Summary

I'm a Writer/Producer focusing on True Crime in unscripted and scripted form. Story always comes first - so whether it's digging into archival or court transcripts, or working in Avid on multiple cuts with editors, I aim to make the best show possible.

Credits

8/23 – 10/23

Story Producer Real Murders of Los Angeles (Season 1)

Oxygen — TV — 44 Blue Productions Details
8/23 – 10/23

Writing episode using transcripts. Compiling the episode string outs in Avid. Finding/clearing acquired materials such as personal family photos, newspapers, crime scene materials. court records. Addressing network notes with editors.

12/22 – 5/23

Co-Executive Producer (CoEP) Buried In The Backyard (Season 5)

Oxygen — TV — Renegade 83 Details
12/22 – 5/23

Overseeing post Production. Supervising multiple cuts, editors, Story Producers, Post schedule and deliverables.

5/22 – 9/22

Supervising Story Producer American Justice (Season 1)

A&E — TV — Category 6 Media Details
5/22 – 9/22

Oversaw Multiple episodes through Post Production, Story Produced my own episode through Post process.

7/21 – 3/22

Supervising Story Producer Buried In The Backyard (Season 4)

Oxygen — TV — Renegade 83 Productions Details
7/21 – 3/22

As Supervising Story, I oversaw 2 Story Producers and 8 editors during 3 rounds of notes for 16 episodes, plus multiple digital elements from story outline to lock cuts. I worked with the clearance and GFX department to create extra elements from archival materials. And worked closely with Co-EP to manage post schedule and delivery.

11/20 – 5/21

Writer Secrets of a Gold Digger Killer

Lifetime Networks — Film (Feature-length) — Howard Braunstein Productions Details
11/20 – 5/21

I was a screenwriter for a Lifetime true crime MOW, based on the true story of Celeste Beard, and how she hired her female lover to kill her husband for his money. I sourced from court transcripts, documentaries and books to make the MOW pass the "Based on a true story" legal threshold.

1/20 – 10/20

Story Producer Buried In The Backyard (Season 3)

Oxygen — TV — Renegade 83 Details
1/20 – 10/20

Story Producer, writing episode scripts and VO scripts, putting episode string outs and pulls together for editors, following through episode during multiple rounds of network notes.

8/19 – 10/19

Writer Neighbor in the Window

Lifetime — TV — Lifetime Networks Details
8/19 – 10/19

I re-wrote a movie of the week for Lifetime networks. NEIGHBOR IN THE WINDOW is a suburban thriller inspired by a true story. Worked with executives, producer, and director to make script ready for casting and production.

5/18 – 12/18

Story Producer Flea Market Flip (Season 13)

HGTV — TV — Banca Productions Details
5/18 – 12/18

Created string outs of raw footage for competitive, design show - 32 episodes.

Unions

  • Producers Guild of America (PGA)
  • Writers Guild of America (WGA)

Self ID

I identify with the following groups:

  • Ethnicity: White or Caucasian
  • Gender: Woman

Recos

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Vince D'Orazi
Development
Margaux is a highly-skilled storyteller, who has always made my job (as her supervisor), a whole lot easier. She has a knack for crafting well thought out story beats, both in the field and in post. She also excels at creative problem-solving, and I ...MORE...

Education

Class of '08

Warner Brothers Writers Workshop

Six month fellowship program for television writing
Class of '02

Writers BootCamp

Two Year professional screenwriting program
Class of '01

USC

Cinematic Arts

Skills

  • Avid
  • Final Cut Pro
  • Stringouts
  • True crime
  • Producing Story in the Field
  • Writing.
  • renovation shows
  • Post Production Supervision