Eric Schulkin

-Oversaw all production for secondary filming location at the Daily Mail’s Astor Place Newsroom including lighting, audio, running teleprompter, and streamlining correspondent talent’s story copy under live to tape deadlines -Wrote to and pulled elements for broadcast tape segments -One man band (lighting, audio, camera) on dozens of Field Shoots and sit-down interviews regularly 3-4 a week -Accountable for the care, maintenance, and organization of tens of thousands of dollars worth of Field equipment

-Accountable for upkeep and inventory of all office assets (Supplies, Machines, Facilities, etc.) for Daytime TV Production Company numbering 120+ staff and crew spanning two locations (Production Office + Studio) -Regularly collaborates with and fills in as needed for Reception, Audience, Travel, and Field departments -Interfaces with and helps manage contracted crew paperwork necessitated for multiple field shoots across the country over the course of a taping week -Coordinates weekly shuttle van service running between Production Office and Studio sites servicing staff and transportation of time-sensitive show materials -Assists with overseeing 10+ interns per cycle, delegating daily tasks, and providing an instructive work experience

-Answered Phones -Assisted all Departments -Went on equipment runs in Production Van -Ordered and distributed Production lunches for office of 35 -Ran errands -Performed upkeep tasks in Production Office including management of crafty

Assisted in preparing studio for Podcast recording and while studio was in session, watched down the content, making note of Time Code when sensitive situations (explicit language, mention of parent corporation) arose. Took the initiative on organizing the studio space and control center.

Drove a Cargo Van from Production Office in Queens to Southampton with office equipment in tow. Unloaded at Producer's house, drove back to Office then loaded in. Then assisted with general tasks around the office before dropping the Cargo Van off at the appropriate vendor.

-Entered metadata for all HD/SD long form programming Backup Masters (~40 50 per day) into MediaPulse tape database -Operated as a nexus point of communication between Quality Control, Production Services, and other arms of the Post Production department so as to ensure broadcast program files were ready by scheduled air date

-Juggled multiple tasks within tight deadlines while exhibiting great attention to detail and possessing an excellent customer service attitude in support of the Production + Broadcast of programs across AETN’s varied content platforms (History, Lifetime, A&E) - Responsible for upkeep of AETN’s Media Archive numbering some 500,000 plus tapes

-Screened submissions and liaised with selection committee for Festival and clients for MSN, FOX, and BIO content competitions -Utilized Social Media aggregator HootSuite to construct a Social Media blueprint for the Festival week with scheduled tweets and posts -Worked under venue supervisor during Festival directing outside lines for screenings