• Utilizing Avid, Premiere CC, and FCP7 to assist editors in the creation of commercial, documentary, and feature content for clients including: Paramount, Warner Bros, Nissan, and Toyota • Managing workflows from a variety of cameras including: Blackmagic, C500, 7D, and GoPros • Preparing content for finishing using in DaVinci Resolve and ProTools.
Summary
Michael, a First Assistant Editor, based in Los Angeles, has 2 First Assistant Editor credits and 1 Second Assistant Editor credit, and has been a member since 2013.
Credits
2/20 – 5/20
First Assistant Editor – An American Pickle
Film (Feature-length) — Point Grey Pictures
2/20 – 5/20
11/18 – 2/19
Second Assistant Editor – Brightburn
Film (Feature-length) — The H Collective
11/18 – 2/19
12/17 – 3/18
First Assistant Editor – Hotel Artemis
Film (Feature-length) — The Ink Factory
12/17 – 3/18
4/15 – 4/16
Assistant Editor (AVID) – Electric Love
TV — Bert Marcus Productions
4/15 – 4/16
3/15 – 4/15
Online Editor (AVID) – Nightingale
Film (Feature-length) — Bandito Brothers
3/15 – 4/15
8/14 – 12/14
Assistant Editor (AVID) – Breaking Barriers
National Geographic — TV — Bandito Brothers
8/14 – 12/14
1/14 – 8/14
Assistant Editor (AVID) – Chop Shop
Film (Feature-length) — Bandito Brothers Details
1/14 – 8/14
9/13 – 12/13
Assistant Editor (Avid, Premiere CC, FCP7, DaVinci Resolve, AE) – Satchi & Satchi
Toyota — Advertising — Bandito Brothers Details
9/13 – 12/13
• Utilizing Avid, Premiere CC, and FCP7 to assist editors in the creation of commercial, documentary, and feature content for clients including: Paramount, Warner Bros, Nissan, and Toyota • Managing workflows from a variety of cameras including: Blackmagic, C500, 7D, and GoPros • Preparing content for finishing using in DaVinci Resolve and ProTools.
Unions
Recos
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Education
Class of '10
Boston University
BS/Film and Television
Skills
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