Lit using mix of Kino, Arri, and Joker kits in Manhattan office environment
Summary
The right team changes everything. I'm comfortable with any Sony F3, Black Magic Cinema Camera, RED, or DSLR team. I have fundamental lighting experience on shorts and commercials, including still photography projects.
Credits
12/14 – 12/14
Production Assistant – Weight Watchers - Christmas Carols
Vimeo — Digital — Magnet Media Group
12/14 – 12/14
11/14 – 11/14
Grip – Hello, Welcome to Heaven (Pilot)
Funny or Die — Digital Details
11/14 – 11/14
4/14 – 4/14
Associate Producer – Holistic MBA - Transformational Coaching Method
Corporate
4/14 – 4/14
1/14 – 1/14
Assistant Director (Multiple Web Commercials)
Freshman Support — Advertising
1/14 – 1/14
7/12 – 12/13
Assistant Camera (AC) (Lead)
Multiple Auto Commercials — Advertising Details
7/12 – 12/13
On-going Camera assistant for DP. automotive commercials in Austin and surrounding citites.
11/13 – 11/13
Production Assistant – Tubbin With Tash at Fun Fun Fun Fest
A&E — Live/Special Event — Hachacha / Jash Details
11/13 – 11/13
On set of two day production at FFF8 with Jash, assisting with contacting and interacting with talent and musicians, crew, FFF-fest executives and third-party liasons. Transportation of talent, assisting with creative camera shots, and misc. tasks when needed.
9/13 – 9/13
Assistant Camera (AC) (Black Magic Cinema Camera) – Widow
Film (Feature-length) Details
9/13 – 9/13
Conceptualized 5-minute short, script supervised and maintained continuity, interacted with Kino/Omni lighting equipment, assisted BMCC camera and varying lenses and equipment.
9/13 – 9/13
Producer – The Spectral Shutter
Film (Feature-length) Details
9/13 – 9/13
Organized talented crew for Splatterfest Short film competition, main lead liaison for all departments, produced and finalized within 48-hours. Awarded, Best Suspense Nominated, Best Scare Honorable Mention, Best Film
Recos
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