Schuyler Finn

Coordinated all logistics/schedule on location for Director. Liaison between the field and New York Office with call sheets, field reports, hot sheets, beat sheets and production reports. In charge of all petty cash, releases and managing crew. Kept track of everything that was shot and still needed throughout shoot.

I book/schedule my own shoots. I do interviews before, during and after each call as well as direct my cameraman and shoot b camera. I get releases signed, take notes on tape content, write story cards for the editors and back in the office I organize all digital media.

Produce a documentary for Travel Channel on the famous "Arctic Man" festival dubbed the Mardi Gras of Alaska, consisting of extreme ski/snowmachine races. Interviews with the people who put on the festival while tracking racers, bartenders and partygoers to really get the feel of the madness.

I book/schedule my own shoots. I do interviews before, during and after each call as well as direct my cameraman and shoot b camera. I get releases signed, take notes on tape content, write story cards for the editors and back in the office I organize all digital media.

I book/schedule my own shoots. I do interviews before, during and after each call as well as direct my cameraman and shoot b camera. I get releases signed, take notes on tape content, write story cards for the editors and back in the office I organize all digital media.

Liaison between National Geographic and PSG Films for all post-production needs. Managed all regular and edit deliverables, making sure everything was done and delivered on time.

Went undercover as a street racer in Kent, WA in this special about street racing and what law enforcement is doing to crack down on it. I was hanging with the street racers undercover with hidden cameras while another coworker was with the cops trying to bust the racing.

Assisted the executive producer on all preproduction, coordinating with the cast and crew and helping on set with anything that needed to be done including releases, tape management and interviews.

Liaison between National Geographic and PSG Films for all post-production needs. Managed all regular and edit deliverables, making sure everything was done and delivered on time. Helped book and coordinate crews in the field.

Acquired a business visa, traveled to Russia with all of the gear and managed a local Russian crew during the filming in Vladimir, Russia.