- Watch down episodes for any clearance issues and prep them for attorneys review . - Maintaining clearance logs for both fair use and licensing from rough cut to final. - Acquiring and clearing additional materials if needed.
Summary
Archival/Clearance producer with years of experience in research, clearance, and licensing archival materials for major film & television projects.
Credits
9/23 – 1/24
Clearance Coordinator – iCRIME (Season 2)
Fox — TV — Scott Sternberg Productions Details
9/23 – 1/24
5/22 – 1/24
Archival Producer – Dying to Race
Film (Feature-length) — Medium Productions Details
5/22 – 1/24
- Sourcing and clearing third party materials - Negotiating licensing fees with third parties - Completing licensing and clearance paperwork for final deliverables
11/22 – 4/23
Archival Producer – Building The Unbuildable
Film (Short) — Tribeca Details
11/22 – 4/23
- Source, acquire, and clear archival materials - Work with lead editors on locating desired archival or secondary options - Negotiate licensing rates and terms with third party vendors - Complete licensing contracts and all necessary paperwork for network deliverables
9/22 – 3/23
Archival Producer – Dark Marvels (Season 1)
History — TV — B17 Entertainment/Copper Hill Entertainment Details
9/22 – 3/23
- Researched and cleared historical materials both copyrighted and public domain. - Licensed and prepped clearance paperwork for final deliverables. - Negotiated fees and maintained a budget for 4 hour long episodes.
2/22 – 5/22
Archival Producer – Playground LA (Season 1)
Unknown — TV — Bron Studios Details
2/22 – 5/22
- Sourcing and clearing third party materials - Negotiating licensing fees with third parties - Completing licensing and clearance paperwork for final deliverables
5/21 – 12/21
Archival Producer – The End Of The World
Showtime — Film (Feature-length) — Altimeter Films Details
5/21 – 12/21
- Source, acquire, and clear archival materials - Work with lead editors on locating desired archival or secondary options - Negotiate licensing rates and terms with third party vendors - Complete licensing contracts and all necessary paperwork for network deliverables - Assist legal team on fair use assessments and final contract language
8/20 – 9/21
Archival Producer – Brain Games On The Road (Season 1)
National Geographic — TV — The Mission Productions Details
8/20 – 9/21
-Research and fact-check for a science-based program. -Acquiring and clearing third party materials. -Annotating scripts for network -Assisting creative with development and proper execution of science-based games.
11/19 – 7/20
Producer – Helter Skelter
epix — TV — Rogue Atlas Details
11/19 – 7/20
- Responsible for research, clearance and licensing of archival materials for a 6 part documentary series. - Negotiating with vendors on licensing rates and terms. - Managing , delegating, and instructing the clearance team - Assisting editors in locating and clearing difficult to find materials - Managing an archival budget of over nearly 7 figures. - Assisting legal with licensing agreements and all clearance matters
Recos
Education
Class of '06
Fullsail: Real World Education
Associate degree in Science for Film/Television Production
Skills
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