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I am passionate and dedicated to getting the best sound on the day. I believe my work is a reflection of dedication to the cleanest high quality low signal to noise audio.
Zydecoaud.io
10/22 – 10/22
The CW — TV — Delta Blues Productions LLC Details
10/22 – 10/22
2nd unit Utility Sound Tech and 2nd boom
8/22 – 8/22
YouTube — Film (Short) — Change Content Details
8/22 – 8/22
Capture Interview Audio and Broll
7/22 – 7/22
Film (Feature-length) Details
7/22 – 7/22
Mic talent and select the best position for the boom mic.
7/22 – 7/22
Film (Short) Details
7/22 – 7/22
Mix and iso track 4 wires and 2 boom microphones. Work with wardrobe and camera to best make sense of the audio per given scene /shot/location
3/22 – 5/22
Disney+ — TV
3/22 – 5/22
1/22 – 4/22
AMC — TV — AMC / Stalwart Films Details
1/22 – 4/22
Sometimes boom and utility position sometimes just boom. We would choose the best position for the microphones and use lots of plants to provide atmosphere for even the simplest scenes with little dialogue. Our goal was to create an immersive sound that post could use to create a world
3/22 – 3/22
Film (Feature-length)
3/22 – 3/22
11/21 – 11/21
Wolverine — Advertising
11/21 – 11/21
10/21 – 10/21
Sound Mixer (Pick up interviews)
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Katrina Babies
Time Inc — Film (Feature-length) Details
10/21 – 10/21
Traveled around the city picking up cameraless audio for wrap up of film. Used time of day timecode and wrote reports.
10/21 – 10/21
Breaux Ent. — Film (Feature-length) Details
10/21 – 10/21
I mixed audio and handled all of the sound department responsibilities like hods wireless frequency coordination, boom microphone choices, ifbs and playback, some greens work (clearing leaves for clearer audio) lavalier final approval. Micing cast [7 person ensemble piece]
9/21 – 10/21
Film (Feature-length) — Outlaw Carnival Details
9/21 – 10/21
I wired cast and oversaw time code/ ifb distribution and organization. I also was the sole boom operator for the portion of filming I worked. Nearly half the film
8/21 – 8/21
Digital — Film (Feature-length) Details
8/21 – 8/21
Microphone choice and audio resource for feature film in toulon, france for this ensemble piece. 11 cast total captured pristinely with 4 boom mics and 3 wireless microphones.
9/20 – 6/21
Film (Feature-length) Details
9/20 – 6/21
I mixed and used a variety of plant boom and wireless lavalier microphones to capture the performances of the talent to ensure clear and intelligeble dialogue every day of filming
5/21 – 5/21
Film (Feature-length) Details
5/21 – 5/21
Wired 3 talent, some verite coverage
5/21 – 5/21
Hulu — Advertising Details
5/21 – 5/21
Wire talent, set up stage mics, set up boomcaddy
4/21 – 4/21
Sound Mixer (Sizzle)
Staff Position — COMPLEX MEDIA Details
4/21 – 4/21
Wired talent recorded clean boom sound, arranged mix tracks, provided mixed ifb audio through zoom and playback for talent as director was remote.
3/21 – 3/21
Film (Feature-length) — Fountainbridge Films Details
3/21 – 3/21
Microphone selection and operation
12/20 – 12/20
Film (Short) — Mind The Art Entertainment Details
12/20 – 12/20
create useable location sound for shoot days. difficult conditions.
11/20 – 11/20
Film (Feature-length)
11/20 – 11/20
10/20 – 10/20
VH1 — TV — House of the Young Ent. Details
10/20 – 10/20
Record single person interviews in some challenging audio environments
10/20 – 10/20
Film (Short)
10/20 – 10/20
9/20 – 9/20
Film (Feature-length) Details
9/20 – 9/20
Wire Talent and Collect useable dialogue for duration of film.
6/20 – 8/20
Film (Feature-length) Details
6/20 – 8/20
Collect useable dialogue
7/20 – 7/20
Film (Short) — Mind The Art Entertainment
7/20 – 7/20
5/20 – 5/20
Film (Short)
5/20 – 5/20
2/20 – 2/20
Utility Sound
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Lansky
Film (Feature-length) Details
2/20 – 2/20
Jam TC, Park Carts, Run Power, Prep lavaliers, Wire Talent, Second Boom, Wrap
2/20 – 2/20
Film (Short) Details
2/20 – 2/20
Wire Talent and Boom, pick up day
11/19 – 11/19
CBS — TV — Fulwell 73 Productions Details
11/19 – 11/19
Drive “out in the field crew, dp ac and sound” on the spot interviews. Hollywood light panels and set up lights for scenes. lockdowns, and drive crew. airport runs
11/19 – 11/19
MTV — TV — 495 Productions Details
11/19 – 11/19
Drive 15 passenger Van, Take Meal Orders, general production assistant responsibilities
11/19 – 11/19
Corporate Details
11/19 – 11/19
light grip, and dmx wiring through ceiling plates. art assist, load ins and load outs
11/19 – 11/19
Music Video — Atlantic Records Details
11/19 – 11/19
Set Up PA Systems and run speaker wire for playback, set up timecode on denecke slate, fly comteks for better signal
10/19 – 10/19
HGTV — TV — RTR Media Details
10/19 – 10/19
Drive cube Trucks and Cargo Van, pick up greenery, and furniture. Clean Houses out (Mild Art, paint) and Stage Reveals.
10/19 – 10/19
Oxygen — TV — The Content Group Details
10/19 – 10/19
Helped set up G&E equipment/stage lighting, Ran Lunch and Dinner Requests, Keep set clean
5/19 – 5/19
ABC — TV — Margaret Brown Productions Details
5/19 – 5/19
sync time-code, place lavaliers, record levels.
9/18 – 5/19
Director
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P I T
Film (Short) — The University of New Orleans, Department of Film, Theatre and Communications Arts Details
9/18 – 5/19
Lined Scripts, Developed Characters, Wrote Script, Coordinated Lighting, Hired Talent and Crew, Managed Craft Services, Location Scouted Out of Town, Coordinated Dates and Meetings, Directed Talent.
4/19 – 4/19
Fox — TV Details
4/19 – 4/19
Learned about the set day, shadowed utility and mixer, learned about utility and mixers tools.
4/19 – 4/19
Hyatt Hotels — Advertising — Digital Bayou LLC Details
4/19 – 4/19
Put Hidden Lavaliers on Talent, used MixPre Sound Devices, mixed boom and lavalier levels.
7/18 – 1/19
Production Designer
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Colossus
Film (Short) — Couchfort Films Details
7/18 – 1/19
Set Decor, Greenery, Pre-Production and Character Development, Theme Maps, Lined Script
9/18 – 9/18
Film (Short) — The University of New Orleans, Department of Film, Theatre and Communications Arts Details
9/18 – 9/18
Hide Sennheiser Lavalier microphones, Synced Timecode and Recorded levels for award-winning Thesis film.
Jonathan is passionate about capturing pristine dialogue. He goes the extra mile to ensure that the audio tracks he delivers are intelligible and clear, as well as capturing any sound effects during the course of the production that benefits post-pro
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duction. I highly recommend him and he is my go-to mixer when I'm booked or need a boom op.
- Jonathan was Post Production Engineer and Jonathan was Sound Mixer on Wretched Earth, And thats that
Really talented and organized. It all sounds really good and I enjoyed the process!
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- Jourdan was Producer and Jonathan was Sound Mixer on Just Water
Class of '19
University of New Orleans
Bachelor of Film Arts