Harry Aaron

Lighting, filming, running audio on a legal press conference while managing a live stream to a reporter pool and recording all channels to immediately turnaround a prepared recording for media outlets.

Second unit coverage, run & gun available light filming and Before/After lock-offs.

Production & Gallery Stills

Lighting & shooting interviews while sending a live remote feed to the producers for input, as well as B-Roll run & gun capture.

Capture stills for use by two national brands during a TVC shoot.

Media Management, Logging, and Editing within Adobe Premiere Pro

Media Management, Logging, and Editing within Adobe Premiere Pro and Adobe After Effects.

Set stills in tandem with the video team, as well as staged hero shots with a mix of strobe & continuous lighting.

Light, direct, shoot and edit a campaign of still photos and videos promoting The Bureau Escape Room in Orlando, FL.

Full time in-house producer, shooting and editing packages for internal use and promotions. Running audio, setting lights, building camera and making creative decisions in production and post.

Shoot promotional and BTS stills candidly throughout the course of production, deliver the images after each shooting day on a proprietary online file transfer system.

Write, direct, shoot, edit, deliver.

Write, direct, shoot, edit, deliver.

Producer of the American portion of the film, overseeing interviews, making technical decisions related to camera, lens, lighting and audio decisions.

Media Manager Gaffer Camera Assistant

Shoot production stills, assist the camera team with moves and builds, run lights, coordinate tasks with production.

Shoot run & gun B-roll and second angle stage event coverage with a Canon C300, pulling my focus and making decisions on coverage.

It was a small crew, so I swung between camera and G&E work. Building camera and lights, running lenses for the cinematographer, taking BTS stills for the production company.

Hire crew, organize interviews, organize equipment kit, set-up shots, edit footage for delivery.

Shoot B-roll, event coverage and interviews in a run & gun setting over the course of 10 days in 14 cities, editing videos in segments for release on a 24 hour turnaround and completing a 60 minute overall documentary at the conclusion of the drive.

Draft lighting and camera plots, coordinate with the director on all technical aspects of the film.

Run-and-gun handheld and tripod shooting on the Canon EOS 1DC, shooting 4K for establishment shots and 1080 for B-Roll and Interviews.

Direct the talent as well as the crew in regards to all creative, camera and lighting decisions. Camera systems used include the Canon C300, Canon 5D Mark III, and GoPro Hero 4. Lighting systems include ARRI fresnels and KINO FLO Diva lites.

Aid in camera build, keep detailed slating notes, maintain contact between the camera team, sound team, and script supervisor.

Crew-up the camera team, including a second angle for interview and B-Roll and a drone operator for aerial footage. Build and operate the Canon EOS C300 and Canon EOS 5D Mark III on tripod, as well as the DJI Ronin gimbal system.

Leading two floor camera operators, a stationary master shot and a jib shot for a three hour wrestling event.

I operated the Canon 1DC on tripod, handheld, and slider, maintaing framing.

Assist in the build and lens installment, as well as focus-pulling on the Canon C300. I also acted as gaffer, making calls for flags and reflectors for our G&E team to fly in and put to use.

Build the ARRI Alexa, compile and organize the workload for our DIT, mount PL prime and zoom lenses, set focus marks and pull focus to match (done both on sticks and handheld).

Keeping framing through a number of mechanical shots, including a 360 dolly and a boom-in dolly wide to OTS.

Cover the events on stage on handheld for the course of the night as part of a four-angle crew, keeping MS and MCUs of talent.

I provided coverage of the production with still photography, using various Canon lenses on a Canon EOS DSLR.

Pull focus on a DSLR with various lenses, assist in set-up/teardown of tripod and jib between shots.

Shoot handheld coverage of The Bloody Beetroots' Chaos & Confusion show in Orlando, Florida. Afterwards, log the footage and create a two minute sizzle reel of the event.

Scout locations to shoot, contact interview subjects, schedule shoot dates, shoot b-roll and interview coverage.

Conduct interviews with Boston Marathon runners, gather b-roll throughout the city, edit the piece together for internet distribution.

Second assistant camera operator, aiding in setting up video village on location, as well as the placement of tripod/camera and the running of SxS cables and slating between shots.

Create engaging content for Twitter, Instagram, Facebook and Tumblr with the goal of promoting NXT live events and building the presence of NXT characters through social media. Attend live events as the action photographer, as well as editorial photographer for a number of NXT and WWE.com stories.

Writing promotional copy for Facebook, Twitter, Instagram and Tumblr to promote live events and character development. Taking action photography with Canon DSLR cameras and various prime & telephoto lenses. Traveling to venues in the weeks before events to locally promote said events.

Operate the camera offering the master shot for a live pay-per-view broadcast, finding the best shots possible while taking direction via headset throughout the show.