Pedro Motta

I work directly with clients within a busy post facility as an online editor helping to create final broadcast materials for several network shows. I primarily use Avid Media Composer, Flame and Resolve to finalize all episodes after receiving offline cuts from production. Duties include conforming, adding VFX, creating VFX fixes, adding titles, creating broadcast files and outputting to tape.

I worked directly with Post Production Supervisors and in conjunction with writer/producers and the graphics department in order to help color correct, conform, and title promotional material for the network. I work primarily in Avid Media composer to create direct to air materials.

I oversee the in house Promo feed creation and distribution to affiliate station and Network operations. I work together with all the various departments in the company in order to help deliver promotional material for our clients. My duties include color correction, conform, and titling. I work primarily in Avid Media composer to create direct to air materials.

I work directly on the full edit , finishing, color correction, and delivery of my own full episodes. I work directly with the Vice President of production, showrunners, and producers to develop entertaining programing within a busy air schedule.

I work directly with showrunners and producers to assist the editorial process by ingesting, grouping, and conforming footage as well as prepping string outs of full episodes. I also work directly on the finishing and delivery process.

I work directly with showrunners and producers to assist the editorial process by ingesting, grouping, and conforming footage as well as prepping string outs of full episodes. I also work directly on the finishing and delivery process.

I work directly with showrunners and producers to assist the editorial process by ingesting, grouping, and conforming footage as well as prepping string outs of full episodes. I also work directly on the finishing and delivery process.

I work directly on the full edit , finishing, color correction, and delivery of my own full episodes. I work directly with the Vice President of production, showrunners, and producers to develop entertaining programing within a busy air schedule.

I work directly with showrunners and producers to assist the editorial process by ingesting, grouping, and conforming footage as well as prepping string outs of full episodes. I also work directly on the finishing and delivery process, color correction, and edit my own full episodes. I work directly with the Vice President of production, show-runners, and producers to develop innovative strategies for the Post department. Specialize in software: Avid Media Composer, Final Cut Pro, Davinci Resolve, Adobe Premier, and Adobe photoshop. Post production development from Pilot to current episode production. Creating innovative workflows, while working with production to create an efficient process in order to produce a high volume of episodes using a team of on site and off site editors. Training new staff members along with existing team members on post processes and guidelines

These shows feature in depth investigations and expert commentary. My primary duties include, post production development from Pilot to current episode production. Prepping multiple sources of footage from evidence, BRoll, expert interviews and recreations. Create and manage all deliverable guidelines as well as work Post facility workflow development, while working with production to create an efficient process in order to produce a high volume of episodes with on site and off site editors.

These shows feature in depth investigations and expert commentary. My primary duties include, post production development from Pilot to current episode production. Prepping multiple sources of footage from evidence, BRoll, expert interviews and recreations. Create and manage all deliverable guidelines as well as work Post facility workflow development, while working with production to create an efficient process in order to produce a high volume of episodes with on site and off site editors.

“Deep Undercover” and Murderous Affairs” are two new weekly crime shows from Bellum Entertainment. These shows feature in depth investigations and expert commentary. My primary duties include, post production development from Pilot to current episode production. Prepping multiple sources of footage from evidence, BRoll, expert interviews and recreations. Create and manage all deliverable guidelines as well as work Post facility workflow development, while working with production to create an efficient process in order to produce a high volume of episodes with on site and off site editors.

“Deep Undercover” and Murderous Affairs” are two new weekly crime shows from Bellum Entertainment. These shows feature in depth investigations and expert commentary. My primary duties include, post production development from Pilot to current episode production. Prepping multiple sources of footage from evidence, BRoll, expert interviews and recreations. Create and manage all deliverable guidelines as well as work Post facility workflow development, while working with production to create an efficient process in order to produce a high volume of episodes with on site and off site editors.

Each episode of “Corrupt Crimes, It Take A Killer, and Crime Files” investigate recent crime stories in complete detail, with expert analysis and dramatic storytelling.The Monday-Friday half-hour strip focuses on exposing corruption across the country and is distributed by Sky Vision My primary duties include, post production development from Pilot to current episode production. Creating and managing budgets, workflows, while working with production to create an efficient process in order to produce a high volume of episodes with on site and off site editors. Additional duties include conversion and restoration of various types of media for editorial. Using software and hardware solutions to enhance and improve standard definition news footage, police evidence and FOIA materials.

“What Went Down”, “People Behaving Badly”, “Kids Do the Craziest are weekly “user generated” clip shows consisting of viral videos from around the world. My primary duties include, post production development from Pilot to current episode production. Creating and managing budgets, workflows, while working with production to create an efficient process in order to produce a high volume of episodes with on site and off site editors. I have created workflows to help production work with the sources found from all around the world which come in multiple frame rates, levels of quality and formats.

Each episode of “Forensic Justice” investigates recent crime stories in complete detail, with expert analysis and dramatic storytelling.The Monday-Friday half-hour strip focuses on exposing corruption across the country. My primary duties include, post production development from Pilot to current episode production. Developing an innovative workflow for a quick adaptation of “Corrupt Crimes” episodes for cable delivery. Managing on-air deadlines, as well as the complete reformat of all season 1 episodes to the revised title for “Spike TV”, replacing all graphic elements and audio where needed.

From jaw-dropping works of nature to the most amazing creations of humankind. “Coolest Places” and “State To State” discover each location's history and culture. Each week we visit three unique locations around the country and around the world. My primary duties include, preparing assets for editorial by upconverting, restoring, or conforming various types of media, setting up edit bays for tape layoff, and troubleshooting technical issues within the editorial department. Other duties include coordinating post production deliveries and deadlines surrounding a busy broadcast schedule by working with the editorial and production team.

Fox Media Services highly skilled encoding staff provides the most efficient work-flow processes to create high quality digital files to worldwide television distribution specifications. Fox Media services facilitates the distribution of the entire 20th Century Fox library, including current air television around the world to hundreds of Broadcasters, and all major Internet Streaming platforms. My primary responsibilities include: Using multiple sources including tapes and files to transcode files to Broadcaster or Online vendor specs using a proprietary system which consisted of computer systems built on all platforms (Linux, PC, MAC), broadcast video decks. Offline and Online editorial systems and a broad spectrum of professional video equipment. -Pre-Air asset distribution to all major online streaming platforms -World wide broadcast file distribution using various peer to peer distribution systems. -Working with Xytech database software to maintain an air-date schedule.

Universal Studios Digital Services (UDS) is an established, audio / video duplication and post production editorial facility, located on the Universal Lot in Los Angeles. UDS services Universal TV and Film distribution, helping deliver material to clients like Fox, Tvn, Showtime, Axn, BBC, DirecTV, OnDemand, MTV, as well as new media companies looking to distribute content to iTunes, Hulu, Netflix, and other internet based providers. My primary responsibilities included: Ingesting multiple types of video standards and formats, to FInal Cut Pro, and Digital Rapid, Clipster and Avid systems, and performing video deck conversions using HDCAM SR, D5, Digibeta, and XDCAM video decks. -Transcoding files to client specs using Rhozet, Anystream Agility and watermarking software. -Digital asset world wide distribution using FTP, Aspera, and internal peer to peer distribution systems. -Working with ScheduAll database software to maintain a busy air-date based schedule.