8/23 – 9/23
Dolly Grip
Staff Position — Heyday Films
8/23 – 9/23
6/23 – 7/23
Gaffer
Staff Position — Mock Yeah Productions/Marvista Entertainment
6/23 – 7/23
4/23 – 5/23
Gaffer
Staff Position — Ruined Productions LLC
4/23 – 5/23
3/23 – 4/23
Gaffer
Staff Position — Mock Yeah Productions/Marvista Entertainment
3/23 – 4/23
11/22 – 11/22
Grip
Staff Position — Warner Brothers
11/22 – 11/22
9/22 – 11/22
Dolly Grip
Staff Position — Underdoggs
9/22 – 11/22
2/22 – 8/22
Key Grip (Second Unit)
Staff Position — Doom Patrol Season 4 Warner Brothers Details
2/22 – 8/22
As the Key grip I supervised and directed my grip crew of eight to fulfill the needs of the production in a professional and safe manner. I instructed and assisted my grips on how to remove walls safely and successfully. I communicated with the camera department and my dolly grips to achieve certain camera shots/positions in an effective yet safe manner. I worked closely with the gaffer and Director of Photography to achieve the look of the show. We shot EXT. and INT. on stages and on location. Equipment we used included 22ft techno cranes, 23ft Scorpio cranes, hybrid 3 dollies, peewee 3 dollies, 20x20 telehandler flyswatters, condor rigs, pully systems, and a 10 ton grip package.
2/22 – 8/22
Grip
Staff Position — Doom Patrol Season 4 Warner Brothers Details
2/22 – 8/22
Full time first unit company grip for the run of the show. I was responsible for deploying gear in a professional and safe manner. I maintained and repaired grip equipment. Assisted with techno cranes and stood in as a dolly grip. I worked as the pocket grip for the run of the season. I stood in as the first unit key grip when the key grip was absent. I completed 20 Days as the first unit Key Grip.
11/21 – 2/22
Grip (Rigging)
Staff Position — Hulu Candy Details
11/21 – 2/22
Full time rigging grip. I was responsible for rigging points, chain, chain motors, truss, waterfall pipes, and teasing the sets on the Atlanta Metro stages. I had to provide my MEWP and Telehandler certifications for this job.
12/20 – 12/21
Film (Feature-length) — Sappy Films LLC / G It's Entertainment! Details
12/20 – 12/21
Head of lighting for the feature. Worked closely with the cinematographer and art department to achieve desired and professional visuals.
10/21 – 11/21
Grip (First Unit)
Staff Position — Blumhouse Productions They/Them Details
10/21 – 11/21
Full time first unit company grip for the run of the show. I was responsible for deploying gear in a professional and safe manner. I maintained and repaired grip equipment. Assisted with techno cranes and stood in as a dolly grip.
8/21 – 10/21
Grip (Rigging)
Staff Position — Paramount First Ladies of the United States Details
8/21 – 10/21
Full time rigging grip. I was responsible for rigging points, chain, chain motors, truss, waterfall pipes, and teasing the sets on the Cinelease stages. I had to provide my MEWP and Telehandler certifications for this job.
3/21 – 7/21
Grip (First unit)
Staff Position — Doom Patrol Season 3 Warner Brothers Details
3/21 – 7/21
Full time first unit company grip for the run of the show. I was responsible for deploying gear in a professional and safe manner. I maintained and repaired grip equipment. Assisted with terchnocranes and stood in as a dolly grip.
11/20 – 12/20
Hallmark — Film (Feature-length) — Sappy Films LLC / G It's Entertainment! Details
11/20 – 12/20
Head of lighting for the feature. Worked closely with the cinematographer and art department to achieve desired and professional visuals.
10/20 – 11/20
Hallmark — Film (Feature-length) — G It's Entertainment! LLC Details
10/20 – 11/20
Head of lighting for the feature. Worked closely with the cinematographer and art department to achieve desired and professional visuals.
3/20 – 3/20
Lifetime — TV — Monkey Toes Film Details
3/20 – 3/20
I was responsible for capturing the scenes, B-roll, and interviews in a professional manner. I operated a Sony FS7 and Ronin-S. I also worked as the AC for B Team. I was responsible for maintaining and building cameras, lights, and other equipment. I was also in charge of delivering media to the DIT.
1/20 – 2/20
Hallmark — Film (Feature-length) — G It's Entertainment Details
1/20 – 2/20
Assisted the production through lighting and rigging. Was in charge of all rental equipment and communication between rental house. Worked with the cinematographer to achieve the desired look for the film.
12/19 – 12/19
University — Corporate — StoriesUp Details
12/19 – 12/19
Operated the camera and adjusted lighting to achieve the clients desired look. Worked with the client and talent to portray the material for the videos in a professional and realistic manner.
