Tony Sanchez

Leadman for Art Dept./Greens. Additional 2nd 2nd AD on 2 Days.

Episode 9: Missing Kids. For Recreations: DGA Set. Callsheet Distro; Production Reports; Safety Briefings. Keeping the Crew on Schedule and Safe. Coordinated background action; dealt with extras and cast.

Standard 1st AD responsibilities; keep crew on schedule, track the day, set safety, coordinating 4 cameras.

Producer in Preproduction, Assistant Director on Set.

Assistant Director; historical recre. Responsible for sending all cast through Hair/MU, Wardrobe, Props, Sound, Continuity. Responsible for scheduling shoot days and keeping production on-time.

Associate Producer in Pre-Production: Book Crew, Locations, Gear. Assistant Director on-set, callsheets, scheduling, reports and safety.

2nd Assistant Director - Responsible for set logistics, accommodations, document dissemination and running base camp. Number of total Background per day: 70. Was responsible for booking all accommodations for cast and crew in multiple states and locations. Coordinated cast and background wrangling from portal to portal. Worked for 3 Weeks pre-production and coordinated wrap-out.

(3) 30 second spots

Acted as Producer during preproduction, hired crew and created production book. Created and Distro'd callsheets, handled travel and accommodations for split crew of 8 people. Acted as AD on set.

Producer for Pre-Production, Assistant Director on the ground. 6 cities, 6 NFL Franchises, executed in 3 months. Hired, Traveled and executed with a crew of 8-12.

Build shooting schedule, create and distro callsheets, chief set safety officer, set and direct background actors. Virtual Reality Narrative Film.

Line Producer for Pre-Production

Scheduling and Running all operations on the day. Frequently acted as Director for first unit.

1st AD for Virtual Reality Cinematic Short Film. Assisted Reenactment coordinators with combat sequences. Canon/Artillery Fire - Special effects. Jaunt Technicolor Perception Squared

General First AD responsibilities. Scheduling, Calling the Roll, Set Safety...

AD for 4 tv spot Ad-Campaign

1st Assistant Director for multi-day multi-cam Historical Recreation shoot.

Provide PA shortlist for multiple shoot days, meals, transpo, G&E work.

Safety, assisting all departments, and coordination of shooting schedules, shot lists, also placing and assisting background actors. Acted as Director for one episode: "Secret Societies" Season 4

Setup and teardown, Calling the roll, coordinating production assistants and crew.

Production Assistant in the Art Dept., Swing gang duties, set dressings, set and prop helper.

Calling the roll, setting background, running a safe set. This was a campaign consisting of two ads.

Lead PA, also responsible for Production reports and paperwork. SAG feature paperwork.

Producer's assistant, handled image releases, assisted with load-in and load-out, provided transpo to crew members arriving from the local airport.

Assist in Camera, lighting, set dressing, releases, driving, and fixing for scenic shots of local area. Filmed in Northern Virginia/DC/Leesburg area. Assistant to Producer

Some limited Grip work, assisting with crafty, runs, and shooting. Helping coordinate driving shots. Also acted as local Richmond fixer for Missouri Producer in preproduction.

Set Production Assistant, assisting with Runs, Crafty, Load and Unload, Grip work.

Work under the direction of Casting Director and Coordinator at the Production Offices for Turn. Was responsible for the creation and maintenance of multiple actor databases. Made regular listserv, email-blast, and social media posts concerning casting.

Report to the 1st AD. Provide support and information to the Coordinating Producer. Release and other Forms for Crew and Talent. Wrangling Talent and arranging background action.

Responsible for paperwork and delivery to media buyers of multiple campaigns and ads for Virginia officials running for office. Workflow: premiere pro, aftereffects, smoke/flame/lustre.

Associate Producer during Pre-Production, responsible for booking crew, arranging auditions for talent, presenting selections to the Director and Executive Producer. Responsible for vendors and gear, locations, and corporate outreach for sponsorship. Liaison to the Virginia Holocaust Museum. Continuity and Story consulting.

Coordinate with Clients and Crew under the direction of Executive Producer Tim Dowdle. Hire and arrange crew positions for the shooting days. Maintain and inventory Film Equipment. Schedule and execute Pre-Production and Post-Production. Control and record the use of petty cash for crew budgets. Provide assistance to the Director.

Project Subname: Virginia Wine. Associate Producer during Pre-Production, responsible for booking crew, arranging auditions for talent, presenting selections to the Director and Executive Producer. Hotel accommodations, location scout, shot-list building and scheduling of shoot days. On set: Report to Director, and execute production plan.

Project SubName: Mountain/Outdoor Associate Producer during Pre-Production, responsible for booking crew, arranging auditions for talent, presenting selections to the Director and Executive Producer. Hotel accommodations, location scout, shot-list building and scheduling of shoot days. On set: Report to Director, and execute production plan.

Associate Producer during Pre-Production, responsible for booking crew, arranging auditions for talent, presenting selections to the Director and Executive Producer. Hotel accommodations, location scout, shot-list building and scheduling of shoot days. On set: Assistant Director

Associate Producer during Pre-Production, responsible for booking crew, arranging auditions for talent, presenting selections to the Director and Executive Producer. Hotel accommodations, location scout, shot-list building and scheduling of shoot days. On set: Assistant Director

Associate Producer during Pre-Production, responsible for booking crew, arranging auditions for talent, presenting selections to the Director and Executive Producer. Hotel accommodations, location scout, shot-list building and scheduling of shoot days. On set: Report to Assistant Director, Coordinate other Production Assistants.

Associate Producer during Pre-Production, responsible for booking crew, arranging auditions for talent, presenting selections to the Director and Executive Producer. Hotel accommodations, location scout, shot-list building and scheduling of shoot days. On set: Assistant Director

Coordinate highly complex moving set pieces during steadicam shoot for Art 180, a non-profit organization that provides Art education to Richmond City Youth. Oversee safety on set. Coordinate Crew, Crafty, Meals, Callsheets.

Associate Producer during Pre-Production, responsible for booking crew, arranging auditions for talent, presenting selections to the Director and Executive Producer. Hotel accommodations, location scout, shot-list building and scheduling of shoot days. On set: Assistant Director

Associate Producer during Pre-Production, responsible for booking crew, arranging auditions for talent, presenting selections to the Director and Executive Producer. Hotel accommodations, location scout, shot-list building and scheduling of shoot days. On Set: Assistant Director

Music Video for Artesian Entertainment Group. Artist: McBeth. Associate Producer for pre-production, building schedule, locking locations, scouting locations, assisting with budget and petty cash. Responsible for preparing film gear for transport to shoot.

Assisted Production Department with Crew Recommendations, LLC information, Tax implications, assistance procuring insurance and equipment.

Coordinate with Creative Director. Supervise Pre-Production, crew-hiring and payment, and coordinating production insurance and all necessary releases from talent and crew. Spec-Spot was selected as official commercial, spot ran on European television networks in late 2013.

Coordinate all necessary financial obligations for ownership of LLC. Maintain Production Insurance for all jobs. Hire and arrange payment of Crew for shoot days. Manage a pool of 2 Directors and 2 DPs for use in spec-spots. Arrange for production grants when shooting spec-spots.

Report to Key Set PA, wrangle talent, assist in set construction, traffic control, and minor grip work.