Brandt Wrightsman

• Identified and optioned true-crime book proposal that was developed with partners at Anonymous and recently sold to HBO as a 3-part limited docuseries, to be directed by Erin Lee Carr • Managed Film/TV slate in all stages of development for two executives: Matt DeRoss & Kerry Roberts • Identified and tracked material for slate sourced from avail packages, specs, articles, books, plays, and pitches • Curated lists of writers for projects, and worked directly with artists to adapt material • Managed creative decks and pitch formats to sell projects to various networks and studios • Coordinated pitches and general meetings with writers and filmmakers - forging strong relationships with talent, producers, managers and agents • Provided detailed creative notes to share with writers, producers, and studio on outlines, pitches, and drafts. • Managed Anonymous’ first look relationship with The Atlantic – interfaced with executives from the publisher end and distributed upcoming articles to the company in a monthly companywide memo • Identified material from The Atlantic for internal film/tv development

• Coordinated calls, pitches, screenings, and all relevant materials with producers and artists when pitching series or subsequent seasons to networks and studios • Maintained internal creative grids, and followed up on submissions related to slate and potential development • Identified and tracked high-volume of incoming material for consideration to develop for film and television • Booked travel, handled on ground logistics, and misc. duties during productions on: ONE DOLLAR (CBS All Access), PHILIP K DICK’S ELECTRIC DREAMS (Amazon), CITIZEN (Hulu) • On-set production experience on: ONE DOLLAR (CBS All Access), CITIZEN (Hulu/Pilot) • Coordinated Awards and Publicity campaigns for release of QUARRY (Cinemax); THE END OF THE TOUR (A24) • Built a companywide coverage department from the ground up, distributing material to a freelance staff of more than 25 readers to service the coverage needs of all departments, across the entire company

Typical duties: rolled calls, heavy scheduling, travel, expenses, other numerous requests on the fly • Managed schedules, draft submissions, and booked meetings for high-level talent including Hugh Jackman, Luke Evans, Alfred Molina, and Richard Madden • Handled daily interactions with executives, producers, managers, and filmmakers across all studios and independent productions • Provided detailed notes and coverage

Hired by KCHUNG radio to produce ongoing weekend broadcast series at the Hammer Museum's Biennial 2014 show 'Made in LA'. Coordinating and scheduling original content for livestream broadcast and acting liaison between museum staff and our production and talent teams so as to not interfere or overlap with competing museum programming.

work closely with ADs and production staff to maintain daily shooting schedules.

Typical Set Production Assistant duties, work closely with ADs and production dept to maintain schedule including lockups, load-in, load-out, fire watch, wrangle talent, etc.

•Tracking elements from inception of dailies through finishing •Heavily client services oriented, managing relationships between staff editors and agency producers •Coordinating between production and agency for reception of all offline elements pertaining to job

•Managing fast paced, post production department with three editors and assistants •Overseeing production and distribution of dubs and cuts •Spotting VFX to identify various beauty and picture fixes •Spotting Sound to locate dialogue and group ADR fixes •Scheduling principal and guest actors for ADR •Write POs and maintain budget log