David Bogard

Traveled to Talladega for shoot. Generated legal agreement/clearance forms. Licensed race footage from Talladega Spring race.

Working for NASCAR, as Coordinating Producer to create Production Shoot Schedule. Credentialed entire crew and cast. Traveled to shoot and handled all footage for final episode, clearance paperwork, releases for driver to appear on camera, releases for team for sign for all brands that appear on drivers firesuit/car, etc.

Traveled to Talladega for shoot and secured 4 drivers for campaign. Licensed footage and handled legal agreements and releases.

Handled all clearance paperwork and releases. Put together schedule with 5 NASCAR drivers to interviews. Licensed footaged. Traveled to Michigan and Las Vegas for shoots.

Act as lead for NASCAR information from outline to final cut. Travel to Kentucky and Ohio for shoots. License footage for show and get clearances from team and team members cleared. Secured participation of driving school and track.

Handled all releases, legal agreements. Coordinated with Charlotte Motor Speedway, Concord Track and NASCAR Racing School as with as Roush-Fenway team for creative locations to shoot episode. Licensed footage, traveled to Charlotte to manage crew/talent for shoot. Involved in notes/rough cuts for authencity.

Act as lead for NASCAR information from outline to script to final cut. Travel to Atlanta for shoot. Get assets from teams (cars/haulers/uniforms/garage gak, etc.) Provide stock car footage for final cut. Notes to producers for authenticity.

Traveled to Las Vegas Speedway with Fred Savage (director) and writer/producers to educate them about NASCAR. Handled all clearances, releases. Traveled to Auto Club Speedway for shoot. Brokered deal with stock car company for use of car and stunt driver. Licensed footage. Provided notes on final cut for accuracy.

Lead production meetings via NASCAR and got sponsors to send assets (cars, haulers, garage eqiupment) for shoot. Secured 4 NASCAR drivers to appear as themselves in the episode. Provided stock footage for final cut of episode. Provide notes through outline to script phases for authencity to stock car racing.

Act as lead for NASCAR information from outline to script to final cut. Involved NASCAR racing school, talked to Chevy for pace cars, negotiated location fee from Michigan Speedway for shoot. Pushed across social media and NASCAR organization for tune-in.

License footage, secure and deliver NASCAR drivers to set. Gives notes on rough cut of episode as it related to NASCAR for accuracy. Generated legal agreements, releases.

Responsible for on-set shooting at Track (Talladega Superspeedway, Charlotte Motor Speedway), NASCAR driver talent releases, team releases (logos), licensing footage, creative notes. Reviewed/gave notes for all rough cuts for authenticity. Worked with Sony National Promotions to review/develop national promotions. Secured NASCAR Partners (Fortune 500) to participate in the film.

Read scripts, do research and analysis for all names/product/trademarked and copyrighted items. First line of defense against lawsuits against the studio. Type reports, interact on a case by case basis with Productions. Also, handled all animated shows/films for the studio.

Create production drafts and distribution for entire Company + Cast. Research for writers on police procedures Process payments through WGA for writing staff Track all business affairs agreements Work with Warner Bros. clearances to make 'cleared' changes to the scripts.

Generate scripts/revisions, typed in writers room, handled clearances for the pilot.

Generate and distribute scripts, proof-read all writers scripts/outlines. Business affairs work to ensure all writers got paid for outlines/scripts, etc.

Responsible for generation/distribution of scripts, typed in writers room (revisions and joke pitches).

Responsible for generation of scripts, proof-read writers 1st drafts, typed revisions to script in writers room/joke pitches, etc.

Responsible for generation of scripts/revisions, typed revisions/jokes in writers room.

In charge of all scripts, distributed scripts/typed revisions/joke pitches in the writers room.

Typed revisions/jokes/pitches in the writers room.

Worked in the writers room typing notes/revisions/joke pitches for a group of 12-15 writers.

Transcribed Officer Reynolds microcassettes to go along with police segment. Timed out episodes Wrote one-line description for each episode Assisted writers with research on LAPD procedure