On Avid Symphony; Organize dailies; Cut Next On/Prev Ons; Create sound design, create temp VFX; Turnover for online and sound; prep for delivery to network
Summary
In the last two years, I edited eight films. It gave me ample editing and assistant editing experience. I'm also a good collaborator that enjoys working with other editors from which I learn an enormous amount. Please visit my website www.lillyurban.com
Credits
10/14 – 4/15
Assistant Editor – Faking It (Season 2)
MTV — TV Details
10/14 – 4/15
1/14 – 5/14
Post Production Assistant – Faking It (Season 1)
MTV — TV Details
1/14 – 5/14
- Clerical Work - Dropoffs and pickups to and from Production, MTV offices, and Post-Houses
6/13 – 12/13
Editor (FCP, Premiere Pro) – The Propeller Group
Internet — The Propeller Group Details
6/13 – 12/13
- Organized footage and edited videos for Harvard University
4/13 – 11/13
Editor – The Young Americans
Film (Feature-length) Details
4/13 – 11/13
- Edited on Avid Symphony - Shot on 35mm. Captured from HDSR and dailies synced in Avid - Cutlist created for a 2K scan DI - Elements, including EDLs and AAFs, created for Sound House
1/13 – 8/13
Editor (Avid Symphony) – Stray Dogs
Film (Feature-length) Details
1/13 – 8/13
⁃ Edited on Avid Symphony ⁃ Shot on F65, F3, and Red Epic, so I am familiar with the workflow of many different cameras ⁃ Footage ingested, synced, and transcoded in NextLab ⁃ NextLab used to create EDLs and online footage into Da Vinci Resolve
4/12 – 6/12
Editor – The Man Who Found DB Cooper
Film (Feature-length) Details
4/12 – 6/12
- Edited on Avid Symphony - Shot on Sony XDCAM - Dailies synced in Avid Symphony - Outputted to HDCAM
2/12 – 4/12
Editor (Avid Symphony) – Manny is Psychic
Film (Feature-length) Details
2/12 – 4/12
⁃ Edited on Avid Symphony ⁃ Shot on Sony XDCAM. Footage consolidated, synced, and organized in Avid Symphony ⁃ VFX done in After Effects ⁃ Sound Design and Mix in Protools
Media
Recos
Education
Class of '13
AFI Conservatory
MFA Film Editing
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