Drew Curry

DIT for documentary featuring A-list talent. 2 FS7, 1 RED

MM for 2 FS7, A7SII, Osmo, 3 GoPros. Reality/doc format.

AC for 2 FS7, A7SII, Osmo, 3 GoPros. Reality/doc format.

AC for 2 FS7 reality show in/around Nogales, AZ/MX. Shooting on the border at the wall. Green screen interview days. B-roll.

AC for 5 FS7 in studio

Media Manager as well as AC. Footage dumped overnight and backed to master/backup/shuttle. Shuttles shipped to NYC Post team twice weekly.

AC for 2 Fs5, A7S, Osmo, 10 Gopro's in the field. Travel every few days. Shooting B-roll

Secure locations, book crews, budget reconciliation, put out fires, AD responsibilities when on set,

AC/DIT

Ac. Three 2 camera crews. Shot in Kansas. Lots of GoPro in cars, lots of shooting on Osmo.

Ac/DIT

Media Managing for 4 RED Dragon's, 8 GoPros

Camera prep and shoot for JP Morgan/Chase. FS7

Managing media for 17 Surveillance cameras, 4 FS7's, 10 gopro's, 2 Osmo's, 1 A7S, 1 5D, 2 audio mixers. 3 backups per card. Writing up detailed camera reports for each.

AC for one day of "beauties"

Grip for Interview/reality shoot

Grip for a live event. Set-up/breakdown for a Fox Live event. 9 90' monitors, running lines through large venue. LED light-wall with 25 light bars.

Operating for a live feed Facebook show. Talk show format.

Managing for a 4 camera shoot, at crowded sweet 16.

Assisting Art Director, building our set, scanning an office for props to steal, lifting heavy items

Camera assistant. Managing camera packages and tech room. Shooting timelapses throughout the day.

Assisting an Arri Alexa. Pulling focus.

Shooting for a surprise talk-show (unsuspecting guests). Basic stage set-up, shoot, breakdown.

Operating robo (surveillance) cameras in each room on a show similar to "The Real World". Shooting B-roll and early AM scenes on C300.

AC/DIT for 3 C300's, 2 5D's, 4 GoPro's. Lots of 'build/process' scenes. Every day I operated a C300 or 5D.

Corporate presentation with L'oreal. Camera Prep. Blocking. Setting up lav mics and booming interviews. Managing gear. Gear returns.

Camera prep - managing gear

Building/prepping cameras for fashion show shoot, securing our location on media stage, assisting DP whenever necessary

Scouting locations in Brookhaven, Long Island. Generic strip malls, nail salons, copy/print shops. Briefing store owners on what we are looking for, and getting their contact info, as well as permission to take interior photos.

Working directly with Unit PM - in charge of setting up and managing all Unit supplies. Making sure all tents/video village/talent holding are set up properly. WORKING ON A LARGE FARM - LOTS of heavy lifting across long distances, making it work on a marshland, general PA responsibilities.

Shooting on hidden cameras. I prepped them, and then hid them in a public lunch area on our subjects.

Prepping cameras, setting up for interviews, set dressing, making production runs

Hidden Camera game show on NYC streets. Building Camera. Managing gear, handling media, guiding shooters through busy sidewalks. Shooting B-roll

Managing all gear. Charge/swap batteries. Media handling. Assisting DP with lighting and setting up. ALSO, a PRODUCING role: working with chef to keep dishes coming for beauties. Following producer notes to make sure we hit all major points.

Building and setting up lights, building/prepping cameras, assisting DP and Op with anything/everything, managing equipment, driving gear van,

Running with crew of 3: AC, DP, Shooter/Producer. 2 PMW-300's. General AC responsibilities: charging bricks, swapping media, building cameras. ALSO - Production responsibilities: handling PC/CC, driving, getting crafty and lunch. ALSO - DIT responsibilities - uploading footage through Shotput, backing up, sending Lacie drives to office. Managing grip equipment.

Preparing for final leg of the race. Making runs, airport pickups, crafty, receipts, crew transpo. Managing heavy equipment - ATV's, jet ski's (preparing them for the anticipated arrival of contestants - confirming they are functional, safe, fully based, etc.)

AC for 2 Sony 300's. Building cameras, charging/swapping batteries, building lights and helping light scenes, slating each take, keeping camera reports for our DIT. Crew traveled throughout CT, upstate NY, and Philadelphia. Traveled every night after working, I drove the cargo van long distance, managed gear in the hotel.

AC for 5 C300's, 1 Sony Fs700, 1 Canon 5D, 2 GoPros. General AC duties: charging and swapping bricks, swapping lenses, setting up scenes, managing media, building rigs, slating scenes, managing camera dept. area and our gear.

Assisting the A2 and audio department. Removing Lav mic's from contestants, keeping logs of the frequencies and communicating that with our audio mixers in the field, keeping logs of which mic and frequency is on each contestant as we were swapping mics on different contestants throughout the day.

Web Commercial shoot for ShockTop Beer. Unscripted reality. AC for 1 C300, 1 5D. Swapping bricks/media, building cameras, carrying tripods, assisting DP wherever possible.

2 F800's, 2 GoProsBuilding cameras, setting back focus, writing tape logs, charging/swapping all bricks, lighting set-up, run and gun B-roll shoots in a jam-packed NYC, loading gear in and out of location. DIT responsibilities. Dumping and managing all shot media.

Building two C300's and Movi 10. Jam syncing C300's. Shooting B-roll (Movi and tripod) on C300, 5D Mark 3, two (2) GoPro 3 Black. Managing all gear. All grip/gaff work. Securely packing/unpacking gear for travel every 4 days. Formatting/pulling all shot media - keeping shot logs. Key PA responsibilities.

Transporting equipment from Fire Island, NY via ferry and/or water taxi, crafty set-up, inventory of expendables, overnight fire watch

Pre Production: Prepping two new houses for Nicole and Jenni to move in. They are both very pregnant. Prepping stage for the day: restock crafty area/coolers/bathrooms, check trash, prep walkies/bricks. Runs for Production/Art department. Crew pickups in NYC/Philly. Drove box truck to NYC.

Pre-production work - Culinary dept, Art dept, Lighting, Production assistance. Unloading and organizing kitchen appliances and equipment. Converting warehouse into Top Chef set. Helping G&E build and install Lyco's. Set construction and painting. Crew/Talent shuttle. Dealing with contestants who want to pry info out of PA's.

Shuttling crew from hotel to locations, appearance releases for every person in some extremely crowded and bustling restaurants, locking down sidewalks and corners during filming, doing runs, assisting on B-roll shoots, keeping all releases/walkies/crafty/equipment nicely organized in our van.

Acquiring rental van from Edge Auto in Brooklyn, pick up crew in Midtown Manhattan and drive to Jersey Shore, surveillance of corners/sidewalks while shooting, crafty pick up/set up, van surveillance. Comfortable and not phased in presence of celebrities.

Dance studio renovation show. Assisting with Art department on the actual renovation. Assisted G&E with installing light bars throughout a massive studio space for roaming cameras. Surveillance while shooting. Setting up crafty area/pop up tent. Driving 16 ft. box truck. Crew shuttle in vans.

Assisted the D.P. with managing equipment, delivered footage to our HQ from the field, worked directly with the producer during RC Heli fly-by shots, assisted during the interview process.

Working directly with the D.P. on set design/lighting, placing marks on set, assisting producers/talent on set, helping to conduct interviews, making runs, settling outside distractions (sqwuaking parrots).