Denis Warburton

Alexa Mini. Color Correction, Transcodes.

RED Helium. Offloads, Color Correction, Transcodes.

Fiesta Bowl. Offloads, Transcodes, Reports. 2x Alexa Mini.

FS7. Multicamera.

Offloads, Transcodes. Alexa Mini x2. Anamorphic.

2x Alexa Mini. Offloads and Reports.

Arri Alexa Mini. Offloads, Color Correction, Transcodes.

Sony Venice. Offloads, transcodes, stills.

Sony Venice. Offloads, transcodes, stills.

Arri Alexa LF, Arri Alexa Mini. Offloads.

Sony FS7, Sony A7S w/ Atomos External Recorder, GoPros, Drone. Multicamera.

Arri Alexa LF - ARRIRAW. Offloads, Color Correction, Transcodes.

Multicamera. Sony FS7, Sony A7S, GoPro.

Alexa Mini. Transcodes and offloads.

Transcodes, offloads. 2x Alexa Mini, Alexa XT M (with Codex XR module).

"Miami School Beautification" project. Sync sound transcodes, offloads. Canon C300 (Multicamera)

Alexa Mini

Alexa Mini

RED Weapon

Live color grading, data management. Alexa XT (with Codex XR module), Alexa Mini.

Multicamera. Sony FS7, GoPro 4, AJA KiPro Ultra.

Alexa Mini

Alexa Mini. Offloads and transcodes for Avid.

"Mama Said Knock You Out." Supported the lead DIT on this spot by handling data management, as well as management of the AVID transcodes / projects.

Varicam LT, Sony A7S, GoPro Hero5, Canon 5D and 7D. Multicamera.

RED Weapon 8K, IPP2.

Canon C300 MK II, Canon C300, Canon 5D and 7D, AJA KiPro Quad, others. Managed media simultaneously coming from several locations for this TV festival, inclusive of interviews, panels, and master classes. Synchronized backup drives and network shares as new footage came in.

With Freek Vonk. Alexa Mini, DJI Inspire 2, Ricoh Theta, Canon EOS 7D.

Offloads and transcodes. Alexa Mini. Multicamera.

Alexa Mini

"Doble." Offloads and sunc transcodes. Alexa Mini.

Arri Amira, Arri Alexa Mini, Blackmagic Pocket Cam, Sony A7S. Multicamera.

Alexa XT, with Codex XR module (ARRIRAW); Alexa Mini (CFast, ProRes).

Technical details available upon personal request.

Offloads and Transcodes for Avid. RED Dragon, Sony FS7, Sound Devices Pix 240.

Sony F5, FS7. Offloaded media, and generated Premiere Pro projects for each shoot day per post specs.

Managed media for this multi-camera shoot - Sony EX3, GoPro, Drones.

Multicamera (10+). RED Scarlet, Canon C300 Mark I and Mark II, DJI Inspire, Canon 5D MKIII. Offloads, QC, and reports.

"Dance Divas." Arri Amira, Phantom Flex4K. Offloaded and transcoded footage. Generated Premiere Pro projects for each shoot day, which were organized by scene into bins and stringouts, per post specs .

Alexa Mini, DJI Inspire 2. Transcodes and offloads .

Alexa Mini (multicamera). DJI Inspire 1. Offloaded footage, created camera logs.

Sony F55 (multicamera), Canon C300, Sony A7S, DJI drone. Offloaded footage, generated reports.

Canon C300 MK II, Canon C300, DJI Osmo, others. Managed media simultaneously coming from several locations for this TV festival, inclusive of interviews, panels, and master classes. Synchronized backup drives as new footage came in.

Canon C300, 5D, DJI Osmo, GoPros. Multicamera. Offloads and logs. Insured that shuttle drives were always ready to send to post early, if not on time.

Alexa XT, with Codex XR module. ARRIRAW.

Alexa Mini. Cooke Anamorphics. Offloaded and transcoded 2.8k Anamorphic original footage to DCI Scope for post.

Sony A7S, with Atomos and Pix external recorders. Offloaded ProRes 4K UHD files from three cameras for multiple episodes.

Alexa Mini, Anamorphic. Offloads, logs.

Managed media from (2) Sony FS7s, GoPro, Canon 5D, and DJI Osmo for the Miami leg of this Brazilian culinary reality show.

Built and set-up cameras, video village, and managed media.

RED Dragon (x4). Transcoded footage from all four cameras into proxies for editorial.

Sony A7S. In addition to offloading, applied LUTs, and transcoded footage for this Brazilian beer spot, starring former Olympic champion Bob Beamon.

Alexa Mini. Offloads, transcodes, and live signal monitoring with scopes.

Pete's Dragon. Alexa Mini, Sony A7S, GoPro.

Canon C100, multicamera. Downloaded footage from SD cards and SSDs. Burned in LUTs for editorial copies.

Canon C300, C100, BMD HyperDeck. Offloaded and logged materials from three crews simultaneously shooting event coverage. Synchronized editor's drive as new footage came in.

Canon C300, Atomos Samurai, and various computers and portable devices as video sources. Offloads and transcodes for this series of videos.

RED Dragon. Downloaded footage, created footage logs, and transcoded footage for playback.

Multicamera interview and audience Q&A production at Zimmerman headquarters. Designed and implemented signal flow, camera and recorder configuration, camera shading, and feeds to in-house monitoring system. Equipment included (4) Sony F900 cameras, with (4) KiPro Rack units as primary recorders, and (4) Odyssey 7Qs as on-camera back-up recorders, Ambient Lockits, and an RTS intercom system. Additionally handled portions of the data offloading.

Filled-in for primary media manager in Miami. Multicamera - C100, Atmos Ninja.

Color Correction, Transcodes. Arri Alexa Mini (2).

