Yonatan Aviram

Managed all day to day operations for production, from pre-production through wrap, in office and on set. Handled all request for all departments, including opening accounts, expanse tracking, PC. Booked travel for both crew and talent. Tracked all start paper work for crew and SAG/AFTRA paper work for talent.

Managed all day to day operations for production, from pre-production through wrap, in office and on set. Handled all request for all departments, including opening accounts, expanse tracking, PC. Booked travel for both crew and talent. Tracked all start paper work for crew and SAG/AFTRA paper work for talent.

Managed all day to day operations for production, from pre-production through wrap, in office and on set. Handled all request for all departments, including opening accounts, expanse tracking, PC. Booked travel for both crew and talent. Tracked all start paper work for crew and SAG/AFTRA paper work for talent.

Provided full technical support to the camera department. I was in charge of prepping all the camera's and cabling. Building video village in the field for three cameras and trouble shooting any issues. I was also the active AC on set, assisting the director of photography and camera operators.

Provided on set support to the director of photography in studio and on location. Worked closely with the DP to plan hidden camera bits, that included GoPros, hand held cameras and various spy cams. Provided support and trouble shooting for the show's studio cameras, which were Panasonic HPX900.

Worked closely with the director of photography to build an appropriate camera package for a three camera studio shoot. I also managed the logistics and needs of the camera department per the DP. Camera assistant on set. Grip and lighting swing during pre-light construction.

Provided on set support to the director of photography in studio and on location. Designed a live to tape recording setup for five cameras and video switcher board. Provided support and trouble shooting for the show's hero cameras, which were 1980's Ikegami studio cameras.

Managed the logistics of the camera department, by figuring out the needs of particular scenes and sourcing the needed equipment. Troubleshooting any issues encountered by the camera department. Provided full AC support to the director of photography and camera operators.

Provided on set support to the director of photography in studio and on location. Worked closely with the DP to plan hidden camera bits, that included GoPros, hand held cameras and various spy cams. Provided support and trouble shooting for the show's hero cameras, which were 1980's Ikegami studio cameras.

Provided full technical support to the camera department. I was in charge of prepping all the camera's and cabling. Building video village in the field for three cameras and trouble shooting any issues. I was also the active AC on set, assisting the director of photography and camera operators.