30 for 30 Film Credits - American Son (2024), Jeanette Lee Vs. (2022) // Two Currently in post and delivering. Managed post logistics for offline edit prep, deliverables, online, mix and color. Vetted and onboarded post house, mixers, colorists - over saw color and mix sessions, DCP creation and deliveries for festivals, and final film deliverables. Vetted and onboarded graphics companies, composers, remote and in-office editors and AEs. Helped implement new workflows and policies post department-wide. Oversaw internal and external cut postings, notes implementation and follow up, on two to three films at a time.
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Summary
Best with constantly changing deadlines, fast turnarounds, "fixing it in post," and talking loudly (sorry in advance).
Credits
7/22 – Current
Post Production Supervisor – 30 for 30 Series
ESPN — Film (Feature-length) — Words+Pictures Details
7/22 – Current
2/22 – 5/22
Post Production Supervisor – The Circus (Season 7)
Showtime — TV — Left/Right TV Details
2/22 – 5/22
Managed all post logistics for the crash course season 7 of The Circus. Eight episodes a season, each episode starts filming on Monday, shoots, edits, onlines, and is delivered by Sunday evening via fiber feed to broadcast providers. Supervised around the clock coverage of AEs, Editors, and Coordinators. Oversaw post comms with field teams, arranged same-day delivery of footage from around the country as well as Eastern Europe. Every online + delivery started at 6AM Sunday and finished by 6PM - this includes color, archival prep, mixing, and multiple day-of master deliveries.
3/21 – 3/22
Post Production Supervisor – Vice (Season 2)
Showtime — TV — VICE Media Details
3/21 – 3/22
Supervisor over online, color, mix, QC, and master delivery as well as supplemental deliverables of each episode. Deliver and oversee graphics, credits, and promos. Every episode is screened for mix and color on Monday, notes actioned, and delivered for QC twice. Then on Thursdays, the air master is delivered for broadcast via a feed file for air on Sunday of the same week. Series focuses on current events, and as such, requires offline edit ‘crashes,’ and constantly shifting segment pairings.
10/20 – 2/21
Post Production Supervisor – One Week To Sell (Season 1)
Discovery+ — TV — Left/Right Inc. Details
10/20 – 2/21
Built out and maintained constantly shifting offline schedules, online schedules, and delivery deadlines due to COVID shooting issues. Coordinated graphics with an outside vendor as well as in house graphics. Responsible for collecting and addressing all color / graphic / mix / etc notes with various teams prior to delivery. Shows ran concurrently, included up to 7 editors and 3 AEs. Reported to showrunners directly and assisted with keeping shows on budget under irregular constraints.
10/20 – 2/21
Post Production Supervisor – Chef Bootcamp (Season 1)
Food Network — TV — Left/Right Inc. Details
10/20 – 2/21
Built out and maintained constantly shifting offline schedules, online schedules, and delivery deadlines due to COVID shooting issues. Coordinated graphics with an outside vendor as well as in house graphics. Responsible for collecting and addressing all color / graphic / mix / etc notes with various teams prior to delivery. Shows ran concurrently, included up to 7 editors and 3 AEs. Reported to showrunners directly and assisted with keeping shows on budget under irregular constraints.
6/20 – 10/20
Post Production Supervisor – Totally Under Control
Hulu — Film (Feature-length) — Jigsaw Productions Details
6/20 – 10/20
Set up remote workflow for 4 editors, 2 AEs, and a media manager while filming and editing occurred simultaneously throughout the duration of the project. Reported directly to 3 directors, managed the offline and online schedule, graphics, composer, and deliverables. Managed hard drive and footage delivery from pop up shoots across the country and abroad. Feature film was shot and edited in 4 months, directed by Alex Gibney.
2/19 – 4/20
Post Production Supervisor – The Weekly | The New York Times Presents
FX / Hulu — TV — Left/Right Inc. Details
2/19 – 4/20
Managed all aspects of offline for a 30 episode first season -- footage prep for rolling episode shoots (1-6 drops a week), translations, transcriptions, voice over from remote locations, cut deliveries to numerous stakeholders. Implemented work flows to incorporate “crash episodes” (eps with timely content), responded to overnight footage > edit needs, and an ever-increasing rapidly changing edit schedule. Supervised 7 AEs, 2 coordinators, and reported directly to Director of Post. Up to 9 edits running concurrently at a time while overseeing - archival ingest requests, export requests, onlining footage, expansive promo needs, recurring redeliveries due to timely content changes, project organization.
10/18 – 2/19
Post Production Supervisor – Elvis Goes There (Season 1)
MGM — TV — Zero Point Zero Production, Inc Details
10/18 – 2/19
Built out and oversaw truncated offline schedule for four part series, with two editors per episode editing concurrently, with some editors working remotely. Managed supporting edit team. Oversaw and tracked massive archival ingest, tracked and communicated legal notes at each cut stage. Managed transcription completion in real time while filming, VO sessions across country, GFX, music licensing, network promo requests. Managing all aspects of online, completion and delivery of masters, paper deliverables.
Recos
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Education
Class of '11
American University
Bachelor of Arts
Skills
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