Served as DIT for this international production shot on location in Kingston, Jamaica. Campaign: "9.58". Cameras: Arri Alexa Mini, Codex Action Camera, Canon 1DX, GoPro, Phantom Flex 2K, DJI Drone, Canon 7D.

C300, GoPro, DJI, multicamera.

Campaign: ANA 2020. Camera: Arri Alexa XT, ARRIRAW. --- Video Playback for this international production shot on location in Kingston, Jamaica. Provided playback to multiple HD-SDI monitors on-set, as well as a live feed for the DIT. Simultaneously created ProRes cutting copies - with proper timecode - from a clean camera feed for the Japanese end-client.

Arri Amira. Downloads and transcodes with LOG-C LUT applied.

Sony PXW-FS7, NEX-FS700, A7S. Downloads and camera logs / post notes.

RED Dragon. Downloaded footage and created ProRes proxies for editorial.

Shaded all cameras for the Jason Derulo performance (Miami, FL).

RAI Network (Italy). Canon C300, 5D (with Atmos recorders). Created Avid project to Italian post specs, imported and transcoded footage to DNxHD, multigrouped clips.

ARRI Alexa. Downloaded footage and created Avid DNxHD 36 proxies (with proper metadata) on this shoot.

DIT for high-speed shoot with the NEX-FS700 and the Odyssey 7Q+.

ARRI Alexa.

Canon C300, Canon 5D, GoPro, data formats (memory sticks). Managed triplicate backups of all materials for this season, creating PDF logs of all materials downloaded, with scans of tape logs for post. Insured that shuttle drives were always ready to send to post on time. Created green screen test comps.

RED Dragon, ARRI Alexa XT - ANAMORPHIC. Downloading, playback with LUTs, stills generation.

ARRI Alexa. Downloaded footage, and created transcodes with LUT burned-in.

RED Dragon, Sony A7S, Canon 5D. Downloaded footage and created ProRes Proxies for the three main RED cameras on this shoot.

RED Dragon, Vision Research Phantom. Downloaded, organized, and created ProRes Proxies for all camera materials on this series of four spots (with correct reel names in metadata for the subsequent reconnect). Uploaded all proxies and sound files to the editor in New York (totaling ~20-30 GB) during shooting.

Served as Assistant Camera and Media Manager for the Miami shoot.

Canon C300, Canon 5D, GoPro, Sony Handycam, and various data formats (DVDs, memory sticks, etc). Managed triplicate backups of all materials for this season, creating logs of all materials downloaded, with notes for post. Insured that shuttle drives were always ready to send to post on time.

(2) Sony F55s.

Arri Amira, Canon 5D. Downloaded and logged footage, and applied LUTs to footage for playback.

Handled footage for both Brazil and Puerto Rico units, which simultaneously and independently shot using different sets of cameras. Downloaded and cross-copied common footage between each unit's drives for editorial. Cameras included: Arri Alexa, Red Epic, Sony A7S, Canon 5D, and GoPros.

Assisted with cameras and handled footage for this eight camera shoot. Cameras included Sony FS7, Sony A7S, DJI Inspire, GoPro, and Canon 7D.

Managed Media from camera and sound departments for delivery to on-site post production department, insuring all media was correctly labeled and accounted for, and that all downloaded media was coded with correct tape names. Media formats included optical discs, SSDs, as well as CF and SxS cards.

Canon C300, Canon 5D, GoPro. Downloaded and organized footage for this multi-camera project.

"Penalty Kick" -- Arri Alexa

Downloaded, transcoded, sunc, and organized the footage and base projects for multiple editors in support of the overnight assembly of multiple edits for Instagram, sizzle pieces, a B-Roll package, as well as for later assembly into :60 and :90 spots.

Arri Alexa, Red Epic, multi-camera. Loaded, organized, and transcoded footage. Created timecode burns with LUTs applied for both transcription and client review.

Arri Alexa. Loaded and transcoded footage. Transcodes were uploaded during production to editors on another continent, in prep for a later online conform in North America.

RED Epic. Loading and organizing footage from the RED (plus GoPro and other cameras) on the Miami leg of this campaign.

Canon C300, multicamera. In support of four mini documentaries, shot over the course of two weeks in three states. Downloaded, transcoded, and logged footage, as well as optimized camera settings for post-production. Also helped with assistant camera work.

In support of four spots. Arri Alexa. Media Management, Logging

Blackmagic 4K. Created DCI 2K Scope extractions - both with and without one-light color correction - for editorial. Managed media.

Arri Alexa

also VTR Playback. RED Epic.

also 2nd AC. Arri Alexa

Arri Alexa

Tech Manager and Video Shading Engineer for concert promo / sizzle reel. Responsible for load-in, build, strike, technical operations, and load-out.

Responsible for broadcast camera and projection systems, and video and projection needs for third-party productions.

also Video Engineer and Media Manager. Grass Valley Kayak, EX3s, KiPros, Harmonic Omneon Media Servers.

also Video Engineer and Media Manager. Grass Valley Kayak, EX3s, KiPros, Harmonic Omneon Media Servers.

also Video Engineer. Grass Valley Kayak, EX3s, Harmonic Omneon Media Servers.

Assistant Editor on series. Generated international version at conclusion of series.

Miami shoot.

Dwayne Wade "Nightmare" / Jumpman21 campaign

RED Camera

Seasons 1 and 2: episodes shot in Florida. (S1E2, S2E9 and S2E10)

Red One. Media management and dailies.

Video Engineer

Video AC / Engineer. Responsible for set-up and break-down of synchronization system, switcher, multiviewer, as well as media management.

Assistant Camera

Generated quad splits, offline cutting media, and screeners for all concert materials held by the company (1999 through 2007). Performed conform of HDCAM concert materials in support of 2008 event spot.