11/19 – 12/19
Film (Feature-length) — The Replaceables, LLC. Details
11/19 – 12/19
I was the head chief of lighting for the entirety of production. I worked with the Cinematographer, director, and producers to achieve a desired look for the film. I was in charge of all rental equipment including a five ton grip package, and condor lifts.
9/19 – 10/19
Film (Feature-length) — Rock This World Productions Details
9/19 – 10/19
I assisted the key grip and shaped light. Maintained equipment, maintained grip truck, and assisted the camera department.
8/19 – 8/19
Film (Short) Details
8/19 – 8/19
I assisted the key grip and shaped light. Maintained equipment, maintained grip truck, and assisted the camera department.
7/19 – 8/19
Film (Feature-length) — Marvista Entertainment Details
7/19 – 8/19
I was in charge of shaping light, maintaining equipment, supporting the camera crew, and maintaining a safe set.
6/19 – 6/19
YouTube — Live/Special Event — TapePlay Details
6/19 – 6/19
I was responsible for building and operating cameras. My job was to film the games from start to finish.
5/19 – 5/19
Director (Commercial )
Advertising — Harlan Details
5/19 – 5/19
I wrote, produced, directed, shot, and edited this commercial. I worked as a one man band and performed every task of the production.
5/19 – 5/19
Cinematographer (Sony Fs7 MII)
Advertising Details
5/19 – 5/19
I executed all the lighting on set and operated the camera.
5/19 – 5/19
Camera Operator (Panasonic GH5)
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By Sunrise
Film (Short) — Red Dark Horror Details
5/19 – 5/19
I was responsible for lighting and operating the camera. My duties were more similar to the cinematographer than a camera operator.
5/19 – 5/19
YouTube — Live/Special Event — TapePlay Details
5/19 – 5/19
I was responsible for building and operating camera. I was responsible for capture basketball games in their entirety.
4/19 – 4/19
TwitchTV — Live/Special Event — The AV Society Details
4/19 – 4/19
I built and operated the camera, I assisted with laying cable, I assisted with load in and load out.
3/19 – 3/19
Corporate — Genius Produced Details
3/19 – 3/19
I was responsible for building and operating a Ronin-S during an intense corporate shoot. I was also responsible for shots and the lighting.
2/19 – 2/19
Film (Feature-length) — G It's Entertainment Details
2/19 – 2/19
I assisted the production by transporting cast and crew, operating craft services, operating meals, assisted the G&E crew, and assisted the camera crew.
1/19 – 1/19
Film (Feature-length) — G It's Entertainment Details
1/19 – 1/19
I assisted the grip and electric crew rig and achieve the cinematographers desired look for the film. I maintained both grip and lighting equipment.
12/18 – 12/18
Best Boy Grip (5 Ton Truck)
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Redeemed
Film (Feature-length) — Unplanned Movie, LLC Details
12/18 – 12/18
I was responsible for maintaining and organizing grip/lighting equipment and the truck. i also assisted on set with setting and rigging grip equipment as well as running cable and setting lights.
10/18 – 10/18
Film (Feature-length) — G It's Entertainment Details
10/18 – 10/18
I was responsible for maintaining and organizing all grip and lighting equipment. I assisted on set with rigging and setting of grip equipment for electrics to utilize.
10/18 – 10/18
Camera Operator (GH5)
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The Moth
Live/Special Event — The Moth Details
10/18 – 10/18
Built and operated camera during live event.
9/18 – 9/18
Abu Dhabi TV — Live/Special Event — Tri-Lite TV Details
9/18 – 9/18
I assisted in lighting interviews, building cameras, laying cable, unload and load in, transporting equipment, and operating cameras.
7/18 – 9/18
Editor (Premier Pro CC)
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QUILTSS
Corporate — Stories Up LLC Details
7/18 – 9/18
I was responsible for the entire post production process. Ingesting, organizing, editing, coloring, sound design, and export. For this particular project I edited and delivered 300+ 3-5 minute training videos.
2/18 – 5/18
Vimeo — Film (Short) — Harlan Details
2/18 – 5/18
I was responsible for directing the movie. I did rewrites on the scrips, created shotlist, worked with my cinematographer, worked with my editor and sound designer during post production. I worked with the actors and directed them to tell the story.
4/18 – 4/18
Vimeo — TV — Harlan Details
4/18 – 4/18
I produced, directed, shot, and edited this project.
2/18 – 4/18
Vimeo — Film (Short) Details
2/18 – 4/18
I was responsible for camera team, set design, and lighting. I worked closely with camera team, G&E, and Set designers to achieve the look of the film.
8/17 – 8/17
YouTube — Live/Special Event — Western Carolina University Details
8/17 – 8/17
I was responsible for building and operating the camera during the live event.
1/17 – 1/17
Film (Short) — Brad Hord Productions Details
1/17 – 1/17
I was responsible for lighting the film, transporting equipment, and maintaining equipment.