Operating the clapperboard (slate) at the beginning of each take, marking the actors as necessary, and maintaining all records and paperwork for the camera department.
Summary
I'm a filmmaker originally from North Carolina, currently residing in Atlanta, Georgia. I have wide-ranging knowledge of film and video projects from inception to completion. Effective at coordinating professional shoots and working with strict deadlines.
Credits
9/13 – 9/13
Camera Production Assistant – Santa's Boot Camp
Film (Feature-length) — Creative Studios of Atlanta Details
9/13 – 9/13
10/12 – 3/13
First Assistant Director – Jerry
Film (Feature-length) — Western Carolina Univeristy Details
10/12 – 3/13
My job as 1st AD included: setting the shooting schedule, tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking the arrival of cast and crew, maintaining order on the set, rehearsing cast, and directing extras.
10/12 – 1/13
Director (Segment: Hoodie Weather) – Cinema Slasher Presents: Night Whispers
Film (Feature-length) — Cinema Slasher Details
10/12 – 1/13
Director of the segment titled "Hoodie Weather".
9/12 – 12/12
Producer – Prophets of Time - Better Watch Out
Music Video Details
9/12 – 12/12
Prepared and supervised the making of the video.
9/12 – 11/12
First Assistant Camera – Emeralds of the East
Film (Feature-length) Details
9/12 – 11/12
Proper setup and maintenance of ARRI D21. Changed the lens’s focus distance setting in correspondence to the moving subject’s physical distance from the focal plane.
5/12 – 7/12
Key Grip – One Hell of an Angel
Film (Feature-length) — Gorilla with a Mustache Details
5/12 – 7/12
Chief grip (lighting and rigging technician) on the set. Additionally, the safety monitor of the film set, responsible for safety of all personnel in the presence of theatrical ballistics, pyrotechnics, stunts, and any other potentially dangerous situations and devices operated by other departments.
12/11 – 2/12
Best Boy Grip – Crossroads
Film (Feature-length) Details
12/11 – 2/12
Responsible for the day-to-day operation of the lighting or grip department. Loading and unloading production trucks; planning and implementing the lighting or rigging of locations.
9/11 – 11/11
First Assistant Camera – Moses Cove
Film (Feature-length) Details
9/11 – 11/11
Proper setup and maintenance of the Red One: MX. Changed the lens’s focus distance setting in correspondence to the moving subject’s physical distance from the focal plane.
Recos
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Education
Class of '13
Western Carolina University
BFA: Motion Picture and Television Production
Skills
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