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Where the bottom line, the creative, and the client satisfaction intersect. A multihyphenate who tackles scripts, brass tacks, and network retention. I love making content (branded & editorial) around comedy, sports, and occu-follow. Let's create!
1/20 – 1/21
Comedy Central — TV — Embassy Row
1/20 – 1/21
7/20 – 7/20
NBC — TV — Mark Burnett Productions Details
7/20 – 7/20
NY field producer for contestant home follows
1/19 – 8/19
VP of Production
Staff Position — Avalon
1/19 – 8/19
3/19 – 7/19
Fuse — TV
3/19 – 7/19
1/19 – 5/19
Comedy Central — TV
1/19 – 5/19
5/18 – 1/19
Executive Producer (EP)
Staff Position — Above Average Productions Details
5/18 – 1/19
Co-Created, developed, and produced a modeling series for a digital platform, slated to air November '18
4/18 – 8/18
Executive Producer (EP)
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Camp Runway
E! Entertainment — Digital Details
4/18 – 8/18
Co-created, developed, and sold a 10-episode series for E!'s Snapchat channel.
This began with interest in a print article. My partner and I then shot and chopped a sizzle and brought it to market. 10 episodes were ordered and delivered within 4 months as per network request.
4/17 – 4/18
Senior Producer
Staff Position — Above Average Productions
4/17 – 4/18
9/15 – 3/17
Producer
Staff Position — Above Average Productions
9/15 – 3/17
7/15 – 9/15
Travel — TV — Sharp Entertainment
7/15 – 9/15
10/14 – 7/15
HGTV — TV — Departure Films
10/14 – 7/15
5/14 – 9/14
Discovery — TV — Matador Content
5/14 – 9/14
2/14 – 5/14
Pivot — TV — Left/Right Inc.
2/14 – 5/14
8/11 – 3/14
Digital — Funny or Die Productions Details
8/11 – 3/14
While constantly keeping our comedic demographic in mind: Audition cast, hire crew, acquire equipment, build relationships and negotiate with vendors, acquire celebrity talent by meeting with agents and managers, create and monitor budgets, see the projects to fruition from pre-pro through delivery, and having an awesome time with it all!
11/13 – 12/13
Digital — Half Yard Productions Details
11/13 – 12/13
Schedule talent
Hot Sheets
AVID--organizing bins, clips
AD on set
pre-pro, production, post
8/13 – 11/13
History — TV — Half Yard Productions Details
8/13 – 11/13
Generate story ideas
Tune-up scripts and ideas the appropriately flow with the voice of the cast
Logistics/physical production: Locations, clearance, props, wardrobe, scouting
Hot Sheets
Field notes
Monitor budget
Interviewing
Prep, shoot, wrap out
5/13 – 7/13
Yahoo — Yahoo! Studios Details
5/13 – 7/13
Assisted the producer in generating scripts, ordering production equipment, crewing up,stringouts in post, social media advertising of the show, and culinary shopping for the food stylists.
2/13 – 4/13
Discovery — TV — Red Line Films Details
2/13 – 4/13
Assist the field producer and the production at-large in executing the creative. This meant preparing shot lists, checking off what still needs to be shot, continuity, scheduling with cast, and logging daily hot sheets.
1/13 – 2/13
TruTV — TV — Funny or Die Productions Details
1/13 – 2/13
Locking several locations for this prank show, permits, licensing, insurance certs., and acquiring audience/background.
8/12 – 11/12
Comedy Central — TV — Funny or Die Productions
8/12 – 11/12
8/12 – 10/12
Yahoo — Digital — Funny or Die Productions Details
8/12 – 10/12
Crew hires, cast auditions, equipment rentals, orchestrate table reads, music licensing, time cards, wrap binder, call sheets, PRs.
1/12 – 3/12
IFC — TV — Abso Lutely Productions Details
1/12 – 3/12
Handled SAG/AFTRA paperwork for A-list celebrities (loan-outs, etc.). Received talent wardrobe sizes for fittings. Spoke with agents and managers about scheduling. Informed talent and their managers of call times and sent most updated scripts. Found background talent on LA Casting, Central Casting, etc., per the director's requested look.
12/11 – 12/11
Film (Feature-length) Details
12/11 – 12/11
Assisted the 1st AD and 2nd AD in wrangling talent, delegating duties to PAs, and setting/directing background actors.
9/11 – 12/11
Second Second Assistant Director
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Free Ride
Film (Feature-length) Details
9/11 – 12/11
Delegated duties to PAs, directed background actors, wrangled talent, and completed production reports.
5/11 – 8/11
Production Assistant (PA)
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The Sessions
Film (Feature-length) — Rhino Films Details
5/11 – 8/11
Maintain inter-department connection on set via walkies, echoing AD calls, running base camp and putting talent through the works, and distributing call sheets, sides, and collecting out times.
3/11 – 6/11
Comedy Central — TV — Comedy Bang! Bang! Productions
3/11 – 6/11
2/11 – 5/11
HBO — TV
2/11 – 5/11
9/10 – 5/11
The CW — TV Details
9/10 – 5/11
Day-player for 3 seasons: Distributed walkies, scripts, and sides to talent and crew. Wrangled talent. Maintained proper communications with all departments with standard walkie protocol and keeping the depts. informed.
8/10 – 11/10
Film (Feature-length) Details
8/10 – 11/10
Echoing AD calls, call sheets, collecting out times for PRs, distributing sides and scripts, lock-ups, running base camp.
9/09 – 6/10
Promotion Assistant
Staff Position — ESPN
9/09 – 6/10
Class of '09
Loyola University Chicago
B.A. Journalism B.A. Theology