Assisted director/editor in all phases of production and post (i.e. AC work on set, ingesting, finishing prep).
Summary
I eat, sleep, and breathe movies. If you work with me, you won't only be getting a technically-minded and enthusiastic collaborator, you'll be getting a life-long student motivated by a true love for this art form.
Credits
4/22 – 2/23
Visual Effects Editor (AVID Media Composer) – Landscape with Invisible Hand
Warner Bros. — Film (Feature-length) — Kelsa Productions
4/22 – 2/23
1/22 – 4/22
Assistant Editor (AVID Media Composer) – Baby Ruby
Magnet Releasing — Film (Feature-length) — Point Productions
1/22 – 4/22
8/21 – 12/21
Assistant Editor (AVID Media Composer) – THE LISTENER
Film (Feature-length) — Atlas Industries
8/21 – 12/21
9/20 – 7/21
Assistant Editor (Adobe Premiere Pro) – Lift
Paramount+ — Film (Feature-length) — Beaufort 9 Films
9/20 – 7/21
6/18 – 1/20
Assistant Editor (Adobe Premiere Pro) – Anonymous Sister
Film (Feature-length) — Bigmouth Productions
6/18 – 1/20
9/16 – 9/16
Assistant Editor (Adobe Premiere Pro) – National Fish and Wildlife Foundation Promo
Corporate — The Really Interesting Picture Company Details
9/16 – 9/16
2/15 – 7/16
Assistant Editor (Adobe Premiere Pro and Final Cut Pro 7)
Staff Position — Crew Cuts Details
2/15 – 7/16
Transcoded and organized media, matched audio, prepped for mix/transfer/finishing. Pulled footage, music, SFX, etc. Compositing and titles in After Effects, preliminary sound design. Worked on many corporate advertising campaigns for television and web.
6/16 – 6/16
Assistant Editor (Final Cut Pro and Adobe Premiere Pro) – Queen Anne's Lace
Film (Feature-length) — Yacht Club Details
6/16 – 6/16
Converted an assembled feature cut by multiple editors on FCPX and FCP7 into a functioning Premiere project.
Unions
Recos
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Education
Class of '14
Pennsylvania State University
B.A. in Film and Video, B.A. in English
My Gear
Skills
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