For this episode I worked closest with our main talent. This included meals, runs, keeping us on schedule while keeping steady communication with the PM on set.
Summary
I've spent the last three years in reality doing everything from fetching coffee and lunch orders to finding and locking down EMTs 2 days before stunt day. I work mostly as a key pa but am focusing on coordinating.
Credits
1/19 – 1/19
Production Assistant – Dead files
Discovery — TV Details
1/19 – 1/19
12/18 – 1/19
Production Assistant – The Dead Files Revealed
Discovery — TV — Painless Productions
12/18 – 1/19
7/18 – 10/18
Production Assistant – Heavy Hitters (Pilot)
History — TV — Pilgrim Studios
7/18 – 10/18
5/18 – 5/18
Production Assistant – anheuser Busch Family (Pilot)
Sizzle Reel — TV
5/18 – 5/18
6/15 – 3/17
Technical Director
Staff Position — KMIZ-TV (NPG of Missouri) Details
6/15 – 3/17
I direct and TD any assigned newscasts and also create graphics for each show using Photoshop. While directing I am also responsible for our 5 cameras, checking the video channels on the rundown and keeping everyone updated with the rundown during the show.
11/16 – 11/16
Key Production Assistant – The Great Christmas Light Fight
ABC — TV — FremantleMedia
11/16 – 11/16
7/16 – 7/16
On Set Dresser – Andrew McMahon featuring Lindsey Stirling - Something Wild
Music Video — Whitelist Details
7/16 – 7/16
For this shoot I dressed a "woodshop" set. I also aged papers and set up misc items. The set was supposed to look aged so I used fuller's earth for this.
6/16 – 6/16
Production Assistant – Road Worthy: Pride of the Pavement
TV — BCII Details
6/16 – 6/16
The show follows big rig drivers, this episode followed an outdoor 3 day truck show. I was the go to for production for this shot, keeping up with releases, crafty, travel arrangements, lunch orders and keeping up with our scheduled interviews keeping both them and our interviewee on the same page.
Recos
Education
Class of '14
Full Sail University
Bachelor of Science Film/Film production
My Gear
Skills
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