Miles Henderson

I was the Lead Assistant Camera/Junior Camera Operator. I was in charge of day to day camera needs for the Director of Photography. I would assist in shooting B-Roll for locations, as well as shooting B-Roll during basketball games. I would maintain a working spreadsheet of settings and information for the shows camera needs.

During principle photography I was responsible for assisting camera operators, downloading media and setting up timelapses with Go Pros, as well as any other B-Roll I could get.

My responsibilities including maintaining the cameras and camera operators as they endured multiple obstacle courses, with the cameras receiving hits from mashed potatoes and fake blood.

During principle photography my responsibilities included building six camera packages, including an interview set-up. I would sit in on interviews, which consisted of a basic green screen set-up. I was responsible for over seeing 5 other AC's, facilitating their needs, including replacing lost or broken gear. I was also responsible for sending out shot tapes for each day, as well as maintaining tape stock.

During production there were multiple locations with hiking through rugged locations. My responsibilities included loading gear for the following shoot days on location. I was also responsible for assisting the evening camera operators, maintaining gear, and rigging vehices with Go Pros.

I was the Lead Assistant Camera, my responsibilities included assembly of cameras; as well as running hard lines for the show.

Inventory of gear, maintenance of camera, logging daily media and micing talent.

I was responsible for the daily set-up of video village at a minimum of three locations per day. As well as keeping track of shot and unshot media, I would also handle camera maintenance. During production I would assist in lighting for each location.

My responsibilities included transporting the A.C. and equipment to location and assisting the set-up of lighting and the control room.

My responsibilities include cleaning office space, passing out call sheets, transporting crew or equipment to location. During the last 3 days of production I was promoted to Assistant Camera.

Working as sound mixer for interviews featuring renowned golfer Aanika Sorenstam.

I was in charge of bringing talent to and from location.

My responsibilities included setting up prompter and operating prompter for Mike Bender, a renowned golf coach who trained 2007 Masters Champion Zach Johnson.

My responsibilities included setting up wireless Lavalier microphones on talent and mixing audio.

Featuring the Florida Marlins; 2013: Production Assistant. During production I worked with both the grip and electric departments, as well as boom operating for certain shots.

My responsibilities included handing out call sheets, maintaining the office space, transporting wardrobe to individual vendors and setting up green room space for designers, models and judges.

My responsibilities included handing out call sheets for the next day and assisting the Assistant Director on set.

My responsibilities included running battery to camera operators and running P2 Cards to the Editor.