casting Director, Editor, Marketing Artwork, Website. A historical look back at the Gold Rush in Sacramento through the eyes of William Wimmer.

Writer, Researcher, Production Manager, Director, Casting Director, Editor, Marketing Artwork, Website. A historical look back at the Gold Rush in Sacramento through the eyes of William Wimmer.

Writer, Researcher, Production Manager, Director, Casting Director, Editor, Marketing Artwork, Website. A historical look back at the Gold Rush in Sacramento through the eyes of William Wimmer.

Writer, Researcher, Production Manager, Director, Casting Director, Editor, Marketing Artwork, Website. A historic look back at the Gold Rush in Sacramento through the eyes of William Wimmer.

Production Audio, Co-Directed as the Director was fresh out of Digital Film School, i think Art Insitute, and he had no clue what to do. Post-Production Director: Editor, Color-correcting and Grading, music editing, and music supervisor.

For Apple's Insomnia film festival. Co-Wrote and Co-Directed the short. Lead Editor.

For Apple's Insomnia film festival. Co-Wrote and Co-Directed the short. Lead Editor.

For Apple's Insomnia film festival. Co-Wrote and Co-Directed the short. Lead Editor.

Wrote the story from an idea by Adam Vesely and spent $5,000 of my own money producing it, as well as, all the other crew positions, a one man filmmaking crew.