Oversee brick charging and hot swapping for the BMCC 2.5k, slating, lens switching, setting down spike tape for actor and steadicam blocking,
Summary
Currently seeking work in Colorist and DIT avenues
Credits
11/14 – 11/14
Colorist – The Pride
Film (Short)
11/14 – 11/14
7/14 – 7/14
Assistant Camera (AC) (Black Magic 4k Camera) – Phaesporia
Film (Feature-length) — Swine Films
7/14 – 7/14
5/14 – 5/14
Colorist – Merch Girl
Film (Short)
5/14 – 5/14
11/13 – 11/13
Second Assistant Camera – Deadly Gamble
Film (Feature-length) Details
11/13 – 11/13
10/13 – 10/13
First Assistant Camera – Black Curry
Film (Feature-length) Details
10/13 – 10/13
Pulled focus for steadicam, maintained camera equipment, swing grip one day.
7/13 – 7/13
DIT (Digital Imaging Technician) – Party Balloons
Film (Feature-length) Details
7/13 – 7/13
Backed up .R3Ds on production drives, presented one lights to DP using RCX, recycled mags, exported ProRes for editorial, created digital copies of camera reports.
6/13 – 6/13
DIT (Digital Imaging Technician) – A Man Full of Trouble
Film (Feature-length) Details
6/13 – 6/13
Backed up .R3Ds on production drives, presented one lights to DP using RCX, recycled mags, exported ProRes for editorial, created digital copies of camera reports.
10/12 – 11/12
DIT (Digital Imaging Technician) – The Hypnotist
Film (Feature-length) Details
10/12 – 11/12
Backed up footage on production drives, presented one lights and edited rough sequence for Director, recycled mags, exported ProRes for editorial, created digital copies of camera reports.
Media
Recos
Education
Class of '13
Temple University
B.A. in Film and Media Arts
Skills
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